Bedara Kannappa | |
---|---|
Kannada | ಬೇಡರ ಕಣ್ಣಪ್ಪ |
Directed by | H. L. N. Simha |
Written by | G. V. Iyer |
Produced by | A. V. Meiyappan C. R. Basavaraju Gubbi Veeranna |
Starring | Rajkumar Pandari Bai Raja Sulochana Narasimha Raju |
Cinematography | S. Maruthi Rao |
Edited by | K. Shankar |
Music by | R. Sudarsanam G. Govindarajulu Naidu (additional song in Tamil version) |
Production companies | AVM Productions The Karnataka Films Ltd. |
Release date |
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Running time | 165 minutes |
Country | India |
Language | Kannada |
Bedara Kannappa is a 1954 Indian Kannada-language Hindu mythological film directed by H. L. N. Simha and written by G. V. Iyer. The film stars Rajkumar playing the title character along with Pandari Bai, Kushala Kumari, G. V. Iyer, Sandhya and Narasimharaju in other prominent roles. The film is an adaptation of the stage play Kaalahasti Charitre written by T. N. Balakrishna [1] for the Gubbi Veeranna Nataka Company, [2] which was based on the folk tale of the hunter Kannappa who proves his extreme devotion to the Hindu God Shiva by gouging out both his eyes. [3]
Bedara Kannappa started as a play produced by the Gubbi Veeranna Nataka Company before it became a Kannada film. [4] The film rights of the play were later bought by A. V. Meiyappan of AVM Productions. The film's songs were composed by R. Sudarsanam, with lyrics written by S. Nanjappa. The cinematography of the film was handled by S. Maruthi Rao. [5] In 1953, Singanalluru Puttaswamaiah Muthuraj, a dramatist with Gubbi Veeranna Nataka Company was spotted by director H. L. N. Simha, who was on the lookout for well-built, pleasant-faced man for the starring role in film. Simha eventually signed Muthuraj for the film and named him Rajkumar. Filming began in mid-1953 and took over two months to complete. [6] This was the debut film of both Rajkumar and Narasimharaju as actors and of G.V. Iyer as a scriptwriter. [7]
Bedara Kannappa was released on May 7, 1954 in Bangalore's Sagar and Shivaji theatres and New Opera theatre in Mysore to low expectations. [8] The owners of New Opera theatre, thought that at best it would only run for two weeks. [4] However, defying expectations; The film was critically and commercially successful, becoming the first Kannada film to have a direct run of 365 days. [9] The film was the inaugural recipient of National Film Award for Best Feature Film in Kannada (then called the Certificate of Merit) [10] in National film awards 1954. [11] Following the film's success in Karnataka, it was dubbed and released in Tamil as Vedan Kannappa [12] with an additional song ("Aasaikkoru Aan Pillai") featuring JP Chandrababu, Rajkumar and Pandari Bai which was not there in the Kannada version. [13] G. Govindarajulu Naidu composed music for additional song in the Tamil version.[ citation needed ] Later, the film was remade in Telugu as Kalahasti Mahatyam also starring Rajkumar. [14] The film was also remade in Hindi in 1955 by the same director-producer duo as Shiv Bhakta. [15]
Dinna (Rajkumar) and Neela (Pandharibai) are gods banished to earth where they are born to a tribe of hunters. They grow up and become involved with a corrupt temple priest who accuses Dinna of theft. Dinna weathers all the tests, including torture, the gods impose on him.
Character | Actor |
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Dinna / Kannappa | Rajkumar |
Neela, wife of Dinna | Pandari Bai |
Young Dinna | Ratan |
Young Neela | Kushala Kumari |
Kailasanatha Sastry | G. V. Iyer |
Gowri, Wife of Kailasanath | Sandhya |
Kasinatha Sastry, son of Kailasanath | Narasimharaju |
Shiva | H. R. Shastry |
Parvathi | Yellamma Devi |
Srihari | Rushyendramani |
Chintamani | Rajasulochana |
Basavareddy | A. V. Subba Rao |
M. R. Dasappa | |
Mani Aiyar | |
M. R. Nanjappa | |
Narayana | |
S. R. Raju | |
Tribal dancer in song "Aasaikkoru Aan Pillai" (Tamil version only) | JP Chandrababu |
The film's soundtrack was composed by R. Sudharsanam. The song Shivappa Kayo Tande (literally Shiva, protect me oh father) is very popular and is sung even today in orchestras.
Lyrics were by S. Nanjappa. Playback singers are C. S. Jayaraman, T. A. Mothi, M. L. Vasanthakumari, T. S. Bagavathi & P. Susheela.
Track# | Song | Singer(s) | Lyrics | Length (m:ss) |
---|---|---|---|---|
1 | "Shivappa Kaayo Thande" | C. S. Jayaraman | S. Nanjappa | 03:47 |
2 | "Shivane Endodane" | 03:28 | ||
3 | "Kaayo Tandeye Seva Karunisee" | 02:51 | ||
4 | "Yennodey Noo Aemba.... Yennodayaa Bava Banthu" | 03:02 | ||
5 | "Daari Kaadu Naa Balu Nonde" | M. L. Vasanthakumari | 03:05 | |
6 | "Aasha Gaganadhe.... Vidhi Gaidha" | T. S. Bagavathi | 03:02 | |
7 | "Dayaamayaa Eshaa" | 02:03 | ||
8 | "Saaku Saaku Navamohana" | 02:49 | ||
9 | "Naliyuva Baa Iniyaa" | 02:42 | ||
10 | C. S. Jayaraman | |||
11 | "Aasha Gaganade" | T. S. Bagavathi | 03:21 | |
12 | "Maayege Siluki Marulade Manuja" | T.A. Moti | 02:53 | |
13 | "Sringeri Geervani" | P. Susheela | 03:11 | |
Additional song was composed by G. Govindarajulu Naidu. Playback singers are T. M. Soundararajan, T. A. Mothi, Thiruchi Loganathan, M. L. Vasanthakumari, T. S. Bagavathi, Radha Jayalakshmi & P. Susheela.
Track# | Song | Singer(s) | Length (m:ss) |
---|---|---|---|
1 | "Ennappan Andro Endhan" | TM Soundararajan | 03:47 |
2 | "Sivane Endradhudan Manathil" | TM Soundararajan | 03:28 |
3 | "Karo Thandhaiye Dhevaa Arulnidhi" | TM Soundararajan | 02:51 |
4 | "En Manamum Iruladhanil.... Ennudaiyaai Bhava Bandham" | TM Soundararajan | 03:12 |
5 | "Thedi Thedi Naan Manam Nondhen" | ML Vasanthakumari | 03:05 |
6 | "Aasai Kadalile.... Vidhi Seidha Mosatthinaale" | TS Bhagavathi | 03:02 |
7 | "Dhayaa Mayaa Eesa" | TS Bhagavathi | 02:03 |
8 | "Thaarum Thaarum Navamoganaa" | Radha Jayalakshmi | 02:49 |
9 | "Azhaguru Maalai Idhe" | TS Bhagavathi | 02:42 |
10 | "Dhaasano Dhaasan Nee" | TM Soundararajan | 00:44 |
11 | TS Bhagavathi | 03:21 | |
12 | "Maayaiyin Irulil Marulaadhe Manidha" | TA Mothi | 02:53 |
13 | P Susheela | 03:11 | |
14 | "Aasaikkoru Aann Pillai" | Tiruchi Loganathan & TS Bhagavathi | 03:02 |
When the film was ready, there were no distributors willing to pick it up. But thanks to the intervention of the chief minister of the state, S. Nijalingappa, they could release it through Karnataka Films. The owners of New Opera theatre in Mysore, where it ran for a 100 days, thought that at best it would run for two weeks. But they were in for a big shock when people from different parts of the state streamed in to watch the film. Among those who turned up for the first show at Mysore, was Rajkumar himself with his father. The Tamil version, Vedan Kannappa was also a hit.
The film is often regarded by critics as a landmark film in Kannada film history. The film also became the first Kannada film to gain national recognition as it became the first film to win the Certificate of Merit for the Best Feature Film in Kannada. [16] The success of the film was reported to have spurred the pace of production of Kannada language films significantly. [17] Bedara Kannappa acquired cult status in Kannada cinema and became a trendsetter for dialogues and acting for later Kannada films. [8] Michael Patrao of Deccan Herald wrote, "This film turned out to be a landmark in Kannada cinema for more than one reason. It was the first film in Kannada to win recognition at the national level by getting a certificate of merit. But most important of all, it launched Rajkumar, one of the greatest artistes of Kannada cinema." [18]
Singanalluru Puttaswamaiah Muthuraj, better known by his stage name Dr. Rajkumar, was an Indian actor and singer who worked in Kannada cinema. Regarded as one of the greatest and versatile actors in the history of Indian cinema, he is considered a cultural icon and holds a matinée idol status in the Kannada diaspora, among whom he is popularly called as Nata Saarvabhouma, Bangarada Manushya, Vara Nata, Gaana Gandharva, Rasikara Raja, Kannada Kanteerava and Rajanna/Annavru. He was honoured with Padma Bhushan in 1983 and Dadasaheb Phalke Award in 1995. He is the only lead actor to win National Award for Playback singing. His 39 movies have been remade 63 times in 9 languages by 34 actors making him the first actor whose movies were remade more than fifty times and the first actor whose movies were remade in nine languages. He was the first actor in India to enact a role which was based on James Bond in a full-fledged manner. The success of his movie Jedara Bale is credited to have widely inspired a Desi bond genre in other Indian film industries. On the occasion of the "Centenary of Indian Cinema" in April 2013, Forbes included his performance in Bangaarada Manushya on its list of "25 Greatest Acting Performances of Indian Cinema". Upon his death, The New York Times had described him as one of India's most popular movie stars.
Ganapathi Venkataramana Iyer was an Indian film director and actor. He was nicknamed "Kannada Bheeshma". His film Adi Shankaracharya (1983) won four National Film Award, including Best Film, Best Screenplay, Best Cinematography and Best Audiography. His film Swami Vivekananda (1998) was nominated in the Best Film category at the Bogotá Film Festival, for which Mithun Chakraborty won the national award for Best Supporting Actor.
Pandari Bai was an Indian actress who worked in South Indian cinema, mostly in Kannada cinema during the 1950s, 1960s and 1970s. She is considered Kannada cinema's first successful heroine. She has acted as both heroine and mother to stalwarts such as Rajkumar, M. G. Ramachandran, Sivaji Ganesan. She was the heroine in Rajkumar's debut movie Bedara Kannappa and also Sivaji's debut movie Parasakthi. She has acted in over 1,000 films in Kannada, Tamil, Telugu and Hindi. Bai was honoured by Kalaimamani from the Tamil Nadu government.
Tiptur Ramaraju Narasimharaju was an Indian actor in Kannada cinema who specialised in roles that required ample comic timing. He was the comedy stalwart of the Kannada film industry. He acted in more than 250 Kannada films between 1954 and 1979. He was also referred to as Hasya Chakravarti.
Gubbi Hampanna Veeranna was an Indian theatre director. He was one of the pioneers and most prolific contributors to Kannada theatre. He established the drama company, Gubbi Sree Channabasaveshwara Nataka Company, which played a crucial role in promoting the Kannada theatre field. He has been conferred the title Nataka Ratna meaning "A Precious Jewel" in the theatre world. Gubbi Veeranna laid the foundation stone for the Kannada film industry. He established a studio, produced silent films in early days of cinema and produced good Kannada short films, He built theaters and introduced many actors including Dr Rajkumar, G.V Iyer, B.V Karanth, Girish Karnad and others to the Kannada film industry.
Singanalluru Puttaswamaiah Muthuraj, better known by his stage name Dr. Rajkumar, was an Indian actor and singer who worked in Kannada cinema. Through his over five-decade long career of over 200 films, he was regarded one of the most pivotal and influential figures of the Kannada film industry. His films were praised for acting as a bridge between the popular and art films because of the theme of the story and their treatment. He debuted as a child actor in the 1942 Kannada film Bhakta Prahlada. His first role as an adult came in Sri Srinivasa Kalyana (1952) and as a lead, two years later, in Bedara Kannappa, which gave him stardom. He debuted as a singer with the track Om Namaha Shivaya from the 1956 film Ohileshwara. In 1960, he made his debut as a producer by producing Ranadheera Kanteerava. According to Ashish Rajadhyaksha and Paul Willemen in the book Encyclopedia of Indian Cinema, Ranadheera Kanteerava was the first "big hit" in Kannada cinema. In a film career spanning fifty years, Rajkumar received eleven Karnataka State Film Awards, including nine Best Actor and two Best Singer awards, eight Filmfare Awards South, and one National Film Award. Along with Vishnuvardhan and Ambareesh, he is counted in Kannada cinema's "triumvirate" as its most celebrated actor.
Kalahasti Mahatyam is a 1954 Indian Telugu-language film directed by H. L. N. Simha starring Dr. Rajkumar. This is the only non-Kannada film starring Dr. Rajkumar.
Tirumakudalu Narasipura Balakrishna was an Indian actor in Kannada cinema. He was said to have a hearing problem and some say that he was totally deaf. However, he would catch the lip movements of the artists and would narrate the dialogues spontaneously. He was popular for his comic and villainous roles in films like Kantheredu Nodu (1961), Muriyada Mane (1964), Bangaarada Manushya (1972), Gandhada Gudi (1973) and Kaamana Billu (1983) and appeared in numerous versatile roles over a hundred films that starred Rajkumar in the lead role.
Abba Aa Hudugi is a 1959 Indian Kannada-language film written, directed and produced by H. L. N. Sinha based on his own play of the same name. It stars Rajashankar in his debut role, Rajkumar in an extended cameo along with Narasimharaju, Mynavathi and Pandari Bai. It is considered a landmark film in Kannada cinema. Critics have noted that the theme of the movie is loosely based on William Shakespeare 's The Taming of the Shrew. The film was dubbed in Tamil with the title Mangaikku Maangalyame Pradhaanam and was released in 1960. Dialogues were written by S. A. Subbaraman. Jeevan composed the music; while Puratchidasan wrote the lyrics. In short, this film also marked the only Kannada film for Malayalam actress Sukumari.
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M. V. Rajamma was an Indian actress, producer and playback singer of films mostly in Kannada, Tamil and Telugu languages from the 1930s through 1970s. She has the distinction of having acted as both heroine and mother to stalwart South Indian actors such as Dr. Rajkumar, Sivaji Ganesan, MGR and NTR. Karnataka Government established M. V. Rajamma Award in her honor.
Hunsur Krishnamurthy was an Indian playwright, film director, producer, actor, screenwriter and lyricist in Kannada cinema.
R. Nagarathnamma (1926–2012) was an Indian theatre personality and the founder of Stree Nataka Mandali, an all-women theatre group based in Bengaluru. A recipient of the Sangeet Natak Akademi Award, she was honored by the Government of India, in 2012, with the fourth highest Indian civilian award of Padma Shri.
Bhakta Prahlada is a 1942 Indian Kannada-language film directed by K. Subramanyam. The film stars M. V. Rajamma, Chandramma, A. N. Sheshachar and K. V. Achuta Rao. The film also saw Rajkumar's first appearance in a film. He played a school-going child alongside his brother S. P. Varadappa; their father Singanalluru Puttaswamayya played Akhandasura.
K. R. Seetharama Sastry popularly known as Ku. Ra. Seetharama Sastry or simply Ku. Ra. Si was an Indian actor, writer, lyricist and director in Kannada film industry. After a career in theatre, Sastry's career in films was those of an actor, director, producer, screenwriter, lyricist and an occasional composer. He is considered one of the most influential personalities in the history of Kannada cinema.
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Shiv Bhakta also spelt as Shiv-Bhakta is a 1955 Hindu epic film directed by H.L.N. Simha starring Shahu Modak and Padmini in lead roles. It was a mythological film produced by AVM productions and it was directed by H. L. N. Simha with music by Chitrgupta. The songs were penned by Gopal Singh Nepali. Songs were considered evergreen. There are excellent classical dances by Padmini in this film. This was Padmini's second Hindi film followed by Mr. Sampat (1952). The film is a remake of director - producer duo's 1954 Kannada film Bedara Kannappa. This Kannada movie was Kannada superstar Dr Rajkumar's first as a hero.
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Halebeedu Ramachandra Shastry, was an Indian actor and dubbing artist known for his work in Kannada cinema. In his career spanning more than 40 years, Shastry played a variety of supporting roles. He is noted for his performances in Bedara Kannappa (1954), Rayara Sose (1957), Bhoodana (1962), Sri Srinivasa Kalyana (1974) and Upasane (1974). Shastry's last movie was Pavana Ganga.