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La Monte Thornton Young is an American composer, musician, and artist recognized as one of the first American minimalist composers and a central figure in post-war avant-garde music. He is best known for his exploration of sustained tones, beginning with his 1958 composition Trio for Strings. His works have called into question the nature and definition of music, most prominently in the text scores of his Compositions 1960.
Albert Ayler was an American avant-garde jazz saxophonist, singer and composer.
Cecil Percival Taylor was an American pianist and poet.
Pharoah Sanders is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound". He has released over 30 albums as a leader and has collaborated extensively with Leon Thomas and Alice Coltrane, among others. Saxophonist Ornette Coleman described him as "probably the best tenor player in the world".
James Marcellus Arthur "Sunny" Murray was one of the pioneers of the free jazz style of drumming.
Debut Records was an American jazz record company and label founded in 1952 by bassist Charles Mingus, his wife Celia, and drummer Max Roach.
Alan Silva is an American free jazz double bassist and keyboard player.
Harvey Call Cobbs Jr., was an American jazz pianist, electric harpsichordist, and organist. He is remembered for his work with saxophonist Albert Ayler in the mid- and late-1960s.
Nuits de La Fondation Maeght is a live album by the American jazz saxophonist Albert Ayler recorded on July 27, 1970 at the Maeght Foundation in Saint-Paul-de-Vence, France, and originally released in 1971 in two volumes on the Shandar label. The album documents one of the last known performances by Ayler prior to his death in November of that year.
Spiritual Unity is a studio album by American free jazz saxophonist Albert Ayler. It was recorded on July 10, 1964 in New York City, and features bassist Gary Peacock and drummer Sunny Murray. It was the first album recorded for Bernard Stollman's ESP-Disk label, and it brought Ayler to international attention as it was so "shockingly different". At the same time, it transformed ESP-DISK into "a major source for avant-garde jazz". A 5-star review in AllMusic called it a "landmark recording that's essential to any basic understanding of free jazz", "the album that pushed Albert Ayler to the forefront of jazz's avant-garde... really the first available document of Ayler's music that matched him with a group of truly sympathetic musicians", and stated that "the results are a magnificently pure distillation of his aesthetic."
Frank Wright was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
Marian Zazeela is an American light artist, designer, calligrapher, painter and musician based in New York City. She was a member of the 1960s experimental music collective Theatre of Eternal Music, and is known for her collaborative work with her husband, the minimalist composer La Monte Young.
Dream House 78' 17" is a studio album by minimalist composer La Monte Young, artist Marian Zazeela, and their group the Theatre of Eternal Music. The album was originally released in 1974 by the French label Shandar. The length of the record, almost double what was then normal, was extremely unusual in its time.
Nuits de la Fondation Maeght relates to the following albums recorded at Fondation Maeght and released on the French Shandar label
The Great Concert of Cecil Taylor is a live album by Cecil Taylor recorded in St. Paul de Vence, Nice, on July 29, 1969, and released on the Prestige label in 1977 as a 3-LP set. The album was originally released as Nuits de la Fondation Maeght on the French Shandar label as a box set, as three separate LPs in 1971. It features a performance by Taylor with Jimmy Lyons, Sam Rivers and Andrew Cyrille.
Holy Ghost: Rare & Unissued Recordings (1962–70) is a compilation album by avant-garde saxophonist Albert Ayler released by Revenant Records in 2004.
The Theatre of Eternal Music was an avant-garde musical group formed by La Monte Young in New York City in 1962. The core of the group consisted of Young, Tony Conrad (violin), Marian Zazeela, and John Cale (viola), with additional participants including Angus MacLise, Terry Riley, Billy Name, Terry Jennings, Jon Hassell, Alex Dea, and Jon Gibson. The group's self-described "dream music" explored drones and pure harmonic intervals, employing sustained tones and electric amplification in lengthy, all-night performances.
Prophecy is a live album by American free jazz saxophonist Albert Ayler recorded in New York City on June 14, 1964 and first released in 1975 on the ESP-Disk label.
Daniel Caux was a French musicologist, essayist, journalist, music critic, radio producer and organizer of musical events.
Live on the Riviera is a live album by the American jazz saxophonist Albert Ayler recorded on July 25, 1970 at the Maeght Foundation in Saint-Paul-de-Vence, France, and originally released in 2005 on the ESP-Disk label. The album, which was remastered and reissued by ESP-Disk in 2013, documents one of the last known performances by Ayler prior to his death in November of that year.
References
- Ed Maurer's Discography of Shandar Records
- Daniel Caux biography
- January 3, 2003 issue of The Wire
