Sharon Bridgforth | |
---|---|
Born | Chicago, Illinois, U.S. | May 15, 1958
Occupation | Writer/theatre artist |
Nationality | American |
Subject | Jazz, blues, African-American and black diaspora history, gender and sexuality, theatrical jazz aesthetic |
Notable works | the bull-jean stories, love conjure/blues |
Notable awards | Lambda Literary Award, Alpert/Hedgebrook Residency Prize |
Website | |
sharonbridgforth |
Sharon Bridgforth (born May 15, 1958, in Chicago, Illinois) is an American writer working in theater. [1]
Bridgforth was born in Cook County Hospital in Chicago, Illinois, and moved to South Central Los Angeles when she was 3 years old. She discovered the diversity of the city during her long bus commutes to school. [2]
From 1993 to 1998, Bridgforth worked as the founder, writer, and artistic director of the root wy'mn theatre company. [3] root wy'mn's touring roster included: the Michigan Womyn's Music Festival, The Theater Offensive in Boston, La Peña Cultural Center in Berkeley, California, and the Walker Art Center in Minneapolis.
From 2002 to 2009, she served as the anchor artist for the Austin Project, produced by Omi Osun Joni L. Jones and the John L. Warfield Center for African and African American Studies, University of Texas at Austin . Her work, "Finding Voice Facilitation Method" was published in Experiments in a Jazz Aesthetic Art, Activism, Academia, and the Austin Project edited by Osun Joni L. Jones, Lisa L. Moore, and herself. [4]
In 2008, Bridgforth received a National Performance Network Creation Fund award, for delta dandi, co-commissioned by Women & Their Work, in partnership with the National Performance Network. Freedom Train Productions in New York presented a reading of the work in 2008. [5] A workshop production of the work was produced in 2009 at the Long Center in Austin, Texas. [6]
At Northwestern University, as the Andrew W. Mellon Foundation artist-in-residence in the performance studies department, Bridgforth presented a workshop production of delta dandi during the 2009 Solo/Black/Woman performance series. [7] Since 2009, Bridgforth has been resident playwright at New Dramatists, New York. Her work blood pudding, was presented in the 2010 New York Summerstage festival. [8]
She was the 2010–2012 Visiting Multicultural Faculty member at the Theatre School at DePaul University and is the curator of the Theatrical Jazz Institute at Links Hall, produced by the school, Links Hall and herself. [9]
In 2022, Bridgforth was featured in the book 50 Key Figures in Queer US Theatre, with a profile written by theatre scholar T. Chester. [10]
Published by RedBone Press, the bull-jean stories give cultural documentation and social commentary on African-American herstory and survival. Set in the rural South of the 1920s through the 1940s, the bull-jean stories uses traditional storytelling and nontraditional verse to chronicle the course of love returning in the lifetimes of one woman-loving-woman named bull-dog-jean. [11]
Both a performance and a novel, Love Conjure/Blues places the fiction-form inside a traditional Black American voice, inviting dramatic interpretation and movement within a highly literary text: It is filled with folktales, poetry, haints, prophecy, song, and oral history. Love Conjure/Blues was also published by RedBone Press. [12]
Exists as a show, oracle deck, performance/novel, performance, sung children's book, and artistic mentorship towards homeownership. [13] The performance celebrates the different embodiments of gender through the journey of three characters alongside Yoburba deities Oya, Osun, and Yemaya. The show premiered at the Pillsbury House + Theater in Minneapolis, MN, on May 30, 2018, and ran through June 17, 2018. [14] The performance was written by Sharon Bridgforth, directed by Ebony Noelle Golden, with dramaturgy by Alexis Pauline Gumbs, and vocal composition by Mankwe Ndosi.
In addition to a performance, "dat Black Mermaid Man Lady" is an oracle deck. [15] The deck consists of characters from the performance/novel and features artwork by Yasmin Hernandez. The oracle deck is a working deck that Bridgforth used for a series of weekly readings.
Partnering with Powderhorn Park Neighborhood Association [16] and City of Lakes Community Land Trust, [17] Bridgforth worked with five to seven emerging artist of color to create new works and more toward homeownership.
In 1997, Bridgforth's script no mo blues was nominated for an Osborn Award (sponsored by the American Theatre Critic's Association). [18] The bull-jean stories won a Lambda Literary Prize for "Best Book by a Small Press" in 1998. The collection also received a nomination for a Lambda Literary Prize in the category of "Best Lesbian Fiction" [19] and a nomination from the 1998 American Library Association for "Best Gay/Lesbian Book". Bridgforth was nominated for the 2002–2003 Alpert Award in the theatre category. [20] She has received the 2000 Penumbra Theatre (St. Paul, MN) Playwriting Fellowship and 2001 YWCA Woman Of The Year in Arts Award in Austin, Texas. [21]
A recipient of the 2008 Alpert/Hedgebrook Residency Prize, [22] her work has been supported by the National Endowment for the Arts commissioning program; the National Endowment for the Arts/Theatre Communications Group, playwright-in-residence program; National Performance Network commissioning and community fund; the Paul Robeson Fund for Independent Media; and the Rockefeller Foundation Multi-Arts Production Fund Award. [2] Bridgforth was also the recipient of the Creative Capital Performing Arts Award in 2016. [23]
She has a daughter, Sonja Perryman, from a past marriage. [24] A lesbian, [25] her partner is Omi Osun Joni L. Jones.[ citation needed ] Jones also has a daughter, Leigh Gaymon-Jones, from a past marriage.[ citation needed ]
The Rocky Horror Picture Show is a 1975 independent musical comedy horror film produced by Lou Adler and Michael White, directed by Jim Sharman, and distributed by 20th Century Fox. The screenplay was written by Jim Sharman and Richard O'Brien, who also played the supporting role Riff-raff. The film is based on the 1973 musical stage production The Rocky Horror Show, with music, book, and lyrics by O'Brien. The production is a tribute to the science fiction and horror B movies of the 1930s through to the early 1960s. The film stars Tim Curry, Susan Sarandon, and Barry Bostwick. The film is narrated by Charles Gray, with cast members from the original Royal Court Theatre, Roxy Theatre, and Belasco Theatre productions, including Nell Campbell and Patricia Quinn.
Drag kings have historically been mostly female performance artists who dress in masculine drag and personify male gender stereotypes as part of an individual or group routine. As documented in the 2003 Journal of Homosexuality, in more recent years the world of drag kings has broadened to include performers of all gender expressions. A typical drag show may incorporate dancing, acting, stand-up comedy and singing, either live or lip-synching to pre-recorded tracks. Drag kings often perform as exaggeratedly macho male characters, portray characters such as construction workers and rappers, or impersonate male celebrities like Elvis Presley, Michael Jackson and Tim McGraw. Drag kings may also perform as personas that do not clearly align with the gender binary. Drag personas that combine both stereotypically masculine and feminine traits are common in modern drag king shows.
Butch and femme are masculine (butch) or feminine (femme) identities in the lesbian subculture that have associated traits, behaviors, styles, self-perception, and so on. This concept has been called a "way to organize sexual relationships and gender and sexual identity". Butch–femme culture is not the sole form of a lesbian dyadic system, as there are many women in butch–butch and femme–femme relationships.
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Cherríe Moraga is a Xicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English since 2017, and in 2022 became a distinguished professor. Moraga is also a founding member of the social justice activist group La Red Xicana Indígena, which is network fighting for education, culture rights, and Indigenous Rights. In 2017, she co-founded, with Celia Herrera Rodríguez, Las Maestras Center for Xicana Indigenous Thought, Art, and Social Practice, located on the campus of UC Santa Barbara.
Douglas Wayne Sahm was an American musician, singer-songwriter and multi-instrumentalist born in San Antonio, Texas. Sahm is regarded as one of the main figures of Tex-Mex music, and as an important performer of Texan Music. He gained fame along with his band, the Sir Douglas Quintet, with a top-twenty hit in the United States and the United Kingdom with "She's About a Mover" (1965). Sahm was influenced by the San Antonio music scene that included conjunto and blues, and later by the hippie scene of San Francisco. With his blend of music, he found success performing in Austin, Texas, as the hippie counterculture soared in the 1970s.
The Chitlin' Circuit was a collection of performance venues found throughout the eastern, southern, and upper Midwest areas of the United States. They provided commercial and cultural acceptance for African-American musicians, comedians, and other entertainers following the era of venues run by the "white-owned-and-operated Theatre Owners Booking Association (TOBA)...formed in 1921." The Chitlin Circuit sustained black musicians and dancers during the era of racial segregation in the United States from the 1930s through the 1960s.
E. Patrick Johnson is the dean of the Northwestern University School of Communication. He is the Annenberg University Professor of Performance Studies and professor of African-American studies at Northwestern University. Johnson is the founding director of the Black Arts Consortium at Northwestern. His scholarly and artistic contributions focus on performance studies, African-American studies and women, gender and sexuality studies.
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Deborah Paredez is an American poet, scholar, and cultural critic. She is the author of the poetry collections, Year of the Dog and This Side of Skin, and the critical study, Selenidad: Selena, Latinos, and the Performance of Memory. She is co-founder of CantoMundo, a national organization that supports Latinx poets and poetry. She lives in New York City where she is a professor of creative writing and ethnic studies at Columbia University.
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