| Schoolgirl Diary | |
|---|---|
 Alida Valli and Irasema Dilián | |
| Directed by | Mario Mattoli |
| Written by | Aldo De Benedetti Marcello Marchesi Mario Mattoli Laura Pedrosi |
| Produced by | Giulio Manenti |
| Starring | Alida Valli |
| Cinematography | Jan Stallich |
| Edited by | Fernando Tropea |
Release date |
|
Running time | 95 minutes |
| Country | Italy |
| Language | Italian |
Schoolgirl Diary (Italian : Ore 9: lezione di chimica) is a 1941 Italian "white-telephone" drama film directed by Mario Mattoli and starring Alida Valli. [1]
Alida Maria Laura, Freiin Altenburger von Marckenstein-Frauenberg, better known by her stage name Alida Valli, was an Italian actress who appeared in more than 100 films in a 70-year career, spanning from the 1930s to the early 2000s. She was one of the biggest stars of Italian film during the Fascist era, once being coined "the most beautiful woman in the world" by Benito Mussolini, but managed to find continued international success post-World War II. According to Frédéric Mitterrand, Valli was the only actress in Europe to equal Marlene Dietrich or Greta Garbo.
Irasema Dilián was an actress. Born in Brazil to Polish parents, she began her film career in Italy, and appeared in Italian, Spanish and Mexican films.
Maddalena, Zero for Conduct is a 1940 Italian "white-telephone" comedy film directed by Vittorio De Sica. It is a remake of the Hungarian film Magda Expelled (1938).
Invisible Chains is a 1942 Italian drama film directed by Mario Mattoli and starring Alida Valli, Carlo Ninchi and Giuditta Rissone. It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Ottavio Scotti and Mario Rappini.
Stasera niente di nuovo is a 1942 Italian drama film directed by Mario Mattoli and starring Alida Valli.
Life Begins Anew is a 1945 Italian melodrama film directed by Mario Mattoli and starring Alida Valli, Fosco Giachetti and Eduardo De Filippo. It was the second most popular Italian film during 1945-46 after Roberto Rossellini's Rome, Open City.
The Merry Widower is a 1950 Italian romance film directed by Mario Mattoli and starring Carlo Dapporto, Isa Barzizza and Amedeo Nazzari. It was shot at the Farnesina Studios in Rome. The film's sets were designed by the art director Piero Filippone.
Malombra is a 1942 Italian drama film directed by Mario Soldati and starring Isa Miranda, Andrea Checchi and Irasema Dilián. It is based on the novel Malombra by Antonio Fogazzaro, which had previously been adapted into a 1917 silent film of the same title. It was made at Cinecittà with sets designed by Gino Brosio. It was produced by Riccardo Gualino's Lux Film.
The Ferocious Saladin is a 1937 Italian "white-telephone" comedy film directed by Mario Bonnard and starring Angelo Musco, Alida Valli and Lino Carenzio. The film was made at Cinecittà in Rome. On 28 April 1937, Benito Mussolini visited the newly completed studio. Along with the historical epic Scipio Africanus, this was one of the films he saw being made. The film, a vehicle for the Sicilian comedian Angelo Musco, is about an unsuccessful old comedian forced to find another work. While he is selling cakes in a theatre, the audience discover the highly sought-after collectible cards of "The Ferocious Saladin". Inspired by the event, the comedian sets up a successful comic piece on stage.
The First Woman Who Passes is a 1940 Italian historical comedy film directed by Max Neufeld and starring Alida Valli, Carlo Lombardi and Niní Gordini Cervi. The film is set in eighteenth century France. It was made at the Palatino Studios in Rome.
Red Tavern is a 1940 Italian "white-telephone" comedy film directed by Max Neufeld and starring Alida Valli, André Mattoni, and Lauro Gazzolo. It was made at Cinecittà in Rome. A young woman eventually marries a count after a series of misunderstandings.
The Courier of the King is a 1947 Italian historical film directed by Gennaro Righelli and starring Rossano Brazzi, Irasema Dilián and Valentina Cortese. It is an adaptation of the 1830 novel The Red and the Black by Stendhal. It was the final film of the veteran director Righelli, who had previously directed a silent version of the story in 1928.
The Secret Lover is a 1941 Italian drama film directed by Carmine Gallone and starring Alida Valli, Fosco Giachetti and Vivi Gioi. It was made at Cinecittà in Rome.
The Two Orphans is a 1942 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, María Denis and Osvaldo Valenti. It was based on the play The Two Orphans by Adolphe d'Ennery and Eugène Cormon, one of many film adaptations. It was made at Cinecittà in Rome.
The Two Sergeants is a 1936 Italian historical film directed by Enrico Guazzoni and starring Evi Maltagliati, Gino Cervi and Mino Doro. It was based on the play The Two Sergeants by Theodore d'Aubigny, which has been made into films several times. It is set in the Napoleonic Wars. The film marked the debut of Alida Valli who had until recently been a student of the Centro sperimentale di cinematografia. Valli went on to be a leading star of Italian cinema.
Manon Lescaut is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Vittorio De Sica and Lamberto Picasso. It is an adaptation of the Abbé Prévost's novel of the same title.
The Song of Life is a 1945 Italian melodrama film directed by Carmine Gallone and starring Alida Valli, Carlo Ninchi and María Mercader. It is set during the German occupation of Rome in the Second World War before the Liberation of the city in 1944.
A Thousand Lire a Month is a 1939 Italian "white-telephone" comedy film directed by Max Neufeld and starring Alida Valli, Umberto Melnati and Osvaldo Valenti. It is a remake of the 1936 Hungarian film Havi 200 fix. The plot concerns an electronic engineer who goes to Budapest, accompanied by his girlfriend, to work on experiments for a new television system leading to countless mix-ups.
Music on the Run is a 1943 Italian "white-telephone" musical comedy film directed by Carlo Ludovico Bragaglia and starring Gino Bechi, Irasema Dilián and Guglielmo Barnabò.
Beyond Love is a 1940 Italian historical drama film directed by Carmine Gallone and starring Alida Valli, Amedeo Nazzari and Osvaldo Valenti. It is based on the 1829 novella Vanina Vanini by Stendhal.
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