Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
Benjamin Paul Akers was an American sculptor from Maine.
Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs, and small statuettes and figurines, as well as bronze elements to be fitted to other objects such as furniture. It is often gilded to give gilt-bronze or ormolu.
Harriet Goodhue Hosmer was a neoclassical sculptor, considered the most distinguished female sculptor in America during the 19th century. She is known as the first female professional sculptor. Among other technical innovations, she pioneered a process for turning limestone into marble. Hosmer once lived in an expatriate colony in Rome, befriending many prominent writers and artists.
Mary Edmonia Lewis, also known as "Wildfire", was an American sculptor, of mixed African-American and Native American heritage. Born free in Upstate New York, she worked for most of her career in Rome, Italy. She was the first African-American and Native American sculptor to achieve national and then international prominence. She began to gain prominence in the United States during the Civil War; at the end of the 19th century, she remained the only Black woman artist who had participated in and been recognized to any extent by the American artistic mainstream. In 2002, the scholar Molefi Kete Asante named Edmonia Lewis on his list of 100 Greatest African Americans.
The history of sculpture in the United States begins in the 1600s "with the modest efforts of craftsmen who adorned gravestones, Bible boxes, and various utilitarian objects with simple low-relief decorations." American sculpture in its many forms, genres and guises has continuously contributed to the cultural landscape of world art into the 21st century.
Randolph Rogers was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments.
Anne Whitney was an American sculptor and poet. She made full-length and bust sculptures of prominent political and historical figures, and her works are in major museums in the United States. She received prestigious commissions for monuments. Two statues of Samuel Adams were made by Whitney and are located in Washington, D.C.'s National Statuary Hall Collection and in front of Faneuil Hall in Boston. She also created two monuments to Leif Erikson.
The Resting Satyr or Leaning Satyr, also known as the Satyr anapauomenos is a statue type generally attributed to the ancient Greek sculptor Praxiteles. Some 115 examples of the type are known, of which the best known is in the Capitoline Museums.
The Mature Age, also named Destiny, The Path of Life or Fatality (1894–1900) is a sculpture by French artist Camille Claudel. The work was commissioned by the French government in 1895, but the commission was cancelled in 1899 before a bronze was cast. A plaster version of the sculpture was exhibited in 1899, and then cast in bronze privately in 1902. A second private bronze casting was made in 1913, and it is thought that the plaster version was destroyed at that time.
Brenda Putnam was an American sculptor, teacher and author.
Robert Wiedeman Barrett Browning, known as Pen Browning, was an English painter. His career was moderately successful, but he is better known as the son and heir of the celebrated English poets Robert Browning and Elizabeth Barrett Browning, of whose manuscripts and memorabilia he built up a substantial collection. He also bought and restored the Baroque palace Ca' Rezzonico in Venice.
Patricia Cronin is a New York-based feminist cross-disciplinary artist. Since the early-1990s, Cronin has garnered international attention for her photographs, paintings and sculptures that address contemporary human rights issues. Cronin's conceptual artistic practice transits across many aesthetic platforms addressing social justice issues of gender, sexuality and class, including: lesbian visibility, feminist art history, marriage equality and international rights of women and LGBTQ+ people. She subverts traditional art images and forms in a wide range of two and three-dimensional time-honored artists' materials and breathes new life into these images and forms by injecting her specific political content. Her critically acclaimed statue, "Memorial To A Marriage", is the first and only Marriage Equality monument in the world. A 3-ton Carrara marble mortuary sculpture of her life partner and herself was made before gay marriage was legal in the U.S., and has been exhibited widely across the country and abroad. Cronin began her career working for the Anne Frank Stichting (Foundation)Archived 2015-10-25 at the Wayback Machine in Amsterdam installing the traveling exhibition "Anne Frank in the World" in Europe and the U.S. Giving presence to female absence is a consistent thread that runs through and connects each body of work.
King and Queen is a bronze sculpture by Henry Moore, designed in 1952. It depicts two figures, one male and one female, seated beside each other on a bench, both facing slightly to the left. It is Moore's only sculpture depicting a single pair of adult figures. Moore's records suggest it was originally known as Two Seated Figures.
Louisa Lander (1826–1923) was a member of the expatriate community of American women sculptors who settled in Rome in the mid-nineteenth century, led by Charlotte Cushman and Harriet Hosmer. Lander was ostracized from this community in 1859 due to a rumored personal scandal, and many of the details of her later life remain unknown.
The Great God Pan is a bronze sculpture by American sculptor George Grey Barnard. Since 1907, it has been a fixture of the Columbia University campus in Manhattan, New York City.
Bacchante and Infant Faun is a bronze sculpture modeled by American artist Frederick William MacMonnies in Paris in 1893–1894.
Raised Left Hand is a bronze sculpture by Julio González displayed in the Museu Nacional d'Art de Catalunya, created in 1942, the year of his death. This work of art was created as a plaster cast, and then later cast in bronze. It is unclear if the when or if the artist cast the final sculpture. Other sculptures created within the last months of the artist's life were cast in bronze posthumous. For example, the other monumental sculpture created in this period, Head of theMontserrat, II, was cast in bronze after the artist's death.
Robert R. Livingston is an 1875 bronze sculpture of Robert R. Livingston, one of the Founding Fathers of the United States, executed by the New York born sculptor Erastus Dow Palmer. The state is installed in the United States Capitol, in Washington, D.C., as part of the National Statuary Hall Collection. It is one of two statues donated by the state of New York.
Iris, Messenger of the Gods is a bronze sculpture by Auguste Rodin. A plaster model, created between 1891 and 1894, was cast in bronze by Fonderie Rudier at various times from about 1895. Iris is depicted with her right hand clasping her right foot and her naked body posed provocatively with her legs spread wide, displaying her genitalia.
