Shifting City | ||||
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Studio album by | ||||
Released | 24 March 1997 [1] [2] (some sources quote 24 March 1995) [3] | |||
Recorded | MetaMatic Studio [4] CRoms studio [1] 1995 [2] | |||
Genre | Electronic | |||
Length | 56:16 [2] | |||
Label | Metamatic Records | |||
Producer | Louis Gordon & John Foxx [4] | |||
John Foxx chronology | ||||
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Louis Gordon chronology | ||||
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Allmusic |
Shifting City is an album by John Foxx and Louis Gordon, released in 1997 [1] [2] [6] (although some sources cite 1995 as the release year). [3] Released simultaneously with Foxx's ambient album Cathedral Oceans , Shifting City was Foxx's first album release since In Mysterious Ways (1985). [1]
John Foxx is an English singer, artist, photographer and teacher. He was the original lead singer of the band Ultravox, before leaving to embark on a solo career. Primarily associated with electronic synthesizer music, he has also pursued a parallel career in graphic design and education.
Louis Gordon is an English musician notable for his collaboration with John Foxx. He has worked with Foxx on a number of albums since 1995. His solo work has also been released on the Toffeetones record label.
Cathedral Oceans is an album of ambient music by John Foxx, released in 1997. Alongside Shifting City released on the same day, it marked Foxx's return to the music scene after an absence of seven years. It was also his first solo album since 1985's In Mysterious Ways. The album's artwork consists of collages by Foxx himself, overlaying various pictures and textures with the faces of statues.
Stylistically Shifting City marked a return to the electronic sound of Foxx's 1980 solo album Metamatic , although it also shows an influence of 1960s The Beatles-style psychedelia, a style which Foxx had already experimented with on 1983's The Golden Section . [1]
Metamatic is the debut solo album by John Foxx, released in 1980. It was his first solo project following his split with Ultravox the previous year. A departure from the mix of synthesizers and conventional rock instrumentation on that band's work, Metamatic included a more hard-edged electronic sound. The name 'Metamatic' comes from a painting machine by kinetic artist Jean Tinguely, first exhibited at the Paris Biennial in 1959. The album peaked at #18 on the UK Albums Chart.
The Beatles were an English rock band formed in Liverpool in 1960. With members John Lennon, Paul McCartney, George Harrison and Ringo Starr, they became regarded as the foremost and most influential music band in history. Rooted in skiffle, beat and 1950s rock and roll, the group were integral to pop music's evolution into an art form and to the development of the counterculture of the 1960s. They often incorporated classical elements, older pop forms and unconventional recording techniques in innovative ways, and later experimented with several musical styles ranging from pop ballads and Indian music to psychedelia and hard rock. As the members continued to draw influences from a variety of cultural sources, their musical and lyrical sophistication grew, and they were seen as an embodiment of the era's sociocultural movements.
Psychedelia is the subculture, originating in the 1960s, of people who often use psychedelic drugs such as LSD, mescaline and psilocybin. The term is also used to describe a style of psychedelic artwork and psychedelic music. Psychedelic art and music typically try to recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted and surreal visuals, bright colors and full spectrums and animation to evoke and convey to a viewer or listener the artist's experience while using such drugs, or to enhance the experience of a user of these drugs. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, electronic effects, sound effects and reverberation, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another.
A 2 CD special edition was released in October 2009, including three previously unreleased bonus tracks. Disc Two of this special re-issue contains the previously released “The Omnidelic Exotour” material, recorded live by Foxx and Gordon at A Certain Ratio's Warehouse in Ancoats, Manchester and at Metamatic Studio in 1997.
A Certain Ratio are an English post-punk band formed in 1977 in Flixton, Greater Manchester. They became known for their punk-funk/industrial/dance-oriented sound, which drew heavily on disco, funk, and dub elements. After over seven years on Factory Records, they spent two years signed to A&M Records before returning to independent labels in the early 1990s. After being on hiatus since the late 1990s, they returned to sporadic live performances in the early 2000s and released a new album in 2008.
Manchester is a city and metropolitan borough in Greater Manchester, England, with a population of 545,500 as of 2017. It lies within the United Kingdom's third-most populous metropolitan area, with a population of 3.2 million. It is fringed by the Cheshire Plain to the south, the Pennines to the north and east, and an arc of towns with which it forms a continuous conurbation. The local authority is Manchester City Council.
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The Golden Section is a 1983 album by English musician John Foxx. A progression from the sound of The Garden (1981), Foxx called The Golden Section "a roots check: Beatles, Church music, Psychedelia, The Shadows, The Floyd, The Velvets, Roy Orbison, Kraftwerk, and cheap pre-electro Europop". The album was Foxx's first work with a producer since his final Ultravox album, Systems of Romance, in 1978; The Golden Section was co-produced by Zeus B. Held, well known in the Krautrock scene of the 1970s. In addition to Foxx's wide array of synthesizers, the production made extensive use of vocoder effects and sampling, along with traditional rock guitar.
The Garden is a 1981 album by John Foxx, the follow-up to his debut solo album Metamatic, released the previous year. However, its instrumentation and highly romantic style is more comparable to Systems of Romance, his last album with former band Ultravox, released in 1978.
"Burning Car" is a song by John Foxx, released as a single in 1980. It was his third solo single, following "Underpass" and "No-One Driving" earlier in the year. The track was not included on Foxx's debut solo album Metamatic, post-dating its January 1980 release, but has been included as a bonus track on the 2001 and 2007 CD reissues. It was Foxx's last 1980s record in a hard-edged electronica style.
The Pleasures of Electricity is an album by John Foxx and Louis Gordon, released in 2001. It was the duo's second studio album, and Foxx's third after his return to the music scene in 1997.
Crash and Burn is the third studio album by John Foxx and Louis Gordon, released in 2003. The duo did a series of live performances to promote the album, as well as supporting The Human League on their "Very Best Of" tour the same year.
From Trash is the fourth studio album by John Foxx and Louis Gordon, released in 2006. Further material from the same sessions was released during the same year as Sideways.
Metratronic is a retrospective compilation of recorded audio and visual material by British musician and recording artist John Foxx. It was released in 2010 by Edsel Records to mark the 30th anniversary of Foxx's debut solo album Metamatic and the start of his solo career. The idea for the compilation was first mentioned in the Ultravox fanzine Extreme Voice back in 1999.
Benge is the artist name of Ben Edwards, a musician and producer based in London, England. The main focus of his work is within the experimental electronic music field.
John Foxx and the Maths is a musical project featuring electronic music pioneer John Foxx and Benge. The duo were initially a studio based project working from Benge's studio in Shoreditch, London but have also engaged in live work. They specialise in the use of analogue synthesizers and drum machines and have to date released two full studio albums, Interplay, The Shape of Things, a mini-album Evidence a live DVD-CD album Analogue Circuit, and a live in the studio album Rhapsody, released May 2013.
"No-One Driving" is a 1980 song by UK artist John Foxx, and was released as a single in March 1980. It was the second single release from the Metamatic album, after "Underpass". The song is typical of Foxx's musical output of the time, featuring a Ballardian dystopian scenario involving an automobile in the lyrics, with music produced using electronic instruments only.
This is a complete discography of the British recording artist John Foxx.
"Underpass" is a song by UK artist John Foxx, and was released as a single in January 1980. It was the artist's first solo single release after leaving the band Ultravox and the first single release from the Metamatic album, which was released shortly after. The track remains Foxx's best known song as is generally considered to be one of the most iconic songs of the electronic new wave trend.
Assembly is the title of an 18-track compilation album by British recording artist John Foxx, issued in 1992. It contains tracks from the artist's first four albums – Metamatic, The Garden, The Golden Section and In Mysterious Ways as well as tracks which had not been previously issued in an album format. The album was remastered for CD by Foxx himself, and although was the first time many of his solo tracks had appeared on CD there were no new tracks and none of the tracks remain exclusive to this release.
Modern Art - the Best of John Foxx is the title of an 18-track compilation album by British recording artist John Foxx, issued in 2001.
"Europe After The Rain" is the title of a John Foxx song, released as a single in August 1981, and included on The Garden album released later the same year.
"Dancing Like A Gun" is the title of a John Foxx song, released as a single in October 1981, taken from The Garden album released a month previously.