A longsword is a type of European sword characterized as having a cruciform hilt with a grip for primarily two-handed use, a straight double-edged blade of around 80 to 110 cm, and weighing approximately 1 to 1.5 kg.
Hans Talhoffer was a German fencing master. His martial lineage is unknown, but his writings make it clear that he had some connection to the tradition of Johannes Liechtenauer, the grand master of a well-known Medieval German school of fencing. Talhoffer was a well-educated man who took interest in astrology, mathematics, onomastics, and the auctoritas and the ratio. He authored at least five fencing manuals during the course of his career, and appears to have made his living teaching, including training people for trial by combat.
Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing, but by extension it can also be applied to any martial art involving the use of a sword. The formation of the English word "swordsman" is parallel to the Latin word gladiator, a term for the professional fighters who fought against each other and a variety of other foes for the entertainment of spectators in the Roman Empire. The word gladiator itself comes from the Latin word gladius, which is a type of sword.
Johannes Liechtenauer was a German fencing master who had a great level of influence on the German fencing tradition in the 14th century.
Codex 3227a of the Germanisches Nationalmuseum in Nuremberg is a manuscript of 169 folia, dated to the close of the 14th century. Its text is written in Latin and German. The German portions have been identified as in East Central German dialect.
Historical European martial arts (HEMA) are martial arts of European origin, particularly using arts formerly practised, but having since died out or evolved into very different forms.
Martial arts manuals are instructions, with or without illustrations, specifically designed to be learnt from a book. Many books detailing specific techniques of martial arts are often erroneously called manuals but were written as treatises.
The German school of fencing is a system of combat taught in the Holy Roman Empire during the Late Medieval, German Renaissance, and early modern periods. It is described in the contemporary Fechtbücher written at the time. The geographical center of this tradition was in what is now Southern Germany including Augsburg, Frankfurt, and Nuremberg. During the period in which it was taught, it was known as the Kunst des Fechtens, or the "Art of Fighting". The German school of fencing focuses primarily on the use of the two-handed longsword; it also describes the use of many other weapons, including polearms, medieval daggers, messers, and the staff, as well as describing mounted combat and unarmed grappling (ringen).
Paulus Kal was a 15th-century German fencing master. According to his own testimony, he was the student of one Hans Stettner, who was in turn an initiate of the tradition of Johannes Liechtenauer. He served as fencing master at three different courts in his career, serving in various military capacities including commanding men in at least three campaigns. Perhaps his most significant legacy is an honor role of deceased masters included in the Bologna and Munich versions of his treatise, which he styled the Society of Liechtenauer. While several of these masters remain unknown, the majority wrote treatises of their own and Kal's list stands as an independent confirmation of their connection to the grand master. Kal's treatise is also interesting in that it represents the first attempt to give pictorial illustrations for parts of Liechtenauer's tradition of fencing.
Paulus Hector Mair (1517–1579) was a German civil servant fencing master from Augsburg. He collected Fechtbücher and undertook to compile all knowledge of the art of fencing in a compendium surpassing all earlier books. For this, he engaged the painter Jörg Breu the Younger, as well as two experienced fencers, whom he charged with perfecting the techniques before they were painted. The project was very costly, taking a full four years, and according to Mair, consumed most of his family's income and property. Three versions of his compilation, and one later, less extensive manuscript, have been preserved.
Cod. 44 A 8 also known as MS 1449, Bibliotheca dell'Academica Nazionale dei Lincei e Corsiniana, is a Fechtbuch compiled by Peter von Danzig in 1452. Danzig was a 15th-century German fencing master. He was counted among the 17 members of the "society of Johannes Liechtenauer".
The so-called Codex Wallerstein or Vonn Baumanns Fechtbuch is a 16th-century convolution of three 15th-century fechtbuch manuscripts, with a total of 221 pages.
In martial arts, a waster is a practice weapon, usually a sword, and usually made out of wood, though nylon (plastic) wasters are also available. Nylon is safer than wood, due to it having an adequate amount of flex for thrusts to be generally safe, unlike wooden wasters. Even a steel feder has more flex than most wooden wasters. The use of wood or nylon instead of metal provides an economic option for initial weapons training and sparring, at some loss of genuine experience. A weighted waster may be used for a sort of strength training, theoretically making the movements of using an actual sword comparatively easier and quicker, though modern sports science shows that an athlete would most optimally train with an implement which is closest to the same weight, balance, and shape of the tool they will be using. Wasters as wooden practice weapons have been found in a variety of cultures over a number of centuries, including ancient China, Ireland, Iran, Scotland, Rome, Egypt, medieval and renaissance Europe, Japan, and into the modern era in Europe and the United States. Over the course of time, wasters took a variety of forms not necessarily influenced by chronological succession, ranging from simple sticks to clip-point dowels with leather basket hilts to careful replicas of real swords.
Joachim Meyer was a self-described Freifechter living in the then Free Imperial City of Strasbourg in the 16th century and the author of a fechtbuch Gründtliche Beschreibung der Kunst des Fechtens first published in 1570.
Peter Falkner was a German fencing master, active in the late 15th century, influenced by Paulus Kal. He is the author of a fechtbuch, now KK 5012, at the Kunsthistorisches Museum, Vienna. He wrote treatises on the usage of longswords, messers, daggers, and on various other weapons of the time period
Ott Jud was a 15th-century Austrian martial arts master, specialized on grappling (Ringen).
The Glasgow Fechtbuch is a combat manual of the German school of fencing, dated to 1505. Consisting of 105 folia, it combines the instructions of various masters of the 15th century who stood in the tradition of Johannes Liechtenauer, presumably based on a previous compilation made by fencing master Sigmund Schining ein Ringeck.
Chivalry Bookshelf was a small press based in the United States founded by Brian R. Price which published booklets and books from 1992 to 2007. It was most notable for its contributions to the Society of Creative Anachronism and the early historical fencing movement and for a dispute about plagiarism and nonpayment of royalties in 2011-12.
Gründtliche Beschreibung der Kunst des Fechtens or, in English: A Foundational Description of the Art of Fencing: A Thorough Description of the Free, Knightly and Noble Art of Fencing, Showing Various Customary Defenses, Affected and Put Forth with Many Handsome and Useful Drawings is a German fencing manual that was published in 1570. Its author was the Freifechter Joachim Meyer. This manual was made for and was dedicated to Meyer's patron Count Palatine Johann Casimir. This fechtbuch builds on his earlier work, a manuscript written in 1560 - the MS A.4°.2, and presents a complex, multi-weapon treatise. Meyer's complete system often marks the end of and the compilation of the German fencing system in the Johannes Liechtenauer tradition. It is the only fechtbuch in the Liechtenauer tradition that was written for both laymen and beginners of the art.
While the majority of surviving sources concerning the use of the two-handed longsword detail the German school of swordsmanship and the Italian school of swordsmanship, there was also a smaller English school with its own techniques. The body of techniques used in English Longsword use has survived to the modern day in three manuscripts: The Ledall Roll ; Man yt Wol /British Library Harley MS 3542) and the British Library Cotton Titus Manuscript
