Schola Gregoriana Pragensis | |
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Choir | |
Founded | 1987 (36 years ago) |
Founder | David Eben |
Genre | Medieval sacred music including Gregorian chant and Bohemian polyphony |
Music director | David Eben |
Awards | Choc du monde de le musique 10 de Repertoire Zlatá Harmonie |
Website | www |
Schola Gregoriana Pragensis (English: The Gregorian School of Prague) is an a cappella male voice choir from the Czech Republic, founded in 1987 by David Eben. Their core repertoire consists of Gregorian chant, Bohemian plainchant, and early polyphony, but they also perform modern works including some composed for them.
The Schola Gregoriana Pragensis is a choir from the Czech republic with primary focus on Gregorian chant and Bohemian plainchant. The choir formed in 1987 under the direction of David Eben and was restricted in its repertoire to only liturgical music for the first two years. Since the Velvet Revolution of 1989, the choir has extended its repertoire to include a variety of sacred music, with particular focus on Gregorian chant (monophonic Latin liturgical music) and early polyphony.
The choir has won several awards, including the Choc du monde de le musique, 10 de Repertoire and Golden Harmony (Zlatá Harmonie). [1] Since inception they have toured a variety of countries.
Of particular importance is the choir's work in researching and performing Bohemian plainchant and early polyphony.[ citation needed ]
The choir has between six and nine members with a repertoire of various sacred music. They have toured many countries, including Japan, Israel, Norway, Sweden, Italy, Spain, France, Germany, Austria, Belgium, the Netherlands, Luxembourg, Switzerland, Slovakia, Hungary and Poland. [1]
Their work in the interpretation of medieval music, with particular focus on Bohemian plainsong, is particularly significant with a focus on the symbolism of neumatic notation from the 10th and 11th centuries.[ citation needed ] Performances feature the original Bohemian plainchant tradition, including the earliest examples of polyphony. In addition they have performed music from 14th and 15th century and more modern compositions, including some written specifically for the group.
They have produced numerous recordings under the Supraphon and other labels.
The choir has participated in early music festivals, including the Festival Early Music at Utrecht in 2014. [2]
The work of David Eben and the choir has featured in Czech academic publications related to musicology. [3]
David Eben | |
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Born | Prague, Czech Repulblic | 6 January 1965
Genres | Early Music and Choral direction |
Occupation(s) | Academic |
Instrument(s) | Vocal, clarinet |
Years active | 1992–present (2016) |
Website | http://www.gregoriana.cz/en/stranka/david-eben |
David Eben [4] is the son of composer Petr Eben and is the founder and director of Schola Gregoriana Pragensis. He started studies in musicology at the philosophy school of the Charles University in Prague in 1986 following completion of his training in clarinet at the Prague Conservatory. He began concentrating on mediaeval music in 1986 and graduated from Paris Conservatory (Conservatoire de Paris) having studied Gregorian chant conducting.
He established the Schola Gregoriana Pragensis in 1987.
He regularly teaches theory and practice of Gregorian chant at summer school at Musiques et Patrimoine Rânes, Normandy, France and at the Festival de Musique Sacré de Fribourg in Switzerland.
He has collaborated with Czech radio to produce programs on Gregorian chant. [1]
As of 2016 [update] , he works at Charles University in Prague, where he lectures in musicology and liturgy.
He is a member of the music group Eben Brothers .
The group has made the following recordings: [1] [6] [7]
Plainsong or plainchant is a body of chants used in the liturgies of the Western Church. When referring to the term plainsong, it is those sacred pieces that are composed in Latin text. Plainsong was the exclusive form of Christian church music until the ninth century, and the introduction of polyphony.
An antiphon is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers.
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant.
Petr Eben was a Czech composer of modern and contemporary classical music, and an organist and choirmaster.
The Magnus Liber or Magnus liber organi, written in Latin, was a repertory of medieval music known as organum. This collection of organum survives today in three major manuscripts. This repertoire was in use by the Notre-Dame school composers working in Paris around the end of the twelfth and beginning of the thirteenth centuries, though it is well agreed upon by scholars that Leonin contributed a bulk of the organum in the repertoire. This large body of repertoire is known from references to a "magnum volumen" by Johannes de Garlandia and to a "Magnus liber organi de graduali et antiphonario pro servitio divino" by the English music theorist known as Anonymous IV. Today it is known only from later manuscripts containing compositions named in Anonymous IV's description. The Magnus Liber is regarded as one of the earliest collections of polyphony.
The Winchester Troper refers to two eleventh-century manuscripts of liturgical plainchant and two-voice polyphony copied and used in the Old Minster at Winchester Cathedral in Hampshire, England. The manuscripts are now held at Cambridge, Corpus Christi College 473 and Oxford, Bodleian Library Bodley 775 . The term "Winchester Troper" is best understood as the repertory of music contained in the two manuscripts. Both manuscripts contain a variety of liturgical genres, including Proper and Ordinary chants for both the Mass and the Divine Office. Many of the chants can also be found in other English and Northern French tropers, graduals, and antiphoners. However, some chants are unique to Winchester, including those for local saints such as St. Æthelwold and St. Swithun, who were influential Bishops of Winchester in the previous centuries. Corpus 473 contains the most significant and largest surviving collection of eleventh-century organum. This polyphonic repertoire is unique to that manuscript.
Mary Berry, also known as Sister Thomas More, was a canoness regular, noted choral conductor and musicologist. She was an authority on the performance of Gregorian chant, founding the Schola Gregoriana of Cambridge to revive this ancient style of music.
Ambrosian chant is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church.
Marek Kopelent was a Czech composer, music editor and academic teacher, who is considered to have been at the forefront of the "New Music" movement, and was one of the most-published Czech composers of the second half of the 20th century.
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The Choralis Constantinus is a collection of over 375 Gregorian chant-based polyphonic motets for the proper of the mass composed by Heinrich Isaac and his pupil Ludwig Senfl. The genesis of the collection is a commission by the Constance Cathedral for Isaac, at that time the official court composer for the Holy Roman Emperor Maximilian I, to compose a set of motets for the special holy days celebrated in the diocese of Constance. Isaac was in Constance at the time with the Imperial court as Maximilian had called a meeting of the German nobility (Reichstag) there. The music was delivered to the Constance Cathedral in late 1508 and early 1509.
Otto Albert Tichý was a Czech composer, teacher and organist.
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The Cappella Giulia, officially the Reverend Musical Chapel Julia of the Sacrosanct Papal Basilica of Saint Peter in the Vatican, is the choir of St. Peter's Basilica that sings for all solemn functions of the Vatican Chapter, such as Holy Mass, Lauds, and Vespers, when these are not celebrated by the Pope. The choir has played an important role as an interpreter and a proponent of Gregorian chant and sacred polyphony.
The Schola Cantorum was the trained papal choir during the Middle Ages, specializing in the performance of plainchant for the purpose of rendering the music in church. In the fourth century, Pope Sylvester I was said to have inaugurated the first Schola Cantorum, but it was Pope Gregory I who established the school on a firm basis and endowed it. The choir ranged anywhere from twenty to thirty boys or men. Only the most skilled in singing were selected to participate in the Schola Cantorum.
Gregoriana Amsterdam is a vocal ensemble specialized in the reconstruction and performance of Gregorian chant based on tenth-century sources. Gregoriana was initiated by Reinier van der Lof in 2002. Since its foundation Gregoriana has been directed by Geert Maessen. Since 2006 Gregoriana also has a female branch, initially called Virga. Gregoriana’s home is the Church of St. Peter and St. Paul, Amsterdam, where every first and third Saturday of the month at 16:00 Vespers are sung and every first Sunday at 10:30 Holy Mass. Until September 2019 Gregoriana's home has been the Amsterdam Obrechtkerk.
A Choralschola, known simply as schola, is a choir for singing Gregorian chant or plainsong. It consists traditionally of only men, but more recent groups sometimes also include female voices. A schola often performs in uniform. The group may perform in the liturgy of church services, but some specialized ensembles also perform concerts and recordings, such as the Choralschola der Wiener Hofburgkapelle and the Schola Gregoriana Pragensis.
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With the concert of the Schola Gregoriana Pragensis we moved forward almost two centuries. This ensemble focuses on early plainchant and polyphony from Bohemia.