Shadows of the Underworld | |
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Directed by | Harry Piel |
Written by | Henrik Galeen |
Starring |
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Cinematography | Ewald Daub |
Edited by | Andrew Marton |
Music by | Fritz Wenneis |
Production company | Ariel-Film |
Distributed by | Terra Film |
Release date |
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Running time | 95 minutes |
Country | Germany |
Language | German |
Shadows of the Underworld (German: Schatten der Unterwelt) is a 1931 German action film directed by and starring Harry Piel. It also features Dary Holm, Elisabeth Pinajeff and Hans Junkermann. [1] It was made at the Terra Studios in Berlin while location shooting took place in St. Moritz in Switzerland.
The film's sets were designed by the art director Robert A. Dietrich and Emil Hasler. A separate French-language version was also released.
After his invention is stolen and his business partner kidnapped, Harry West pursues the perpetrators while trying to avoid the police on his own trail.
Achtung! Auto-Diebe! is a 1930 German crime film directed by Harry Piel and written by Hans Rameau. The film starred Harry Piel and Leopold von Ledebur.
The Royal Waltz is a 1955 West German musical film romance film directed by Victor Tourjansky starring Marianne Koch, Michael Cramer and Linda Geiser. It is a remake of the 1935 film of the same name, part of the tradition of operetta films. It was shot at the Bavaria Studios in Munich and the Carlton Studios in the same city. Location shooting took place in Munich's Englischer Garten and Nymphenburg Palace. The film's sets were designed by the art director Hermann Warm.
Johnny Steals Europe is a 1932 German comedy crime film directed by Harry Piel and Andrew Marton and starring Piel, Dary Holm and Alfred Abel. The film was based on a novel by Werner Scheff. It was shot at the Staaken Studios in Berlin and on location on the French Riviera. Released by the German branch of Universal Pictures, it premiered on 15 June 1932.
Dary Holm was a German actress. She married film star Harry Piel in 1927. Holm starred alongside Piel in several films, such as Johnny Steals Europe (1932).
Just Once a Great Lady is a 1934 German comedy film directed by Gerhard Lamprecht and starring Käthe von Nagy, Wolf Albach-Retty and Gretl Theimer. Nagy plays a car saleswoman. The film's sets were designed by the art directors Otto Erdmann and Hans Sohnle. A separate French-language version A Day Will Come (1934) was also released, with Nagy reprising her role alongside Jean-Pierre Aumont.
The Young Count is a 1935 Czech-German comedy film directed by Carl Lamac and starring Anny Ondra, Hans Söhnker and Fritz Odemar. It is set around the circus, part of a subgenre of Circus films. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the art directors Wilhelm Depenau and Erich Zander.
Elisabeth and the Fool is a 1934 German drama film directed by Thea von Harbou and starring Hertha Thiele, Theodor Loos and Rudolf Klein-Rogge. The film was the directing debut of Harbou, who was known for her screenplays for directors such as Fritz Lang and F. W. Murnau. Filming began on 12 October 1933 in Meersburg and the Lake Constance area. The film's sets were designed by the art directors Kurt Dürnhöfer and Walter Reimann. The film premiered on 24 January 1934.
Shadows in the Night is a 1950 West German drama film directed by Eugen York and starring Hilde Krahl, Willy Fritsch and Carl Raddatz. It was made at the Wandsbek Studios by the Hamburg-based Real Film. The film's sets were designed by the art director Herbert Kirchhoff.
Love and Trumpets is a 1925 German silent comedy film directed by Richard Eichberg and starring Lilian Harvey, Harry Liedtke, and Harry Halm. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Kurt Richter.
The Lady and the Chauffeur is a 1928 German silent comedy film directed by Manfred Noa and starring Jack Trevor, Fritz Alberti and Elisabeth Pinajeff. It was shot at the Grunewald Studios and on location in Trieste and Ragusa in the Adriatic. The film's sets were designed by the art directors Hans Sohnle and Otto Erdmann.
The Laughing Husband is a 1926 German silent film directed by Rudolf Walther-Fein and Rudolf Dworsky and starring Livio Pavanelli, Elisabeth Pinajeff and Hans Albers. It is based on the operetta of the same name by Edmund Eysler.
Lace is a 1926 German silent crime film directed by Holger-Madsen and starring Olaf Fønss, Elisabeth Pinajeff, and Evelyn Holt.
Good-for-Nothing is a 1922 German silent film directed by Carl Froelich based on the novella by Joseph von Eichendorff. and starring Erhard Siedel, Julia Serda and Valerie von Martens. e It premiered on 1 September 1922 at the UT Kurfürstendamm in Berlin.
Regine is a 1935 German drama film directed by Erich Waschneck and starring Luise Ullrich, Anton Walbrook and Olga Chekhova. It was shot at the Grunewald Studios in Berlin. The film's sets were designed by Otto Erdmann and Hans Sohnle.
All People Will Be Brothers is a 1973 West German drama film directed by Alfred Vohrer and starring Harald Leipnitz, Doris Kunstmann and Rainer von Artenfels.
The King's Prisoner is a 1935 German historical comedy film directed by Carl Boese and starring Michael Bohnen, Paul Kemp, and Susi Lanner. It is based around the development of Meissen porcelain during the eighteenth century, particularly the role of the alchemist Johann Friedrich Böttger. It was shot at the Bavaria Studios in Munich. The film's sets were designed by the art director Max Seefelder.
Night of Mystery is a 1927 German silent thriller film directed by Harry Piel and starring Harry Piel, Dary Holm, and Josef Peterhans. It was shot at the Staaken Studios in Berlin. The film's sets were designed by the art director Willi Herrmann.
Count Cohn is a 1923 German silent film directed by Carl Boese and starring Hermann Vallentin, Frida Richard and Bernd Aldor.
People of the Sea is a 1925 German silent drama film directed by Léo Lasko and starring Fritz Kampers, Elisabeth Pinajeff and Fritz Rasp.
Darling of the King is a 1924 German silent film directed by Heinz Schall and starring Ruth Weyher, Elisabeth Pinajeff and Bruno Kastner.