Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
Erotic art in Pompeii and Herculaneum has been both exhibited as art and censored as pornography. The Roman cities of Pompeii and Herculaneum around the bay of Naples were destroyed by the eruption of Mount Vesuvius in 79 AD, thereby preserving their buildings and artefacts until extensive archaeological excavations began in the 18th century. These digs revealed the cities to be rich in erotic artefacts such as statues, frescoes, and household items decorated with sexual themes.
Giovanni Battista Tiepolo, also known as GiambattistaTiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain.
The art of Europe, also known as Western art, encompasses the history of visual art in Europe. European prehistoric art started as mobile Upper Paleolithic rock and cave painting and petroglyph art and was characteristic of the period between the Paleolithic and the Iron Age. Written histories of European art often begin with the Aegean civilizations, dating from the 3rd millennium BC. However a consistent pattern of artistic development within Europe becomes clear only with Ancient Greek art, which was adopted and transformed by Rome and carried; with the Roman Empire, across much of Europe, North Africa and Western Asia.
Walters Art Museum is a public art museum located in the Mount Vernon section of Baltimore, Maryland. Founded and opened in 1934, it holds collections from the mid-19th century that were amassed substantially by major American art and sculpture collectors, including William Thompson Walters and his son Henry Walters. William Walters began collecting when he moved to Paris as a nominal Confederate loyalist at the outbreak of the American Civil War in 1861, and Henry Walters refined the collection and made arrangements for the construction what ultimately was Walters Art Museum.
Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.
Jan Frans van Bloemen was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition.
Giovanni Domenico Tiepolo was an Italian painter and printmaker in etching. He was the son of artist Giovanni Battista Tiepolo and elder brother of Lorenzo Baldissera Tiepolo.
Giovanni Battista Gaulli, also known as Baciccio or Baciccia, was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini.
Giuseppe Maria Crespi, nicknamed Lo Spagnuolo, was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings.
Sebastiano Ricci was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
Tommaso Laureti, often called Tommaso Laureti Siciliano, was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism.
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta, wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced.
The Trinci Palace is a patrician residence in the center of Foligno, central Italy. It houses an archaeological museum, the city's picture gallery, a multimedia museum of Tournaments and Jousts and the Civic Museum.
The Continence of Scipio, or The Clemency of Scipio, is an episode in the life of the Roman general Scipio Africanus, recounted by the historian Livy. During Scipio's campaign in Spain during the Second Punic War, he refused to accept a ransom for a young female prisoner, returning her to her fiancé Allucius, who in return became a supporter of Rome. Scipio's magnanimous treatment of a prisoner was regarded as an exemplar of mercy during warfare in classical times. Interest in the story revived in the Renaissance and the episode became a popular topic for literary works, visual arts, and operas.
Publius Cornelius Scipio Africanus was a Roman general and statesman, most notable as one of the main architects of Rome's victory against Carthage in the Second Punic War. Often regarded as one of the greatest military commanders and strategists of all time, his greatest military achievement was the defeat of Hannibal at the Battle of Zama in 202 BC. This victory in Africa earned him the honorific epithet Africanus, literally meaning 'the African', but meant to be understood as a conqueror of Africa.
Gerolamo Mengozzi Colonna was an Italian painter, mostly of frescoed quadratura.
Allegory of the Planets and Continents is a 1752 painting by Italian artist Giovanni Battista Tiepolo. Done in oil on canvas, the allegorical work uses human figures to represent members of the Greco-Roman pantheon, the planets, and four continents. The painting is an elaborate oil sketch made by Tiepolo in preparation for rendering a similar, larger version of the scene as a massive fresco. Between December 1750 and November 1753, Tiepolo was commissioned to decorate the Prince-Bishop of Würzburg Karl Philipp von Greifenclau zu Vollraths newly constructed palace on the ceiling of a staircase. He created a massive fresco of over 600 m2, considered the largest fresco in the world and is often thought to be his greatest achievement. The intricate painting depicts figures circling around Tiepolo's rendering of Apollo, the sun god; this represents planets orbiting the Sun. The cornice of the painting symbolize the continents Europe, America, Africa, and Asia.
The Ca' Dolfin Tiepolos are a series of ten oil paintings made c.1726–1729 by Giovanni Battista Tiepolo for the main reception room or salone of the Palazzo Ca' Dolfin, the palazzo of the patrician Dolfin family in Venice. The paintings are theatrical depictions of events from the history of Ancient Rome, with a typically Venetian emphasis on drama and impact rather than historical accuracy. They were painted on shaped canvases and set into the architecture with frescoed surrounds.
Masinissa, also spelled Massinissa, Massena and Massan, was an ancient Numidian king best known for leading a federation of Massylii Berber tribes during the Second Punic War, ultimately uniting them into a kingdom that became a major regional power in North Africa. Much of what is known about Masinissa comes from the Livy's History of Rome, and to a lesser extent Cicero's Scipio's Dream. As the son of a Numidian chieftain allied to Carthage, he fought against the Romans in the Second Punic War, but later switched sides upon concluding that Rome would prevail. With the support of his erstwhile enemy, he united the eastern and western Numidian tribes and founded the Kingdom of Numidia. As a Roman ally, Masinissa took part in the decisive Battle of Zama in 202 BC that effectively ended the war in Carthage's defeat; he also allowed his wife Sophonisba, a famed Carthaginian noblewoman who had influenced Numidian affairs to Carthage's benefit, to poison herself in lieu of being paraded in a triumph in Rome.
