Sergio Calligaris (22 January 1941 - 9 November 2023) was an Argentine pianist, composer and piano teacher. After living and tutoring in the United States, where he gained his doctorate in music, Calligaris established his residence in Italy in 1974.
Calligaris was born in Rosario, Argentina. His career as a performer started at the age of thirteen. He pursued his studies under the guidance of such masters as Jorge Fanelli, Arthur Loesser, [1] Adele Marcus, Nikita Magaloff, and Guido Agosti. [2]
Calligaris' technique is characterised by the sheer brilliance and powerful touch typical of the Leschetizky school; [3] his technical qualities, [4] complemented by a detailed attention to the composition’s form, made him a fine interpreter of both romantic (especially Schumann and Chopin) and post-romantic (Rachmaninoff, Scriabin, Debussy) repertoire.
Calligaris has performed in prestigious concert-halls such as the Konzertsaal Bundesallee in Berlin, the Auditorium of S. Cecilia in Rome, the Musikverein Brahms-Saal in Vienna, and as a soloist in his own Concerto for piano and orchestra op. 29 at the Main Theatre of Manila.
He has recorded, among the others, for EMI, Orion Records and the Ares-Libreria Editrice Vaticana; the latter, a few years ago, released a compilation entitled Sergio Calligaris: composer and interpreter to celebrate the twenty-fifth year of his recording debut.
Calligaris turned back to composition around the end of the 1970s, after some twenty years spent performing. One of his earliest works, Renzo's piano notebook, Op. 7 (written in 1978), has since become a widely executed contemporary piano piece. [5] In this oeuvre featuring ten short and well-characterised pictures, all qualities of Calligaris’ music can already be singled out:
Calligaris' composing career soared after the welcoming reception of Renzo’s piano notebook, with commissions from various musical institutions (the Symphonic dances, Op. 26, for example, by the Teatro Bellini in Catania). A prolific composer (his last works are Imagenes for string orchestra op. 54 and Allegro brutale con pavana op. 55 for four-hand piano or two pianos ad libitum), [9] Calligaris has been able to produce steadily without making any concession on the quality, rigour, beauty and originality of his music. [10] This ‘no-compromise’ approach is thought to be an important element of his music's success. [11]
Beside the production for piano (which ultimately led to a fruitful cooperation with pianist and director Vladimir Ashkenazy), [12] Calligaris wrote for a variety of instruments (voice, cello, trumpet, organ, clarinet, flute, violin, horn) and for both chamber and symphonic orchestras. The majority of his compositions have been recorded by several artists. [13] In 2007, Sergio Calligaris has been awarded the International Prize "Giuseppe Verdi" in recognition of his activity as both performer and composer. [14]
Calligaris' composition are published by Carisch. [15] Between 2008 and 2009 Carisch has issued four anthological volumes entitled Piano Parnassum, which collect most of his works for piano (the fourth volume includes compositions for four hands). [16]
Sergio Calligaris taught both in the United States (Cleveland Institute of Music, [17] California State University at Los Angeles) and in Italy (Conservatorio di Napoli, Pescara and L’Aquila). He has been member of juries in several prestigious piano competitions.
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: CS1 maint: archived copy as title (link)Robert Schumann was a German composer, pianist, and music critic of the early Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music.
Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness, dense contrapuntal textures, and rich orchestral colours. The piano is featured prominently in Rachmaninoff's compositional output and he used his skills as a performer to fully explore the expressive and technical possibilities of the instrument.
Vladimir Davidovich Ashkenazy is a Russian solo pianist, chamber music performer, and conductor. Born in the Soviet Union, he has held Icelandic citizenship since 1972 and has been a resident of Switzerland since 1978. Ashkenazy has collaborated with well-known orchestras and soloists. In addition, he has recorded a large repertoire of classical and romantic works. His recordings have earned him seven Grammy Awards and Iceland's Order of the Falcon.
Carl Czerny was an Austrian composer, teacher, and pianist of Czech origin whose music spanned the late Classical and early Romantic eras. His vast musical production amounted to over a thousand works and his books of studies for the piano are still widely used in piano teaching. He was one of Ludwig van Beethoven's best-known pupils and would later on be one of the main teachers of Franz Liszt.
Alexander Nikolayevich Scriabin was a Russian composer and pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late-Romantic idiom. Later, and independently of his influential contemporary Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal, which accorded with his personal brand of metaphysics. Scriabin found significant appeal in the concept of Gesamtkunstwerk as well as synesthesia, and associated colours with the various harmonic tones of his scale, while his colour-coded circle of fifths was also inspired by theosophy. He is often considered the main Russian symbolist composer and a major representative of the Russian Silver Age.
Nikolai Karlovich Medtner was a Russian composer and pianist. After a period of comparative obscurity in the 25 years immediately after his death, he is now becoming recognized as one of the most significant Russian composers for the piano.
Six moments musicaux, Op. 16, is a set of solo piano pieces composed by the Russian composer Sergei Rachmaninoff between October and December 1896. Each Moment musical reproduces a musical form characteristic of a previous musical era. The forms that appear in Rachmaninoff's incarnation are the nocturne, song without words, barcarolle, virtuoso étude, and theme and variations.
Andrei Gavrilov is a Russian-Swiss pianist.
Piano Concerto No. 4 in G minor, Op. 40, is a major work by Russian composer Sergei Rachmaninoff, completed in 1926. The work exists in three versions. Following its unsuccessful premiere, the composer made cuts and other amendments before publishing it in 1928. With continued lack of success, he withdrew the work, eventually revising and republishing it in 1941. The original manuscript version was released in 2000 by the Rachmaninoff Estate to be published and recorded. The work is dedicated to Nikolai Medtner, who in turn dedicated his Second Piano Concerto to Rachmaninoff the following year.
Sergei Rachmaninoff composed his Piano Concerto No. 1 in F♯ minor, Op. 1, in 1891, at age 17–18. He dedicated the work to Alexander Siloti. He revised the work thoroughly in 1917.
Edwin York Bowen was an English composer and pianist. Bowen's musical career spanned more than fifty years during which time he wrote over 160 works. As well as being a pianist and composer, Bowen was a talented conductor, organist, violist and horn player. Despite achieving considerable success during his lifetime, many of the composer's works remained unpublished and unperformed until after his death in 1961. Bowen's compositional style is widely considered ‘Romantic’ and his works are often characterized by their rich harmonic language.
Symphonic Dances, Op. 45, is an orchestral suite in three movements completed in October 1940 by Russian composer Sergei Rachmaninoff. It is his final major composition, and his only piece written in its entirety while living in the United States.
Piano Sonata No. 1 in D minor, Op. 28, is a piano sonata by Sergei Rachmaninoff, completed in 1908. It is the first of three "Dresden pieces", along with the Symphony No. 2 and part of an opera, which were composed in the quiet city of Dresden, Germany. It was originally inspired by Goethe's tragic play Faust; although Rachmaninoff abandoned the idea soon after beginning composition, traces of this influence can still be found. After numerous revisions and substantial cuts made at the advice of his colleagues, he completed it on April 11, 1908. Konstantin Igumnov gave the premiere in Moscow on October 17, 1908. It received a lukewarm response there, and remains one of the least performed of Rachmaninoff's works.
Sergei Rachmaninoff's Sonata in G minor for Cello and Piano, Op. 19 was completed in November 1901 and published a year later.
Guido Agosti was an Italian pianist and piano teacher.
Ingmar Piano Duo is a pianistic duo founded by Serbian pianists and piano professors Slobodanka Stevic and Aleksandar Gligic in 2005. Duo's first musical cd edition was published by Austrian piano manufacturer Wendl & Lung in Vienna, presenting works by Piazzolla, Barber and Kovacevic. Ingmar Piano Duo was invited to and performed at World Piano Conference EPTA 2009, playing Symphonic Dances by Sergei Rachmaninoff. As a result of this notable success, an invitation was forwarded to the Duo to compete at 19th International Piano Competition ROMA 2009 in Rome, Italy, where they were announced winners of the piano duo category, winning as well special award of Sergio Calligaris, for best performance of a work by this Italian contemporary composer. Ingmar Piano Duo has shown a tendency to give a world premiere performance of works by contemporary composers. Ingmar Piano Duo has recorded for Musical Archives of Radio-Television of Vojvodina pieces by Wolfgang Amadeus Mozart, Maurice Ravel, Aleksandra Vrebalov and Sergio Calligaris. In 2010, the Duo qualified for semi-final round at the World Piano Competition in San Marino, entering the circle of 12 best piano duos from over a hundred that applied for the competition.
Arthur Adolph Loesser was an American classical pianist, musicologist, and writer.
Alexander Borovsky was a Russian-American pianist. He completed his studies at the St. Petersburg Conservatory in 1912 with a gold medal and the Anton Rubinstein Prize.
The Études-Tableaux, Op. 33, is the first of two sets of piano études composed by Sergei Rachmaninoff. They were intended to be "picture pieces", essentially "musical evocations of external visual stimuli". But Rachmaninoff did not disclose what inspired each one, stating: "I do not believe in the artist that discloses too much of his images. Let [the listener] paint for themselves what it most suggests." However, he willingly shared sources for a few of these études with the Italian composer Ottorino Respighi when Respighi orchestrated them in 1930.
The three-hand effect is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.