Eugene Gladstone O'Neill was an Irish-American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy Long Day's Journey into Night is often included on lists of the finest U.S. plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman. He was awarded the 1936 Nobel Prize in Literature. O'Neill is also the only playwright to win four Pulitzer Prizes for Drama.
The Writers' Guild of Great Britain (WGGB), established in 1959, is a trade union for professional writers. It is affiliated with both the Trades Union Congress (TUC) and the International Affiliation of Writers Guilds (IAWG).
Kitty Carlisle Hart was an American stage and screen actress, opera singer, television personality and spokesperson for the arts. She was the leading lady in the Marx Brothers movie A Night at the Opera (1935) and was a regular panelist on the television game show To Tell the Truth (1956-1978). She served 20 years on the New York State Council on the Arts.
The Theatre Guild is a theatrical society founded in New York City in 1918 by Lawrence Langner, Philip Moeller, Helen Westley and Theresa Helburn. Langner's wife, Armina Marshall, then served as a co-director. It evolved out of the work of the Washington Square Players.
7:84 was a Scottish left-wing agitprop theatre group. The name comes from a statistic on distribution of wealth in the United Kingdom, published in The Economist in 1966, that 7% of the population of the UK owned 84% of the country's wealth.
Amateur theatre, also known as amateur dramatics, is theatre performed by amateur actors and singers. Amateur theatre groups may stage plays, revues, musicals, light opera, pantomime or variety shows, and do so for the social activity as well as for aesthetic values. Productions may take place in venues ranging from the open air, community centres, or schools to independent or major professional theatres.
Richard Kuranda is an American director and artist of stage, cinema and television. He currently is the CEO of the Raue Center for the Arts in Crystal Lake, Illinois and the current Artistic Director of Williams Street Repertory. A widower, he resides in Illinois with his four children. In 2018, Raue Center and Williams Street Rep retired an 8.8 million dollar debt under his leadership. What is more noteworthy, he negotiated a public/private deal which secured a 125 year subsidized lease at $100 per year with a 25-year corporate sponsorship from Home State Bank. This complimented an expansion of the Center's physical plant to include a new school and outdoor theater space. In 2005, The New York Times profiled Kuranda's artistic and producing work at the Eugene O'Neill Memorial Theater Center and labeled him as one of the nation's top theater talents to watch. It is noteworthy to point out Kuranda was the leader and produced all of the programs in a short-lived consolidation of all National Programs; halfway thru his tenure at the O'Neill he reversed the Board's consolidation of programs which lead to a rebirth of the O'Neill. Kuranda has had working relations with Former Senator Bob Kerrey, Senator Christopher J. Dodds, and others. Cumulative Box Office for projects developed under his leadership; 2.9 billion US.
Twentieth-century theatre describes a period of great change within the theatrical culture of the 20th century, mainly in Europe and North America. There was a widespread challenge to long-established rules surrounding theatrical representation; resulting in the development of many new forms of theatre, including modernism, expressionism, impressionism, political theatre and other forms of Experimental theatre, as well as the continuing development of already established theatrical forms like naturalism and realism.
As the new medium of cinema was beginning to replace theater as a source of large-scale spectacle, the Little Theatre Movement developed in the United States around 1912. The Little Theatre Movement served to provide experimental centers for the dramatic arts, free from the standard production mechanisms used in prominent commercial theaters. In several large cities, beginning with Chicago, Boston, Seattle, and Detroit, companies formed to produce more intimate, non-commercial, non-profit-centered, and reform-minded entertainments.
George Cram Cook or Jig Cook was an American theatre producer, director, playwright, novelist, poet, and university professor. Believing it was his personal mission to inspire others, Cook led the founding of the Provincetown Players on Cape Cod in 1915; their "creative collective" was considered the first modern American theatre company. During his seven-year tenure with the group, Cook oversaw the production of nearly one-hundred new plays by fifty American playwrights. He is particularly remembered for producing the first plays of Eugene O'Neill, along with those of Cook's wife Susan Glaspell, and several other noted writers.
Expressionism was a movement in drama and theatre that principally developed in Germany in the early decades of the 20th century. It was then popularized in the United States, Spain, China, the U.K., and all around the world. Similar to the broader movement of Expressionism in the arts, Expressionist theatre utilized theatrical elements and scenery with exaggeration and distortion to deliver strong feelings and ideas to audiences.
Casey Childs is the Founder of Primary Stages (www.primarystages.org)],[1] a New York State non-profit, Off-Broadway theater company in New York City. Since 1984, they have produced over 175 productions of new plays, many of them world premieres and all of them New York City premieres, by such writers as Sharon Washington, David Ives, Horton Foote, Charlayne Woodard, Melissa Manchester, Jeffrey Sweet, Donald Margulies, Terrence McNally, A.R. Gurney, John Patrick Shanley, Ike Holter, Tina Howe, Charles Busch, John Henry Redwood, Romulus Linney, Lee Blessing, Michael Cristofer, Mac Wellman, Lynne Alvarez, Willie Holtzman, Athol Fugard, Theresa Rebeck, Michael Hollinger and Julia Jordan. He produced the commercial moves of David Ives’ All in the Timing and Mere Mortals and oversaw the commercial moves of Charles Busch's You Should Be So Lucky and Colin Martin's Virgins and Other Myths. He also oversaw the transfer of Horton Foote's Dividing the Estate, which moved to the Booth Theatre on Broadway in association with Lincoln Center Theater. In 2013, in partnership with the New York Yankees, Primary Stages developed Bronx Bombers which played on Broadway at Circle in the Square. Primary Stages was the first theater to produce Conor McPherson work in the United States with St. Nicholas starring Brian Cox. He conceived, commissioned and directed the commercial Off-Broadway show Woman Before a Glass by Lanie Robertson about Peggy Guggenheim with Mercedes Ruehl which ran for seven months at the Promenade Theatre. Other plays he directed for Primary Stages include The Morini Strad by Willie Holtzman, Barefoot Boy With Shoes On by Edwin Sanchez, Bargains by Jack Heifner, Brutality of Fact by Keith Reddin, The Preservation Society by William S. Leavengood, Elsa/Edgar by Bob Kingdom, The Dolphin Position by Percy Granger, Lusting After Pipino's Wife by Sam Henry Kass, The Secret Sits in the Middle by Lisa-Maria Radano, Algerian Romance by Kres Mersky, Madam Zelena Finally Comes Clean by Ron Carlsen, Stopping the Desert by Glen Merzer, In September Woods by David Hill and Nasty Little Secrets by Lanie Robertson. Plays produced by Primary Stages have received many nominations and awards from the Obies, the Drama Desk, the Outer Critics Circle and the Audelco Awards for Excellence in Afro-American Theatre. Plays that began at Primary Stages have received multiple nominations for Tony Awards. In 2008, Primary Stages was honored for its Outstanding Body of Work by the Lucille Lortel Awards. Carnegie-Mellon University awarded Casey their Commitment to Playwrights Award in 1995. From 1982 until 1985, Casey was the Artistic Programs Director for the New Dramatists, America's oldest playwrights’ organization, where he conducted the workshops for over 75 new playwrights in developing over 300 new works. He oversaw the development of new plays by many new playwrights including August Wilson, Wendy Kesselman, John Ford Noonan, Thomas Keneally, Emily Mann, John Pielmeier, Steve Carter, Oyamo, James Yoshimora and Pedro Juan Pietre. Works developed during that time have received productions on and off Broadway and in many American regional theatres garnering Pulitzer Prizes, Tony Awards and other honors.
Stephen MacDonald was a British actor, director and dramatist.
Theatre in Scotland refers to the history of the performing arts in Scotland, or those written, acted and produced by Scots. Scottish theatre generally falls into the Western theatre tradition, although many performances and plays have investigated other cultural areas. The main influences are from North America, England, Ireland and from Continental Europe. Scotland's theatrical arts were generally linked to the broader traditions of Scottish and English-language literature and to British and Irish theatre, American literature and theatrical artists. As a result of mass migration, both to and from Scotland, in the modern period, Scottish literature has been introduced to a global audience, and has also created an increasingly multicultural Scottish theatre.
Ena Lamont Stewart was a Scottish playwright.
Events from the year 1903 in Scotland.
Sholto David Maurice Robertson, known as Toby Robertson, was the artistic director of the Prospect Theatre Company from 1964 to 1978. He was recognised as having "re-established the good name and reputation of touring theatre in the UK after it had become a byword for second-rate tattiness in the 1950s".
Literature in modern Scotland is literature written in Scotland, or by Scottish writers, since the beginning of the twentieth century. It includes literature written in English, Scottish Gaelic and Scots in forms including poetry, novels, drama and the short story.
The Gateway Theatre was a Category C listed building in Edinburgh, Scotland, situated on Elm Row at the top of Leith Walk.
Ronan Noone is an American playwright based in Boston, Massachusetts.
