Shout-and-fall

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Shout-and-fall or tumbling strain is a modal frame, "very common in Afro-American-derived styles" and are featured in songs such as "Shake, Rattle and Roll" and "My Generation". [1]

A modal frame in music is "a number of types permeating and unifying African, European, and American song" and melody. It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is atonic, or has an unstable tonic.

Song composition for voice(s)

A song is a single work of music that is typically intended to be sung by the human voice with distinct and fixed pitches and patterns using sound and silence and a variety of forms that often include the repetition of sections. Through semantic widening, a broader sense of the word "song" may refer to instrumentals.

Shake, Rattle and Roll 1954 song by Jesse Stone.

"Shake, Rattle and Roll" is a twelve bar blues-form song, written in 1954 by Jesse Stone under his songwriting pseudonym of Charles E. Calhoun. It was originally recorded by Big Joe Turner and most successfully by Bill Haley & His Comets. The song as sung by Big Joe Turner is ranked #127 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time.

"Gesturally, it suggests 'affective outpouring', 'self-offering of the body', 'emptying and relaxation'." The frame may be thought of as a deep structure common to the varied surface structures of songs in which it occurs. [1]

Shout-and-fall example.
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Shout-and-fall example. Loudspeaker.svg   Play  

Sources

  1. 1 2 3 Middleton, Richard (1990/2002). Studying Popular Music, [ page needed ]. Philadelphia: Open University Press. ISBN   0-335-15275-9.

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