Serenade in A is a work for solo piano by Russian composer Igor Stravinsky. Completed on September 9, 1925, in Vienna [1] and published by Boosey & Hawkes, [2] it resulted from his signing his first gramophone recording contract, for Brunswick, and was written so that each movement could fit on one side of a 78 rpm record. [3] The dedicatee was Stravinsky's wife Yekaterina. [2]
Serenade in A lasts about twelve minutes and is in four movements:
Despite its title, the work is in neither A major nor A minor. According to Eric White, A is not the "key" of the work, but rather the music radiates from and tends towards A as a "tonic pole". Thus, the first and the last chord of each movement contains the note A, either as the root, third, or fifth of a triad. [4] According to Stravinsky, the piece was conceived "in imitation of the Nachtmusik of the eighteenth century, which was usually commissioned by patron princes for various festive occasions, and included, as did the suites, an indeterminate number of pieces". [5] Therefore, the movement titles are meant to evoke the specific parts of such festive celebration.
From the pianist's perspective, "Hymne" is related to Frédéric Chopin's Ballade No. 2, while the Cadenza finala reflects Stravinsky's Russian heritage. [6]
Igor Fyodorovich Stravinsky was a Russian composer and conductor with French citizenship and United States citizenship. He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.
Mavra is a one-act comic opera composed by Igor Stravinsky, and one of the earliest works of Stravinsky's neo-classical period. The libretto, by Boris Kochno, is based on Alexander Pushkin's The Little House in Kolomna. Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters. The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the Romeo and Juliet subgenre of romance. Philip Truman has also described the music as satirising 19th-century comic opera. The dedication on the score is to the memory of Pushkin, Glinka and Pyotr Ilyich Tchaikovsky.
Igor Stravinsky's Violin Concerto in D is a neoclassical violin concerto in four movements, composed in the summer of 1931 and premiered on October 23, 1931. It lasts approximately twenty minutes.
Elegy for J.F.K. is a piece of vocal music composed by the Russian-born composer Igor Stravinsky in 1964, commemorating the assassination of U.S. President John F. Kennedy.
The Concerto for Piano and Wind Instruments was written by Igor Stravinsky in Paris in 1923–24. This work was revised in 1950.
Igor Stravinsky's Concerto in D ("Basle") for string orchestra was composed in Hollywood between the beginning of 1946 and 8 August of the same year in response to a 1946 commission from Paul Sacher to celebrate the 20th anniversary of the Basler Kammerorchester , and for this reason is sometimes referred to as the "Basle" Concerto.
The Flood: A musical play (1962) is a short biblical drama by Igor Stravinsky on the story of Noah and the flood, originally conceived as a work for television. It contains singing, spoken dialogue, and ballet sequences. It is in Stravinsky's late, serial style.
Chant du Rossignol, as it was published in 1921, is a poème symphonique by Igor Stravinsky adapted in 1917 from his 1914 opera The Nightingale.
Requiem Canticles is a 15-minute composition by Igor Stravinsky, for contralto and bass soli, chorus, and orchestra. Stravinsky completed the work in 1966, and it received its first performance that same year.
Threni: id est Lamentationes Jeremiae Prophetae, usually referred to simply as Threni, is a musical setting by Igor Stravinsky of verses from the Book of Lamentations in the Latin of the Vulgate, for solo singers, chorus and orchestra. It is important among Stravinsky's compositions as his first and longest completely dodecaphonic work, but is not often performed. It has been described as "austere" but also as a "culminating point" in his career as an artist, "important both spiritually and stylistically" and "the most ambitious and structurally the most complex" of all his religious compositions, and even "among Stravinsky's greatest works".
The Octet for wind instruments is a chamber music composition by Igor Stravinsky, completed in 1923.
Variations: Aldous Huxley in memoriam is Igor Stravinsky's last major orchestral composition, written in 1963–64.
The Piano Sonata, sometimes also referred to as Sonata for Piano or in its original French form, Sonate pour piano, is a 1924 piano sonata by Russian expatriate composer Igor Stravinsky.
Fanfare for a New Theatre is a 1964 composition for two trumpets by Russian composer Igor Stravinsky. It was premiered on April 19, 1964, and published by Boosey & Hawkes.
Scherzo à la russe is a composition by Russian expatriate composer Igor Stravinsky. It was initially published by Chappell & Co. in 1945 and premiered in March 1946 by the San Francisco Symphony Orchestra, conducted by the composer himself. It was later published by Boosey & Hawkes.
"Epitaphium" is a short chamber-music composition by Igor Stravinsky, for flute, clarinet, and harp. The score was composed in 1959 and is inscribed in German, "Für das Grabmal des Prinzen Max Egon zu Fürstenberg". A performance last for less than two minutes.
Three Easy Pieces, also referred to by its original French title Trois pièces faciles, is a collection of pieces for four hands by Russian composer Igor Stravinsky. It was finished in 1915 and was published as a set in the winter of 1917.
The Septet for clarinet, bassoon, horn, piano, violin, viola and cello is a Chamber music composition by Igor Stravinsky. It was composed between July 1952 and February 1953, and the first performance took place at Dumbarton Oaks in Washington, D.C., on 23 January 1954. The score is dedicated to the Dumbarton Oaks Research Library and Collection. It consists of three movements, the first lacking a title, and the last lacking a number in the score. The work is influenced by twelve-tone technique, especially by the Wind Quintet, Op. 26, and the Suite for septet, Op. 29, composed by Arnold Schoenberg.
Valse des fleurs is a short composition for two pianos by Russian composer Igor Stravinsky. It was completed in 1914.