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Requiem is an instrumental musical composition by Hans Werner Henze, premiered in Cologne on 24 February 1993. It consists of nine sacred concertos for piano solo, trumpet and large chamber orchestra. About this piece, the composer has the following comments.
These nine instrumental pieces are concerned with the human fears and problems of our time, with illness and death, love and loneliness, and in particular with the character of Michael Vyner, an extremely lively and passionate man, his life and his death, and my grief at his loss which stands for the loss of so many others who have also tragically departed from our world. The spirit of this music can be explained by such facts and by our time, by which it seems to me to be strongly influenced, by its horrors and passions, its beauty and dynamics. The movements of the Requiem can be played separately or in any desired combination. Hans Werner Henze
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Joseph Phibbs is an English composer of orchestral, choral and chamber music. He has also composed for theatre, both in the UK and Japan. Since 1998 he has written regularly to commissions for Festivals, for private sponsors, and for the BBC, which has broadcast premieres of his orchestral and chamber works from the Proms and elsewhere. His works have been given premieres in Europe, the United States and the Far East, and he has received prestigious awards, including most recently a British Composer Award, and a Library of Congress Serge Koussevitzky Music Foundation Award. Many of his works have been premiered by leading international musicians, including Dame Evelyn Glennie, Esa-Pekka Salonen, Leonard Slatkin, Sakari Oramo, Vasily Petrenko, Gianandrea Noseda, and the Belcea Quartet.
Panic is a concertante work for alto saxophone, jazz drum kit, woodwinds, brass and percussion by Harrison Birtwistle. It was written in 1995 and premiered as part of the Last Night of the Proms on 16 September 1995 at the Royal Albert Hall, London. At the premiere the solo saxophone part was played by John Harle, the drum kit by Paul Clarvis and the BBC Symphony Orchestra was conducted by Andrew Davis.
The Triumph of Time is a composition for orchestra by British composer Harrison Birtwistle written 1971 and 1972. It is one of Birtwistle's best-known compositions, as well as one of the works that earned him international reputation.
Michael Barrie Gordon Anderson, known as Barry Anderson, was a New Zealand-born composer, teacher, and pioneer in the dissemination of electroacoustic music in the United Kingdom. Internationally, his best-known work is his realisation of the electronic music for Harrison Harrison Birtwistle's opera The Mask of Orpheus.
Fiona Maddocks is a British music critic and author who specializes in classical music. Described as "one of the UK's leading writers and commentators on classical music", Maddocks has been chief music critic of The Observer since 2010. She held a central role in founding three media companies: BBC Music Magazine, Channel 4 and The Independent. Previously arts feature writer for the Evening Standard, Maddocks has also written for The Guardian and The Times. Her publications include a survey on the Medieval composer Hildegard of Bingen, a collection of interviews with Harrison Birtwistle, an anthology of 100 pieces recommended pieces, a guide to 20th-century classical music, and a study on Sergei Rachmaninoff's life outside of his native Russia.
References
- ↑ Hall, Michael. (1984) Harrison Birtwistle, Robson Books, p. 107
- ↑ BBC: "What's On: Silbury Air (1977, rev. 2003)", accessed February 28, 2011
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