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The Scuole Piccole of Venice are confraternities in the Republic of Venice. Unlike the more famous Scuole Grandi , membership in them was not restricted to citizens and indeed some of them were formed specifically for foreigners. Most Scuole, the scolae communes, were devoted to a particular saint or devotional cult, but some, the scuole delle arti, were associated with specific crafts or trade guild, and often obligatory for the members of that trade. [1]
The confraternities were officially divided into Piccole 'small' and Grandi 'great' in 1467. By the fall of the Republic, there were 925 scuole piccole. [2] Almost all scuole, grandi and piccoli, were suppressed by Eugène de Beauharnais, the Napoleonic Viceroy of Italy, in 1806–1807.
Besides commissioning some artworks for their own meeting houses—though not on the scale of the Scuole Grandi—many scuole also donated altarpieces to churches. [1]
Some Scuole Piccoli had dedicated meeting houses; many did not, and met in parish or conventual churches. [1] Some of the meeting places of these confraternities have been preserved.
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Jacopo Robusti, best known as Tintoretto, was an Italian Renaissance painter of the Venetian school. His contemporaries both admired and criticized the speed with which he painted, and the unprecedented boldness of his brushwork. For his phenomenal energy in painting he was termed il Furioso. His work is characterised by his muscular figures, dramatic gestures and bold use of perspective, in the Mannerist style.
Antonio Lotti was an Italian composer of the Baroque era.
The Grand Canal is the largest channel in Venice, Italy, forming one of the major water-traffic corridors in the city.
Vittore Carpaccio (UK: /kɑːrˈpætʃ oʊ/, US: /-ˈpɑːtʃ-/, Italian: [vitˈtoːre karˈpattʃo]; was an Italian painter of the Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina, as well as Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of St. Augustine in His Study from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
The Scuola Grande di San Rocco is a building in Venice, northern Italy. It is noted for its collection of paintings by Tintoretto and generally agreed to include some of his finest work.
The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.
The Scuole Grandi were confraternity or sodality institutions in Venice, Italy. They were founded as early as the 13th century as charitable and religious organizations for the laity. These institutions had a key role in the history and development of music. The first groups of bowed instrument players named Violoni were born there in the early 16th century.
Santa Maria dei Carmini, also called Santa Maria del Carmelo and commonly known simply as the Carmini, is a large Roman Catholic church in the sestiere, or neighbourhood, of Dorsoduro in Venice, northern Italy. It nestles against the former Scuola Grande di Santa Maria del Carmelo, also known as the Scuola dei Carmini. This charitable confraternity was officially founded in 1597, and arose from a lay women's charitable association, the Pinzocchere dei Carmini. The members of this lay group were associated as tertiaries to the neighbouring Carmelite monastery. They were responsible for stitching the scapulars for the Carmelites.
San Silvestro is a church building in the sestiere of San Polo of Venice, northern Italy.
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo sestiere of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five Scuole Grandi of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting Miracles of the Holy Cross. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website.
The Legend of Saint Ursula is a series of nine large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, commissioned by the Loredan family and originally created for the Scuola di Sant'Orsola (Ursula) in Venice, which was under their patronage. They are now in the Gallerie dell'Accademia in Venice.
The Scuola dei Greci was the confraternity of the Greek community in Venice. Its members were primarily Greeks, but also included Serbs.
The Scuola di San Giorgio degli Schiavoni in Venice, northern Italy, was one of the city's confraternities, a scuola piccola located in the sestiere (neighborhood) of Castello, Venice. Its building has been preserved.
The Scuola di Santa Maria degli Albanesi was a confraternity, a Scuola Piccola, for Albanian Christians Catholics, in Venice, northern Italy. Its building subsists.
The Adoration of the Magi by the Venetian artist Paolo Veronese is a large oil painting on canvas dated to 1573 which has been in the National Gallery, London since 1855, shortly after it was sold by the Venetian church for which it was commissioned. It shows the common subject in the Nativity art of the visit by the Three Kings to the infant Jesus, here given a grandly theatrical treatment typical of Veronese's mature works. It was not an altarpiece, having been painted to hang beside rather than over a side altar in the nave of the church.
Save Venice Inc. is a U.S. non-profit organization dedicated to the conservation of art and architecture and the preservation of cultural heritage sites in Venice, Italy. Headquartered in New York City, it has an office in Venice, a chapter in Boston, and supporters across the United States and Europe.
Scuola is part of the name of many primary and secondary schools in Italy, Italian-language schools abroad, and institutes of tertiary education in Italy. Those are not listed in this disambiguation article. It may also refer to:
This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.
The Venice State Archive, or State Archive of Venice, is located at Campo dei Frari, San Polo Venice.