Vamsha Vriksha | |
---|---|
Directed by | B. V. Karanth Girish Karnad |
Written by | S. L. Bhyrappa |
Screenplay by | Girish Karnad B V Karanth |
Based on | Vamsha Vriksha by S. L. Bhyrappa |
Produced by | G.V Iyer |
Starring | Venkata Rao Talegiri B. V. Karanth L. V. Sharada Girish Karnad Chandrashekhar Uma Shivakumar G. V. Iyer Vishnuvardhan |
Cinematography | U. M. N. Sharief |
Edited by | Aruna Vikas |
Music by | Bhaskar Chandavarkar |
Production company | Ananthalakshmi Films |
Release date |
|
Running time | 166 minutes [2] |
Country | India |
Language | Kannada |
Vamsha Vriksha (The genealogy tree), is a 1971 Indian Kannada-language film directed by B. V. Karanth and Girish Karnad, based on S. L. Bhyrappa's novel of the same name. The film won the National Film Award for Best Direction. [3] It also won three Filmfare Awards in 1972.
This film marked the film debut of actor Vishnuvardhan [4] and actress Uma Shivakumar. [5] The film was later remade into Telugu in 1980 as Vamsa Vruksham starring Anil Kapoor in his debut in a lead role. [6] The movie was reported to have ran for a record 200 days (morning shows) at States, a single screen theatre in Bengaluru. [7]
The story starts in 1924 with Kathyayani, widow of Nanjunda Shrothri, who lives with her in-laws Shrinivasa Shrothri and Bhagirathamma and their servant, Lakshmi, in Nanjangud. After the loss of her husband, Kathyayani did not take to a widow's garb as her mother-in-law wished because her father-in-law thought it would be too much for the young woman to bear. Shrothri, a scholar in Indian philosophy and the shastras, is occasionally visited by priests and professors for his opinion on an intricate problem in the scriptures. In one such event, Sadashiva Rao, a college lecturer in Mysore, visits Shrothri to discuss some matters of Indian philosophy. Listening to the two men talk, Kathyayani's thoughts turn to college. Despite a little protest from Bhagirathamma, Shrothri encourages his daughter-in-law to pursue her BA degree, which Nanjunda had been studying for before he had drowned in the nearby Kapila river. At the university, she meets the brother of Sadashiva Rao, Raja Rao, professor of Shakespearean drama and organiser of the Dramatics Club, with whom she falls in love.
Simultaneously, Sadashiva Rao embarks on a massive five-volume project that would detail the cultural history of India from the days of the Indus Valley Civilisation to present times. With an initial grant from Shrothri of Rs. 1,000 and funding from the Maharaja of Mysore, Sadashiva Rao embarks on a tour of India to visit various libraries, monuments, and archives to conduct his research. During his visit to Ajanta, he meets with a Sinhalese couple and their daughter, Karunaratne, a historian of Buddhism from Cambridge. Rao is enchanted by the woman's sharp mind and dedication to her research, and invites her to continue her studies at his university. Ratne takes Rao up on his offer as she has some admiration for his work, and over the course of her doctoral degree and work with him as his research assistant, falls in love with him.
Sadashiva Rao, already married to Nagalakshmi, is concerned that society will see his interaction with Ratne, which by now had become quite informal, as improper. He is also frustrated with his wife for not being able to take part in his intellectual life, which was all that mattered to him. Rao offers to marry Ratne despite his earlier marriage and live in a bigamous relationship. Ratne is hesitant at first, but only for a short while. She agrees, and the two get married. Needless to say, Nagalakshmi, a dutiful and loving wife, is devastated. Around the same time, Rao's younger brother, Raja Rao marries Kathyayani. The widow wrestles with the notion of remarriage, especially as she is aware of the dishonour it will bring to the Shrothri family, but ultimately gives in to the material pleasures of a married life. Unable to face her dharmic father-in-law, she writes him a letter and departs from the house with just the clothes on her back. The Shrothri family is shocked, even more so as Kathyayani has abandoned even her four-year-old son for Raja Rao, but Shrothri goads them back to some level of equanimity after the catastrophe.
As the years pass, Nagalakshmi, despondent, finds peace in religion, and the old Shrothris continue the burden of domestic life, denied the pleasures of retirement, first by the death of their son and then by the abandonment by their daughter-in-law. Kathyayani, after the initial enjoyment of marital bliss, suffers three miscarriages and wonders if her fate might not be in some way a divine judgement on her actions. Similarly, Rao falls sick as he churns out volume after volume of his magnum opus. Ratne, who had framed her marriage to Rao in intellectual terms, loses both her parents to old age and begins to feel the pangs of motherhood. Unfortunately for her, Rao is quite weak, and any time spent on her pregnancy and maternity leave might mean that their five-volume project may remain incomplete.
One day, Kathyayani suddenly comes across her son in her English class – after her bachelor's, she had studied for an MA and become a teacher along with her new husband. Unable to restrain herself, she invites him home and inquires about his family. When he tells her that both his parents are dead, Kathyayani feels his rejection more keenly than had the boy hurled insults at her or demanded an explanation from her. Her health deteriorates due to her mental anguish, much to the worry of her doting husband. Rao also hovers near death as the strain of his work wears him down, as does the guilt of abandoning his first wife, Nagalakshmi.
In the meanwhile, sadness once again descends upon the Shrothri house with the passing of Bhagirathamma. Battered by fate, Shrothri barely manages to hold on to his mental calm. He decides that it is time he took sanyasa and begins to put his affairs in order. He arranges for his grandson to be married to the daughter of a respected Sanskrit teacher in town, and bequeaths two acres of land to Lakshmi, who had served the Shrothri family from her father's days. In the midst of sorting out his papers, Shrothri finds an old letter addressed to his father, cursing the man for cheating his brother out of his share of the ancestral property. Shocked, the old man investigates the accusation. As an old tale of greed, jealousy, and other human weaknesses unfolds, Shrothri is aghast to find that his father was not Nanjunda Shrothri, but some priest who had been chased off after impregnating his mother. This had been arranged so that Nanjunda Shrothri Sr. would have an heir to whom he could pass the ancestral property to, without having it pass to his brother. Shrinivasa Shrothri decides to track down his uncle's descendants, but when any fail to turn up, he gives away all his property and wealth to needy people in the village. His grandson, Shrinivasa Shrothri Jr., is supportive of the decision, as he too would not like to taint himself with ill-gotten wealth.
In the closing act, Sadashiva Rao, racked with guilt, returns to live with both his wives under one roof. Within a day of his having made his peace, he passes away. He had just finished his five-volume work. Ratne, when she raises the topic of Rao's research with his son (from his first wife), Prithvi, informs her that he doesn't care for history or philosophy and that he is a science student. Shrothri leaves for his sanyas, but decides to visit his daughter-in-law to see her one last time – he hadn't seen her since she left around 20 years ago. As he enters the Rao house, Kathyayani, no longer her radiant, beautiful, self but a pale emaciated shell, is in her final moments. Shrothri sends for her son, his grandson, and is shocked to find out that the young man knew of his mother but had rejected her – he had hoped that the junior Shrothri would have been raised better. While they await the grandson's arrival, the old man is surprised to find out that Nagalakshmi's aunt was his wronged uncle's daughter. Shrothri Jr., or Cheeni as his mother called him so many years ago, enters, and as he tries to pour some water down his mother's throat, she too passes away. Ratne has made preparations to return home to Ceylon, and Shrinivasa Shrothri finally leaves for his sanyas, telling his grandson that his first duty now was to perform the death rituals for his mother.
Bhaskar Chandavarkar scored the music for the film. The soundtrack had a single song "Mugila Thumba Bera Beelala" composed by him and written by B. V. Karanth.
Award [a] | Date of ceremony [b] | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
Filmfare Awards South | 1972 | Best Film – Kannada | G. V. Iyer | Won | [8] |
Best Director – Kannada | B. V. Karanth , Girish Karnad | Won | |||
Best Actor – Kannada | Venkata Rao Talegiri | Won | |||
Karnataka State Film Awards | 1971–72 (Announced on 23 November 1972) | Best Film | G. V. Iyer | Won | [9] |
Best Actor | Venkata Rao Talegiri | Won | |||
Best Actress | L. V. Sharada | Won | |||
Best Story Writer | S. L. Bhyrappa | Won | |||
Best Dialogue Writer | B. V. Karanth, Girish Karnad | Won | |||
Best Editing | Aruna Desai | Won | |||
National Film Awards | 1971 (Announced on 02 May 1972) | Best Feature Film in Kannada | Producer: G. V. Iyer Directors: B. V. Karanth, Girish Karnad | Won | [10] |
Best Direction | B. V. Karanth, Girish Karnad | Won | |||
Girish Karnad was an Indian actor, film director, Kannada writer, playwright and a Jnanpith awardee, who predominantly worked in Kannada, Hindi, Tamil, Telugu, Malayalam and Marathi films. His rise as a playwright in the 1960s marked the coming of age of modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi. He was a recipient of the 1998 Jnanpith Award, the highest literary honour conferred in India.
Babukodi Venkataramana Karanth widely known as B. V. Karanth was an Indian film director, playwright, actor, screenwriter, composer, and dramatist known for his works in the Kannada theatre, Kannada cinema, and Hindi cinema. One of the pioneers of the Parallel Cinema, Karanth was an alumnus of the National School of Drama (1962) and later, its director. He received the Sangeet Natak Akademi Award (1976), six National Film Awards, and the civilian honor Padma Shri for his contributions towards the field of art.
Ganapathi Venkataramana Iyer was an Indian film director and actor. He was nicknamed "Kannada Bheeshma". His film Adi Shankaracharya (1983) won four National Film Award, including Best Film, Best Screenplay, Best Cinematography and Best Audiography. His film Swami Vivekananda (1998) was nominated in the Best Film category at the Bogotá Film Festival, for which Mithun Chakraborty won the national award for Best Supporting Actor.
Shivaramaiah Ramachandra Aithal, popularly known as S. Ramachandra, was a National Award winning Indian cinematographer. In 2006, he was honoured with Lifetime Contribution to Kannada Cinema Award at the Karnataka State Film Awards. He was recognised as a gifted cinematographer and as a force behind the offbeat films in Kannada cinema.
Chomana Dudi is a 1975 Indian Kannada-language drama film directed by B. V. Karanth and starring M. V. Vasudeva Rao and Padma Kumta. It is based on a novel of the same name, written by Shivaram Karanth. The film was released in the year 1975 and won the Swarna Kamal, India's National Award for the best film. This was also the first Kannada movie to feature a reference to the demigod Panjurli.
Gundamma Katha is a 1962 Indian Telugu-language comedy drama film directed by Kamalakara Kameswara Rao and co-produced by Nagi Reddi and Chakrapani under their banner Vijaya Productions. It stars N. T. Rama Rao, Akkineni Nageswara Rao, Savitri, and Jamuna, with S. V. Ranga Rao, Suryakantham, and Ramana Reddy in supporting roles.
Bhagya Rekha (transl. Fortunes) is a 1957 Indian Telugu-language drama film, produced by Ponnaluri Brothers under the Ponnaluri Brothers Pvt. Ltd. banner and directed by B. N. Reddy. It stars N. T. Rama Rao, Jamuna and music composed by Pendyala Nageswara Rao. The film was dubbed into Tamil as Veettukku Vandha Varalakshmi (1958).
Kaadu (transl. Forest) is a 1973 Indian Kannada-language film written and directed by Girish Karnad. The screenplay was based on a novel of the same name by Srikrishna Alanahalli. It stars Master G. S. Nataraj, Amrish Puri and Nandini Bhaktavatsala. The film won awards at the 21st National Film Awards and the 21st Filmfare Awards South.
Saradha Bullodu is a 1996 Indian Telugu-language drama film directed by Ravi Raja Pinisetty and produced by T. Trikrama Rao under the Vijayalakshmi Art Pictures banner. It stars Venkatesh and Nagma playing the lead roles, with music composed by Koti. The film was recorded as a flop at the box office. It was dubbed into Tamil as Enga Oor Singam.
Uma Shivakumar was an Indian film and theatre character actress, whose career included roles in more than 170 Kannada language films and more than 30 plays. She was nicknamed "Baddi Bangaramma" by audiences, after the popular 1984 film of the same name, in which she portrayed a moneylender.
Samayada Gombe is a 1984 Indian Kannada-language drama film directed and co-produced by Dorai–Bhagavan. The film stars Dr. Rajkumar, Srinath, Roopa Devi and Menaka. It is based on the novel of same name written by Chitralekha. This is the only Kannada film of Malayalam cinema actress Menaka. She played the key role of Rajkumar's sister.
Ade Raga Ade Hadu is 1989 Indian Kannada-language paranormal romance film directed by M. S. Rajashekar and produced by S. A. Govindaraj. The film stars Shiva Rajkumar and Seema, a debutant, along with Srinath and Thoogudeepa Srinivas.
Muddula Mavayya is a 1989 Indian Telugu-language drama film produced by S. Gopal Reddy under the Bhargav Art Productions banner and directed by Kodi Ramakrishna. It stars Nandamuri Balakrishna, Vijayashanti and musical score by K. V. Mahadevan. The film was a remake of the Tamil film En Thangachi Padichava which was also remade in Hindi as Aaj Ka Arjun starring Amitabh Bachchan; in Kannada as Ravimama starring V. Ravichandran.
Dictator is a 2016 Indian Telugu-language action film, jointly produced by Eros International & Sriwass under Vedhaaswa Creations banner and directed by Sriwass. The film stars Nandamuri Balakrishna, Anjali, Sonal Chauhan and Vikramjeet Virk music is composed by S. Thaman.
Boxer is a 2015 Indian Kannada-language romantic action drama film written and directed by Preetham Gubbi and produced by Jayanna - Bhogendra. It stars Dhananjay and Kruthika Jayakumar. The music is composed by V. Harikrishna. The film was released on 20 November 2015.
Bangaaru Kalalu is a 1974 Telugu-language drama film, produced by D. Madhusudhana Rao under Annapurna Pictures banner and directed by Adurthi Subba Rao. It stars Akkineni Nageswara Rao, Waheeda Rehman, Lakshmi and music composed by S. Rajeswara Rao. The film was based on Yaddanapudi Sulochana Rani's novel of the same name.
Kasthuri is an Indian Tamil-language soap opera that aired on Sun TV from 21 August 2006 and later a show named 'Madhavi' took the time slot of this serial on 19 April 2010. It shifted to the 11.30AM slot. This serial was replaced by Kanmaneeya and again shifted on 13 December 2011, telecast for 1,532 episodes. The show starred Easwari Rao, Niya, Latha, Delhi Ganesh, Shyam, Neelima Rani, Aparna and Nithish among others. It was produced by Balaji Telefilms Ekta Kapoor and Shobha Kapoor, and had various directors. It also aired in Sri Lanka on the Tamil channel on Shakthi TV. It is an official remake of blockbuster Telugu series Kalyanee which aired on Gemini TV.
Raja the Great is a 2017 Indian Telugu-language action comedy film written and directed by Anil Ravipudi and produced by Dil Raju on Sri Venkateswara Creations banner. The film stars Ravi Teja as a visually impaired man, alongside Mehreen Pirzada and Radhika. Vivan Bhatena, Rajendra Prasad, Prakash Raj and Sampath Raj play supporting roles with music composed by Sai Karthik. The film marks the debut of Teja's son Mahadhan as child actor.
Samsaram (transl. Family) is a 1975 Indian Telugu-language drama film, produced and directed by T. Prakash Rao under the Anil Productions banner. It stars N. T. Rama Rao and Jamuna. The music was composed by T. Chalapathi Rao.
Vamshavriksha is a 1965 novel written by the popular Kannada writer, philosopher and thinker S. L. Bhyrappa. Vamshavruksha received the Kannada Sahitya Academy Award in 1966. A Kannada movie Vamsha Vriksha based on this novel, which was directed by B. V. Karanth and Girish Karnad secured Best Regional Film and National Film Award for Best Direction at 19th National Film Awards. Vamshavriksha is a nuanced exploration of love and loss, tragedy and triumph, and is interwoven with spiritual, historical and cultural insights.