"Sebastian, or, Virtue Rewarded" is the name of an unpublished poem written around 1815 by the 9-year-old Elizabeth Barrett, later famous as Elizabeth Barrett Browning. The autographed manuscript of the poem is held in the Henry W. and Albert A. Berg Collection of English and American Literature in the New York Public Library. Note that the ambitious young Elizabeth signs herself F. R. S. (Fellow of the Royal Society) on the cover shown right.
Elizabeth Barrett Browning was an English poet of the Victorian era, popular in Britain and the United States during her lifetime and frequently anthologised after her death. Her work received renewed attention following the feminist scholarship of the 1970s and 1980s, and greater recognition of women writers in English. Born in County Durham, the eldest of 12 children, Elizabeth Barrett wrote poetry from the age of eleven. Her mother's collection of her poems forms one of the largest extant collections of juvenilia by any English writer. At 15, she became ill, suffering intense head and spinal pain for the rest of her life. Later in life, she also developed lung problems, possibly tuberculosis. She took laudanum for the pain from an early age, which is likely to have contributed to her frail health.
The Barretts of Wimpole Street is a 1934 American romantic drama film directed by Sidney Franklin based on the 1930 play of the same title by Rudolf Besier. It depicts the real-life romance between poets Elizabeth Barrett and Robert Browning, despite the opposition of her abusive father Edward Moulton-Barrett. The film was nominated for the Academy Award for Best Picture and Shearer was nominated for the Academy Award for Best Actress. It was written by Ernest Vajda, Claudine West, and Donald Ogden Stewart, from the successful 1930 play The Barretts of Wimpole Street by Rudolf Besier, and starring Katharine Cornell.
Robert Browning was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type.
Sebastian may refer to:
Sonnets from the Portuguese, written c. 1845–1846 and published first in 1850, is a collection of 44 love sonnets written by Elizabeth Barrett Browning. The collection was acclaimed and popular during the poet's lifetime and it remains so today. Despite what the title implies, the sonnets are entirely Browning's own, and not translated from Portuguese.
Aurora Leigh is an 1856 verse novel by Elizabeth Barrett Browning. The poem is written in blank verse and encompasses nine books. It is a first-person narration, from the point of view of Aurora; its other heroine, Marian Erle, is an abused self-taught child of itinerant parents. The poem is set in Florence, Malvern, London and Paris. The work references Biblical and classical history and mythology, as well as modern novels, such as Corinne ou l'Italie by Anne Louise Germaine de Staël and the novels of George Sand. In Books 1–5, Aurora narrates her past, from her childhood to the age of about 27; in Books 6–9, the narrative has caught up with her, and she reports events in diary form. The author styled the poem "a novel in verse", and referred to it as "the most mature of my works, and the one into which my highest convictions upon Life and Art have entered". The scholar Deirdre David asserts that Barrett Browning's work in Aurora Leigh renders her "a major figure in any consideration of the nineteenth-century woman writer and of Victorian poetry in general". John Ruskin called it the greatest long poem of the nineteenth century.
Men and Women is a collection of fifty-one poems in two volumes by Robert Browning, first published in 1855. While now generally considered to contain some of the best of Browning's poetry, at the time it was not received well and sold poorly.
Flush: A Biography, an imaginative biography of Elizabeth Barrett Browning's cocker spaniel, is a cross-genre blend of fiction and nonfiction by Virginia Woolf published in 1933. Written after the completion of her emotionally draining The Waves, the work returned Woolf to the imaginative consideration of English history that she had begun in Orlando: A Biography, and to which she would return in Between the Acts.
"Sabbath Morning at Sea" is a poem by Elizabeth Barrett Browning first published in 1839, which Sir Edward Elgar set to music in 1899 as the third song in his song-cycle Sea Pictures.
Nationality words link to articles with information on the nation's poetry or literature.
The Barretts of Wimpole Street is a 1957 British CinemaScope historical film originating from the United Kingdom; it was a re-make of the earlier 1934 version by the same director, Sidney Franklin. Both films are based on the 1930 play The Barretts of Wimpole Street by Rudolf Besier. The screenplay for the 1957 film is credited to John Dighton, but Franklin used exactly the same script for the second movie as he did for the first. The film, set in the early 19th century, stars Jennifer Jones, John Gielgud, and Bill Travers.
Casa Guidi is a writer's house museum in the 15th-century patrician house in Piazza San Felice, 8, near the south end of the Pitti Palace in Florence, Italy. The piano nobile apartment was inhabited by Robert and Elizabeth Barrett Browning between 1847 and Mrs Browning's death in 1861. Their only child, Robert Barrett Browning, was born there in 1849.
"A Child Asleep" is a song, with lyrics from a poem written by Elizabeth Barrett Browning. It was set to music by the English composer Edward Elgar in December 1909 and published in 1910 by Novello. It was first published by Browning in 1840.
The Battle of Marathon is a rhymed, dramatic, narrative poem by Elizabeth Barrett. Written in 1820, when Barrett was aged 14, it retells the Battle of Marathon, during which the Athenians defeated a much larger invading force during the first Persian invasion of Greece.
"Meeting at Night" is a Victorian English love poem by Robert Browning. The original poem appeared in Dramatic Romances and Lyrics (1845) in which "Night" and "Morning" were two sections. In 1849, the poet separated them into the two poems "Meeting at Night" and "Parting at Morning". In the poem, the speaker is in urgency to meet his beloved and for this he has to travel through the sea at night to reach the beach where his lover is waiting.
Isa or Isabella Jane Blagden was an English-language novelist, speaker, and poet born in the East Indies or India, who spent much of her life among the English community in Florence. She was notably friendly with the Browning, Bulwer-Lytton and Trollope families.
"The Cry of the Children" is a poem by English writer Elizabeth Barrett Browning. It examines children's manual labor forced upon them by their exploiters. It was published in August 1843 in Blackwood's Magazine. This was shortly following the report into child labour by the Royal Commission of Inquiry into Children's Employment.
Charlotte Endymion Porter was an American poet, translator, and literary critic and the cofounder and coeditor of the journal Poet Lore. As the editor or coeditor of editions of the complete works of William Shakespeare, Robert Browning, and Elizabeth Barrett Browning, and as a translator of major writers from around the world for Poet Lore, she was influential in shaping the American literary taste of her day.
Two-Way Mirror: The Life of Elizabeth Barrett Browning is a 2021 book by British writer Fiona Sampson. The book examines the life of Victorian poet Elizabeth Barrett Browning, and is the first full biography of the poet in over 30 years. Sampson's analysis explores the personal life and political awakening of Barrett Browning.
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