Dada or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s.
Tristan Tzara was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea and painter Marcel Janco.
Francis Picabia was a French avant-garde painter, poet and typographist. After experimenting with Impressionism and Pointillism, Picabia became associated with Cubism. His highly abstract planar compositions were colourful and rich in contrasts. He was one of the early major figures of the Dada movement in the United States and in France. He was later briefly associated with Surrealism, but would soon turn his back on the art establishment.
Nam June Paik was a Korean American artist. He worked with a variety of media and is considered to be the founder of video art. He is credited with the first use (1974) of the term "electronic super highway" to describe the future of telecommunications.
Hans Peter Wilhelm Arp, better known as Jean Arp in English, was a German-French sculptor, painter, and poet. He was known as a Dadaist and an abstract artist.
František Kupka, also known as Frank Kupka or François Kupka, was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.
The Neue Galerie New York is a museum of early twentieth-century German and Austrian art and design located in the William Starr Miller House at 86th Street and Fifth Avenue in New York City. Established in 2001, it is one of the most recent additions to New York City's famed Museum Mile, which runs from 83rd to 105th streets on Fifth Avenue in the Upper East Side of Manhattan.
Garry Winogrand was an American street photographer, known for his portrayal of U.S. life and its social issues, in the mid-20th century. Photography curator, historian, and critic John Szarkowski called Winogrand the central photographer of his generation.
Thaddeus John Szarkowski was an American photographer, curator, historian, and critic. From 1962 to 1991 Szarkowski was the director of photography at New York's Museum of Modern Art (MoMA).
Sophie Henriette Gertrud Taeuber-Arp was a Swiss artist, painter, sculptor, textile designer, furniture and interior designer, architect, and dancer.
Christian Schad was a German painter and photographer. He was associated with the Dada and the New Objectivity movements. Considered as a group, Schad's portraits form an extraordinary record of life in Vienna and Berlin in the years following World War I.
Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
Karl Gunnar Vougt Pontus Hultén was a Swedish art collector and museum director. Pontus Hultén is regarded as one of the most distinguished museum professionals of the twentieth century. He was the pioneering former head of the Museum of Modern Art in Stockholm and in the 1970s he was invited to participate in the creation of the Centre Georges Pompidou in Paris, where he was the first director of the Musée National d'Art Moderne (MNAM) in 1974–1981.
Michel Sanouillet was a French art historian and one of the foremost specialists of the Dada movement.
Mathaf: Arab Museum of Modern Art in Doha, Qatar, offers an Arab perspective on modern and contemporary art and supports creativity, promotes dialogue and inspires new ideas. The museum boasts a collection of over 9,000 objects and also presents temporary exhibitions, library, and a robust educational program. Established in 2010, it is considered to be among the most important cultural attractions in the country.
Françoise Cachin was a French art historian and curator. She was the founding director of the Musée d’Orsay and the author of numerous books on 19th-century French painting.
Dadaglobe was an anthology of the Dada movement slated for publication in 1921, but abandoned for financial and other reasons and never published. At 160 pages with over a hundred reproductions of artworks and over a hundred texts by some fifty artists in ten countries, Dadaglobe was to have documented Dada's apogee as an artistic and literary movement of international breadth. Edited by Dada co-founder Tristan Tzara (1896-1963) in Paris, Dadaglobe was not conceived as a summary of the movement since its founding in 1916, but rather meant to be a snapshot of its expanded incarnation at war's end. Not merely a vehicle for existing works, the project functioned as one of Dada's most generative catalysts for the production of new works.
Étienne Sved (1914-1996) was Hungarian-born French-naturalised photographer and poster artist.
Peter Johnston Galassi is an American writer, curator, and art historian working in the field of photography. His principal fields are photography and nineteenth-century French art.
Clément Chéroux is a French photography historian and curator. He is Chief Curator of Photography at the Museum of Modern Art in New York City. He has also held senior curatorial positions at the Centre Pompidou in Paris and at the San Francisco Museum of Modern Art. Chéroux has overseen many exhibitions and books on photographers and photography.
