She Couldn't Take It | |
---|---|
Directed by | Tay Garnett |
Written by | Oliver H.P. Garrett |
Based on | story by C. Graham Baker Gene Towne |
Produced by | B. P. Schulberg |
Starring | George Raft Joan Bennett Walter Connolly Billie Burke Lloyd Nolan Wallace Ford |
Cinematography | Leon Shamroy |
Edited by | Gene Havlick |
Music by | Howard Jackson Louis Silvers |
Production company | Columbia Pictures |
Distributed by | Columbia Pictures |
Release date |
|
Running time | 77 minutes |
Country | United States |
Language | English |
She Couldn't Take It is a 1935 American screwball comedy film made at Columbia Pictures, directed by Tay Garnett, written by C. Graham Baker, Gene Towne and Oliver H.P. Garrett, and starring George Raft and Joan Bennett. It was one of the few comedies Raft made in his career. [1] [2]
The film tells the story of the wealthy family Van Dyke: a frustrated patriarch Dan (Walter Connolly); his self-centered wife (Billie Burke); and his spoiled children Tony (James Blakeley) and Carol (Joan Bennett). They have constant run-ins for outrageous behavior.
Dan Van Dyke is sent to prison for tax evasion. His cellmate is bootlegger and fellow convicted tax evader Ricardi. The two men become friends and when Van Dyke dies from a poor heart, he puts Ricardi in charge of his interests.
The film is based on a story by writers C. Graham Baker and Gene Towne, with the screenplay by Oliver H.P. Garrett. [3]
Raft was loaned to Columbia by Paramount Pictures to make the film. [4] Writers Baker and Towne and actress Joan Bennett were under contract to Walter Wanger, [5] and Wanger had an agreement to distribute his films through Paramount. [6] Bennett was thus considered on loan-out as well. [7] Walter Byron was originally cast as Alec Hamlin, but was replaced by Alan Mowbray two weeks into filming. [8] Donald Meek and James Blakely were added to cast the third week of August. [9] Wallace Ford replaced Raymond Walburn a day later. [10]
The film was originally known as Rich Man's Daughter, [11] but was changed to She Couldn't Take It about August 22, 1935. [12] It was B.P. Schulberg's first film in a six-picture deal he had with Columbia Pictures. [13] Columbia Pictures, with little space at its Gower Street studios, leased California Studios, a single-soundstage motion picture production facility a block east of Gower Street [14] just a few days before shooting on She Couldn't Take It began on July 16, 1935. The film was the first Columbia feature shot at California Studios. [15] Columbia's chief costume and fashion designer, Robert Kalloch, designed Bennett's wardrobe. Previously known for her demure and conservative appearance, Kalloch's gowns permanently transformed the actress into the epitome of chic. [16]
George Raft, Joan Bennett, Billie Burke, and Walter Connolly did an abbreviated version of the film's plot on Dick Powell's "Hollywood Hotel" radio program in late August 1935 to promote the film. [17]
The New York Times said the film "has a clinical interest as an example of the confused resentment against the idle rich which Hollywood has been displaying lately" in which the opening scenes "offer considerable promise for a bright-faced comedy of society foibles" but which went downhill once Walter Connolly's character died. [18]
The Los Angeles Times called it "George Raft's best picture" with an "inventive scenario" and "unexpected twists". [19]
After making the film, Tay Garnett went on an around the world cruise. [20]
Foreign Correspondent is a 1940 American black-and-white spy thriller film directed by Alfred Hitchcock. It tells the story of an American reporter based in Britain who tries to expose enemy spies involved in a fictional continent-wide conspiracy in the prelude to World War II. It stars Joel McCrea and features 19-year-old Laraine Day, Herbert Marshall, George Sanders, Albert Bassermann, and Robert Benchley, along with Edmund Gwenn.
Scarlet Street is a 1945 American film noir directed by Fritz Lang. The screenplay concerns two criminals who take advantage of a middle-aged painter in order to steal his artwork. The film is based on the French novel La Chienne by Georges de La Fouchardière, which had been previously dramatized on stage by André Mouëzy-Éon, and cinematically as La Chienne (1931) by director Jean Renoir.
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore and Carole Lombard. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name – itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland – with uncredited contributions from Gene Fowler and Preston Sturges.
Joan Geraldine Bennett was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
George Brent was an Irish-American stage, film, and television actor. He is best remembered for the eleven films he made with Bette Davis, which included Jezebel and Dark Victory.
Edward Small was an American film producer from the late 1920s through 1970, who was enormously prolific over a 50-year career. He is best known for the movies The Count of Monte Cristo (1934), The Man in the Iron Mask (1939), The Corsican Brothers (1941), Brewster's Millions (1945), Raw Deal (1948), Black Magic (1949), Witness for the Prosecution (1957) and Solomon and Sheba (1959).
The Reckless Moment is a 1949 American film noir melodrama directed by Max Ophüls, produced by Walter Wanger, and released by Columbia Pictures with Burnett Guffey as cinematographer. It starred James Mason and Joan Bennett. The film is based on The Blank Wall (1947), a novel written by Elisabeth Sanxay Holding. The 2001 film The Deep End is a remake based on the same source material.
Walter Wanger was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
Cleopatra is a 1963 American epic historical drama film directed by Joseph L. Mankiewicz, with a screenplay adapted by Mankiewicz, Ranald MacDougall and Sidney Buchman from the 1957 book The Life and Times of Cleopatra by Carlo Maria Franzero, and from histories by Plutarch, Suetonius, and Appian. The film stars Elizabeth Taylor in the eponymous role. Richard Burton, Rex Harrison, Roddy McDowall, and Martin Landau also appear in major roles. It chronicles the struggles of Cleopatra, the young queen of Egypt, to resist the imperial ambitions of Rome.
Big Brown Eyes is a 1936 American comedy crime film directed by Raoul Walsh and starring Cary Grant, Joan Bennett and Walter Pidgeon. It was produced by Walter Wanger and distributed by Paramount Pictures.
Eternally Yours is a 1939 American comedy drama film produced and directed by Tay Garnett with Walter Wanger as executive producer, from a screenplay by C. Graham Baker and Gene Towne. The film stars Loretta Young and David Niven, and also features a strong supporting cast including Broderick Crawford, Billie Burke, Eve Arden, ZaSu Pitts, and C. Aubrey Smith. Composer Werner Janssen was nominated for the Academy Award for Best Music.
The House Across the Bay is a 1940 film directed by Archie Mayo, starring George Raft and Joan Bennett, produced by Walter Wanger, written by Myles Connolly and Kathryn Scola, and released by United Artists. The supporting cast features Lloyd Nolan, Walter Pidgeon and Gladys George.
Every Night at Eight is a 1935 American comedy musical film starring George Raft and Alice Faye and made by Walter Wanger Productions Inc. and Paramount Pictures. It was directed by Raoul Walsh and produced by Walter Wanger from a screenplay by C. Graham Baker, Bert Hanlon and Gene Towne based on the story Three On a Mike by Stanley Garvey.
Shanghai is a 1935 American romantic drama film directed by James Flood, produced by Walter Wanger, distributed by Paramount Pictures, and starring Loretta Young and Charles Boyer. The picture's supporting cast features Warner Oland, Alison Skipworth, Charley Grapewin, Olive Tell and Keye Luke, and the running time is 75 minutes.
Stand-In is a 1937 American screwball comedy directed by Tay Garnett and starring Leslie Howard, Joan Blondell and Humphrey Bogart. The film's screenplay was written by Gene Towne and C. Graham Baker from a story by Clarence Budington Kelland. It was produced by independent producer Walter Wanger, and released by United Artists. The film is set in Hollywood and satirizes the film industry during the classical Hollywood era.
Walter Wanger's Vogues of 1938 is a 1937 musical comedy film produced by Walter Wanger and distributed by United Artists. It was directed by Irving Cummings, written by Bella and Sam Spewack, and starred Warner Baxter and Joan Bennett. It was filmed in New York City in Technicolor.
Navy Wife is a 1956 American comedy film directed by Edward Bernds, and starring Joan Bennett, Gary Merrill, Shirley Yamaguchi. The screenplay was written by Kay Lenard, based on the novel Mother Sir by Tats Blain. The film was produced by Walter Wanger, who was Bennett's husband in real life.
Jennings Lang was an American film producer, screenwriter, and actor.
Adrian Michael Morris was an American actor of stage and film, and a younger brother of Chester Morris.
{{cite news}}
: External link in |via=
(help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)