Related Research Articles
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas often consist of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
Suzanne Lacy is an American artist, educator, writer, and professor at the USC Roski School of Art and Design. She has worked in a variety of media, including installation, video, performance, public art, photography, and art books, in which she focuses on "social themes and urban issues." She served in the education cabinet of Jerry Brown, then mayor of Oakland, California, and as arts commissioner for the city. She designed multiple educational programs beginning with her role as performance faculty at the Feminist Studio Workshop at the Woman's Building in Los Angeles.
Salomón Huerta is a painter based in Los Angeles, California. Huerta was born in Tijuana, Mexico, and grew up in the Boyle Heights neighborhood of Los Angeles. Huerta received a full scholarship to attend the Art Center College of Design in Pasadena and completed his MFA at UCLA in 1998.
Kim Jones is a contemporary artist who lives and works in New York City.
Lorser Feitelson (1898–1978) was an artist known as one of the founding fathers of Southern California–based hard-edge painting. Born in Savannah, Georgia, Feitelson was raised in New York City, where his family relocated shortly after his birth. His rise to prominence occurred after he moved to California in 1927.
Ed Moses was an American artist based in Los Angeles and a central figure of postwar West Coast art.
Maxwell Hendler is an American painter. In 1975, he became the first contemporary artist to have pictures in the collection of the Metropolitan Museum of Art in New York.
Meg Linton is an American curator of contemporary art and a writer. Her curatorial efforts have ranged from historical investigations such as "Doin’ It in Public: Feminism and Art at the Woman’s Building", "The Los Angeles School: Karl Benjamin, Lorser Feitelson, Frederick Hammersley, June Harwood, Helen Lundeberg, John McLaughlin", and "In the Land of Retinal Delights: The Juxtapoz Factor" to showcasing the work of single artists who are stylistically different such as "Alison Saar: STILL.. .", "Robert Williams: Through Prehensile Eye," and "Joan Tanner: On Tenderhook" to group exhibitions such as "Mexicali Biennial 2010," "Do It Now: Live Green!" and "Tapping the Third Realm."
The Richard Kuhlenschmidt Gallery was a contemporary art gallery originally located in Los Angeles, California, USA. It played an important part in setting the stage for Los Angeles' emergence as an international art center in the 1980s. It opened in 1982 and eventually closed in 1993 but it was preceded by Jancar Kuhlenschmidt Gallery that put down most of the ground work for what would follow.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
Andrea Bowers, is an American artist working in a variety of media including video, drawing, and installation. Her work has been exhibited around the world, including museums and galleries in Germany, Greece, and Tokyo. Her work was included in the 2004 Whitney Biennial and 2008 California Biennial. She is on the graduate faculty at Otis College of Art and Design, and is Los Angeles–based.
Patricia Anne Smith, known professionally as Alexis Smith, was an American visual artist. She worked in collage and installation.
Patricia Faure was an American art dealer, photographer, and gallery owner, based in Los Angeles.
Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."
Jon Peterson (1945–2020) was an American artist, most known for his "guerrilla sculpture" in the 1980s and his stylistically eclectic paintings in the 2000s. He was active in the emergence of Los Angeles’s downtown art scene—partly captured in the 1982 documentary, Young Turks—as both an artist and real estate developer. His work has been commissioned by or exhibited at Los Angeles Contemporary Exhibitions (LACE), the San Diego Museum of Art, Washington Project for the Arts, Madison Museum of Contemporary Art, Houston Art Festival, Foundation for Art Resources, and the International Sculpture Conference. It has been discussed in Artforum, Art in America, ARTnews, Los Angeles Times, The Washington Post and The Village Voice, and recognized by the National Endowment of the Arts. Museum director and one-time Artforum critic Richard Armstrong wrote that his outdoor, urban "Bum Shelters" "neatly grafted function and relevance onto the sadly barren tree of public sculpture"; critic Peter Plagens called them "hand-made, subtly irregular riff[s] on Minimalism" that injected social consciousness into "erstwhile formalist work." Reviewers liken his painting practice in the 2000s to the "polymath"-model of Gerhard Richter, interchanging diverse styles and genres as a means to understanding the nature of painting itself. Peterson died March 4, 2020, at the age of 74, and is survived by his wife, Tanarat, and son, Raymond.
Kim McCarty is an artist and watercolor painter living and working in Los Angeles, California. Her work has been exhibited in over twenty solo exhibitions in New York and Los Angeles. She often works in large formats using layers of monochromatic colors.
Victor Estrada is an American artist living and working in Los Angeles.
Michael Frimkess is an American ceramic artist who lives in Venice, California. In the 1950s and 60s, he was a pupil of Peter Voulkos, a prominent figure in the California Clay Movement. Frimkess' pottery is noted for its classical style, employing forms from Greek, Chinese, and Indigenous American antiquity. His wife and collaborator, Magdalena Suarez Frimkess, paints his ceramic pieces, often using anachronistic, contemporary images like Minnie Mouse or Condorito. He is also well-known for his innovative wheel-throwing and firing techniques.
Gloria Kisch (1941–2014) was an American artist and sculptor known especially for her early post-Minimalist paintings and wall sculptures, and her later large-scale work in metal.
Michael Maloney is a Los Angeles-based art appraiser and art dealer. He owned and operated the Michael Maloney Gallery in Santa Monica, California (1985–90) and Maloney Fine Art in Culver City, California (2006–16), and since 1998 has pursued a career as an art appraiser and private dealer in Los Angeles and New York.
References
- ↑ Scott Grieger
- ↑ Lacy, Suzanne. Leaving Art: Writings on Performance, Politics, and Publics, 1974–2007
- ↑ Grieger Artist Statement
- ↑ Hunter Drohojowska Philip, (February 1, 1998) This Time, the Joke Is on Us. Los Angeles Times Calendar Section, pp. 60-61.
- ↑ OUT OF THIN AIR @LAX Artist Talk with Scott Grieger!
- ↑ The O-Files: Scott Grieger
| International | |
|---|---|
| National | |
| Artists | |
