The National Gallery of Victoria, popularly known as the NGV, is an art museum in Melbourne, Victoria, Australia. Founded in 1861, it is Australia's oldest and most visited art museum.
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print:
In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.
Art & Language is a conceptual artists' collaboration that has undergone many changes since it was created in the late 1960s. The group was founded by artists who shared a common desire to combine intellectual ideas and concerns with the creation of art. The first issue of the group's journal, Art-Language, was published in November 1969 in England.
John Henry Olsen AO OBE is an Australian artist and winner of the 2005 Archibald Prize. Olsen's primary subject of work is landscape.
Sali Herman was a Swiss-born Australian artist, one of Australia's Official War Artists for the Second World War.
Janet Dawson MBE is an Australian artist who was a pioneer of abstract painting in Australia in the 1960s, having been introduced to abstraction during studies in England. She was also an accomplished lithographic printer of her own works as well as those of other renowned Australian artists, a theatre-set and furniture designer. She studied in England and Italy on scholarships before returning to Australia in 1960. She won the Art Gallery of New South Wales Archibald Prize in 1973 with the portrait of her husband, Michael Boddy Reading. She has exhibited across Australia and overseas, and her work is held in major Australian and English collections. In 1977 she was awarded an MBE for services to art.
Ben Quilty is an Australian artist and social commentator, who has won a series of painting prizes: the 2014 Prudential Eye Award, 2011 Archibald Prize, and 2009 Doug Moran National Portrait Prize. He has been described as one of Australia's most famous living artists.
Susanne Helene Ford was an Australian feminist photographer who started her arts practice in the 1960s. She was the first Australian photographer to have a solo exhibition at the National Gallery of Victoria in 1974 with Time Series. A book of her portraits of women 'A Sixtieth of a Second' was published in 1987. Her photographs and eclectic practice was displayed in an exhibition at the National Gallery of Victoria in 2014.
The Château de Montsoreau-Museum Contemporary Art is a private museum open to the public in Montsoreau, France. It opened 8 April 2016. The permanent collection exhibited at Château de Montsoreau consists of Philippe Méaille's collection of works by the conceptual art collective Art & Language.
Julie Gough is an artist, writer and curator based in Tasmania, Australia.
Mel Ramsden is a British conceptual artist and member of the Art & Language artist group.
Michael Baldwin is a British conceptual artist, author and founding member of the Art & Language artist group.
Harold Hurrell is a British conceptual artist and former member of the Art & Language artist group.
Victorine is a four-act detective opera by the british conceptual artists Art & Language. It was created in English in the summer of 1983 and published in the collective's journal, Art-Language, volume 5, n°2 of March 1984. The French translation of the opera was first published in 1993 by the Galerie nationale du Jeu de Paume on the occasion of the Art & Language exhibition.
Index: Incident in a Museum is an extensive series of paintings produced between 1985 and 1988 by Michel Baldwin and Mel Ramsden, members of the British conceptual artists' collective Art & Language.
Nonggirrnga Marawili is an Australian Yolngu painter and printmaker. She is the daughter of the acclaimed artist and pre-contact warrior Mundukul. Marawili was born on the beach at Darrpirra, near Djarrakpi, as a member of the Madarrpa clan. She grew up in both Yilpara and Yirrkala in Arnhem Land in the Northern Territory, but lived wakir', meaning her family would move frequently, camping at Madarrpa clan-related sites between Blue Mud Bay and Groote Eylandt. As of May 2020 she lives and works in the community at Yirrkala.
Kay Lindjuwanga is an Aboriginal Australian artist from Maningrida in the Northern Territory of Australia. She is known for her bark paintings which often make use of Aboriginal rrark designs.
Mel O’Callaghan is an Australian-born contemporary artist who works in video, performance, sculpture, installation, and painting. Her work has been exhibited in solo and group exhibitions around the world and received a number of awards for her artistic practice, and her work is held in a various collections in Australia and France.
The Field, held August 21–September 28, 1968, was the inaugural exhibition at the National Gallery of Victoria’s new premises on St Kilda Road, launched by the director of London’s Tate gallery, Norman Reid, before an audience of 1000 invitees. Hailed then, and regarded since as a landmark exhibition in Australian art history, it presented the first comprehensive display of colour field painting and abstract sculpture in the country in a radical presentation, between silver foil–covered walls and under geometric light fittings, of 74 works by 40 artists. All practised hard-edge, geometric, colour and flat abstraction, often in novel media including coloured or transparent plastic, fluorescent acrylic paints, steel and chrome. The art was appropriate to a launch of the new venue itself, designed by architect Roy Grounds, and emphatically rectilinear; cubes nested in a basalt rectangular box amongst the other buildings of the new Arts Centre, each based on a geometric solid. Echoing emerging international stylistic tendencies of the time, The Field sparked immediate controversy and launched the careers of a new generation of Australian artists.
Cherine Fahd is an Australian artist who works in photography and video performance. She is also the director of photography at the University of Technology, Sydney, Australia and has published in academic journals, photographic and art publications, and in news and media. Her work has been shown in Australia, Israel, Greece and Japan. She has received numerous grants, and has been awarded residencies in India and in Sydney at the Carriageworks.
