Sigrid Helga Lütken (1915–2008) was a Danish sculptor who is remembered for her works in public spaces throughout Denmark. Working in a wide variety of materials, she focused on plants, animals and people, all depicted in strong abstract forms. Her works form part of the permanent exhibitions of the National Museum of Denmark and can be seen in the Museum of Aabenraa and in Hjørring's Sculpture Park. Some of her more recent creations decorate the garden of the Carlsberg Foundation in Copenhagen. [1] [2] [3]
Born on 30 November 1915 in Helsingør, Sigrid Helga Lütken was the daughter of Major General Louis Carl Frederik Lütken (1863–1918) and Gertrud Thürmer. From 1936 to 1941, she studied sculpture at the Royal Danish Academy of Fine Arts under Einar Utzon-Frank. [3]
Her early works follow naturalistic trends, depicting human figures and animals which are frequently in motion. Her later works are increasingly abstract, covering fruits, plants or birds in an ornamental style with simple cubic shapes. Her materials include granite, cast iron, stoneware and bronze. [3]
From 1954, Lütken exhibited with the Grønningen artists and from 1965 with the group known as Koloristerne. From the 1980s, as a member of the selection committee, she participated in the exhibitions at Vrå Hojskole. [4] Her last exhibitions were in early 2008 at Den Frie Udstilling [5] and in Hobro together with works by her husband, the sculptor Bent Sørensen (1923–2008). In 1972 she was awarded the Eckersberg Medal and in 1994 the lifelong award from the Danish Arts Foundation. [6]
Sigrid Lütken died on 2 March 2008 and is buried in the Lundtofte Churchyard. [6]
Elizabeth Catlett, born as Alice Elizabeth Catlett, also known as Elizabeth Catlett Mora was an American and Mexican sculptor and graphic artist best known for her depictions of the Black-American experience in the 20th century, which often focused on the female experience. She was born and raised in Washington, D.C., to parents working in education, and was the grandchild of formerly enslaved people. It was difficult for a black woman at this time to pursue a career as a working artist. Catlett devoted much of her career to teaching. However, a fellowship awarded to her in 1946 allowed her to travel to Mexico City, where she settled and worked with the Taller de Gráfica Popular for twenty years and became head of the sculpture department for the Escuela Nacional de Artes Plásticas. In the 1950s, her main means of artistic expression shifted from print to sculpture, though she never gave up the former.
Carol Bove is an American artist based in New York City. She lives and works in Brooklyn.
Aksel (Axel) Einar (Ejnar) Utzon-Frank was a Danish sculptor and professor at the Royal Danish Academy of Fine Arts. During his lifetime, he produced many sculptures, some of which stand as public monuments. Utzon-Frank was son of Jens Christian Frank and Anna Cathrine Utzon. Anna Cathrine was sister to the grandfather of Pritzker Prize-winning architect Jørn Utzon.
Ángela Gurría Davó was a Mexican sculptor. In 1974, she became the first female member of the Academia de Artes. She is best known for her monumental sculptures such as Señal, an eighteen-meter tall work created for the 1968 Summer Olympics. She lived and worked in Mexico City.
Danish sculpture as a nationally recognized art form can be traced back to 1752 when Jacques Saly was commissioned to execute a statue of King Frederick V of Denmark on horseback. While Bertel Thorvaldsen was undoubtedly the country's most prominent contributor, many other players have produced fine work, especially in the areas of Neoclassicism, Realism, and in Historicism, the latter resulting from growing consciousness of a national identity. More recently, Danish sculpture has been inspired by European trends, especially those from Paris, including Surrealism and Modernism.
Sonja Ferlov Mancoba was a Danish avant-garde sculptor.
Jørgen Haugen Sørensen was one of Denmark's most eminent sculptors. He had his artistic debut at the acclaimed and prestigious Spring Exhibition (Forårsudstillingen) at Kunsthal Charlottenborg, Copenhagen in 1953. Haugen Sørensen was a member of the artistic union Decembristerne and the artist collective Grønningen, as well as Veksølund in Denmark.
Tosia Malamud was a Mexican sculptor of Ukrainian origin, one of the first female graduates of Mexico's Escuela Nacional de Artes Plásticas. Her family immigrated to Mexico when she was four, and her talent for art appeared early. She went to art college against her parents' wishes, graduating in 1943. Because of family obligations, her career did not begin until the mid-1950s with two important exhibitions that brought her style to the attention of critics. From then until her death, she exhibited her work in Mexico and abroad. She also created large and small works for public spaces and was considered to be the best bust maker in Mexico at the time. In addition to depictions of notable people, she created works mostly dealing with maternity, family and childhood which can be found in places such as the Museo de Arte Moderno and the Hospital Siglo XXI in Mexico City. La familia has become iconic for Mexico's Instituto Mexicano de Seguro Social and Viento for the Museo de Arte Contemporáneo in Morelia.
Suzette Catherine Holten was a Danish painter and ceramist who belonged to the Skovgaard family of artists. In addition to landscapes, flower paintings and portraits, she created and decorated ceramics and also worked as an embroiderer. As a woman, she was unable to achieve the same level of acclaim as her father or brothers.
Helga Cathrine Ancher (1883–1964) was a Danish painter. As the daughter of Anna and Michael Ancher, she was closely associated with the Skagen Painters. Most of her paintings were of her family and friends in Skagen and of local landscapes.
Olivia Holm-Møller (1875–1970) was a Danish painter and sculptor. Her richly coloured, almost abstract paintings provide a bridge between the early Danish Modernism of the 1910s and the Cobra works of the 1950s.
Eva Sørensen was a prolific Danish sculptor and ceramist whose granite and marble works are exhibited in museums and public spaces across Denmark. She died in Verbania in Italy.
Sigrid Kähler, also Sigrid Andersen Ring, was a Danish ceramist and painter. Through her father, the ceramist Herman A. Kähler, she met the painter L. A. Ring. After their marriage in 1896, she inspired many of his works. Although she spent most of her time as a mother and housewife, she continued to paint occasionally and decorated ceramics. Her work together with that of her husband was exhibited in Ordrupgaard in 2017.
Lise Ring is a Danish sculptor who has been active in the country's art organizations. Working with stone, concrete, wood and silver, she has created naturalistic works depicting women, children and animals. Her organizational responsibilities have included selection judge and committee member for the Charlottenborg Exhibitions and chair of the Billedkunstnernes Forbund and of the Kvindelige Kunstneres Samfund.
Hanne Varming née Larsen was a Danish sculptor and medallist. Her works include statues of celebrities such as Victor Borge but generally depict ordinary people or even her own children. Her portraits of Queen Margrethe II can be seen on the Danish 10 and 20 crown pieces. Her representation of an old couple sitting on a bench in Copenhagen's Kultorvet is inspired by Hans Christian Andersen's Hyldemoer or The Little Elder-Tree Mother.
Anna Maria Lütken (1916–2001) was a Danish painter who is remembered above all for her distinctive figure paintings, frequently based on her mother, her grandmother or herself as models. She also painted scenes of nature, including landscapes from Vendsyssel in the north of Jutland. In 2008, her works were presented together with those of Agnete Bjerre in an exhibition at Vrå where she was a member of the cultural association from 1956.
Caroline Rothwell is an artist who works mainly within sculpture. She currently lives and works in Sydney, New South Wales, Australia. Rothwell's works have been exhibited, collected, commissioned and publicly installed widely across Australia and internationally.
Marie Dorethea Juliane (Julie) Lütken (1788–1816) was a Danish painter who specialized in landscapes. Unusually for her times when women were not admitted to the Academy, thanks to the private instruction she received from Claudius Mørch, Carl Frederik Vogt and above all Johan Ludwig Lund, she was able to exhibit at the Charlottenborg Spring Exhibition in 1815. She died in May 1816 when only 28 after jumping out of a carriage drawn by a horse which had run wild.
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