Shiv Bhakta | |
Directed by | H. L. N. Simha |
---|---|
Produced by | A. V. Meiyappan |
Starring | Shahu Modak Padmini |
Music by | Chitragupta |
Cinematography | Marutirao V. Kale [1] |
Edited by | K. Shankar |
Distributed by | AVM Productions |
Release date |
|
Running time | 145 min [1] |
Country | India |
Language | Hindi |
Shiv Bhakta is a 1955 Hindu mythological film directed by H.L.N.Simha starring Shahu Modak and Padmini in lead roles. [2] [1] It was a mythological film produced by AVM productions and it was directed by H. L. N. Simha with music by Chitrgupta. The songs were penned by Gopal Singh Nepali. Songs were considered evergreen. There are excellent classical dances by Padmini in this film. This was Padmini’s third Hindi film followed by Kalpana (1948) and Mr. Sampat (1952). The film is a remake of director - producer duo's 1954 Kannada movie Bedara Kannappa .
Shahu Modak was an Indian actor who acted in many Hindi as well as Marathi movies. Shahu Modak was mostly famous for the mythological characters that he played. He mostly played the roles of Krishna and Jñāneśvar.
Padmini was an Indian Actress and trained Bharathanatyam dancer, who acted in over 250 Indian films. She acted in Tamil, Telugu, Malayalam and Hindi language films. Padmini, with her elder sister Lalitha and her younger sister Ragini, were called the "Travancore sisters".
Kalpana is a 1948 Hindi film featuring a dance-drama, written and directed by noted dancer, Uday Shankar. It is his only film. The story revolves around a young dancer's dream of setting up a dance academy, a reflection of Shankar's own academy, which he founded at Almora. It starred Uday Shankar and his wife Amala Shankar as leads and 16-year-old actress Padmini, making her screen debut. It also marks Usha Kiran's debut film too.
Adapted from the Song Synopsis Booklet of the Film [3] and Indian films and posters from 1930 [4]
Manimanta and Alka, are two happy godly lovers who are currently living in Gandharvaloka. They are forced to come to earth as humans because of a curse put on them. When they arrive on earth, they are discovered in the jungle by hunters as babies. When the two kids, Deena and Neela grow up, they marry each other and start to leading a happy life. Another group of hunters who are rivals of Deena and Neela's tribe are envied by the fact that Deena is the pet child of his chieftain. This rival group creates a plot against Deena and eventually gets Deena and his wife exiled from their tribe. Deena feels that god has caused his banishment and created an injustice for him and his wife, which in turn has caused Deena to become a strict enemy of God and faith. Deena and Neela reach the sacred Kalhasti and try to settle there in peace. Everyday, Deena goes into the jungle hunting, but each day he always returns with nothing killed. Every time this happens, his distrust in god strengthens intensely and his plea against the existence of god becomes greater and greater. On the other hand, Neela's faith in God's unlimited power remains unbroken. One day when it has been raining heavily, Deena enters the temple of Sri Kalhasthishwar (without knowing that it is temple). Inside, he meets Kashi, nephew of the chief priest, Kailashnath Shastri. This meeting proves to be a turning point in Deena's life. Kashi, asks him to repeat the Mantra of "omnamasivaya" and tells him that the mantra will give him what he wants which is mainly the kill from the hunting. Deena chants the mantra and becomes a different person filled with spirit of God. On the other hand, Kailashnath Shastry, who is really the hypocrite Chief Priest, because he isn't even interested in being a priest. Shastry is only there because of his love to Rani, a temple-dancer. In order to please Rani, Shastry steals a necklace belonging to Goddess Parvati in the temple. Instead of being accused of committing this crime, Deena is accused of the theft. After many long challenges, the divine goodness clears up these problems, Deena is put to the supreme test and by an act of sacrifice and in the end, he is given the title, the great "Shiv Bhakta".
Pandari Bai was a prominent actress of South Indian languages films, mostly in Kannada language during the 1950s, 1960s and 1970s. She is considered Kannada cinema's first successful heroine. She has the distinction of having acted as both heroine and mother to stalwarts such as Rajkumar, MGR and Sivaji Ganesan. She was the heroine in Rajkumar's debut movie Bedara Kannappa and also Sivaji's debut movie Parasakthi. She has acted in over 1,000 films in Kannada, Tamil, Telugu and Hindi. in 1991, she was honoured by an MGR Award from the Tamil Nadu government.
Nagaraja Kumari Maddela, better known as Kumari, was a renowned south Indian actress, playback singer, musician, beauty queen, and a model. She was the first Indian actress to play dual-roles in film. She pioneered the art of playing multiple roles in a single film. She was also one of the first Indian faces used by Lux (soap), a brand that pioneered female celebrity endorsement, and have since used famous faces such as Aishwarya Rai.
Rushyendramani was an Indian singer, dancer, and famous stage/film actress and playback singer from South India. She had more than 150 movies to her credit and acted in Telugu, Tamil, Kannada, Malayalam and Hindi films from the 1935 to 1986.
Song Title | Singer(s) | Music Director | Lyricist | Actor(s)/Actress(es) |
---|---|---|---|---|
Mujhe To Shiv Shankar Mil Gaye | Mohammed Rafi | Chitragupt | Gopal Singh Nepali | Shahu Modak |
Prabhu Tere Charan Pade Jaha Jaha | Mohammed Rafi | Chitragupt | Gopal Singh Nepali | Anant Kumar, Shahu Modak |
Mai To Baar Baar Naachi | Lata Mangeshkar | Chitragupt | Gopal Singh Nepali | Padmini |
Laaj Lage Ghunghat Na Khol | Mohammed Rafi, Asha Bhosle | Chitragupt | Gopal Singh Nepali | Ragini |
Bhagwan Mil Jaye Samne | Mohammed Rafi, Asha Bhosle | Chitragupt | Gopal Singh Nepali | |
Bhagwan Tumhe Duniya Mane | Mohammed Rafi | Chitragupt | Gopal Singh Nepali | |
Maya Ki Uljhano Ko Hairan | Mohammed Rafi | Chitragupt | Gopal Singh Nepali | |
Hey Bholenath Kailashnath | Chitragupt | Gopal Singh Nepali | ||
Jo Naari Tujhe Bhakti Se Pukarti | Geeta Dutt | Chitragupt | Gopal Singh Nepali | |
Kahan Jake Ye Naina Lade | Lata Mangeshkar | Chitragupt | Gopal Singh Nepali | Padmini, Mishra |
Kailashnath Prabhu Avinashi | Lata Mangeshkar | Chitragupt | Gopal Singh Nepali | Padmini, Rushendramani |
Dekhoji Meri Ore Muskura Bhi To Do | Lata Mangeshkar | Chitragupt | Gopal Singh Nepali | Padmini, Mishra |
Maya Ke Hirno Ke Pichhe | Manna Dey | Chitragupt | Gopal Singh Nepali | |
Mile Amiri Ya Fakiri Mujhe Darr Kya | Asha Bhosle | Chitragupt | Gopal Singh Nepali | |
Hum Ko Tera Naam Lene Se Waasta | Mohammed Rafi | Chitragupt | Gopal Singh Nepali | Shahu Modak |
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