| The Corridor | |
|---|---|
| Opera by Harrison Birtwistle | |
 The composer in 2008 | |
| Librettist | David Harsent |
| Language | English |
| Based on | Orpheus and Eurydice |
| Premiere | |
The Corridor is a chamber opera composed by Harrison Birtwistle to an English language libretto by David Harsent. It premiered at the Aldeburgh Festival on 12 June 2009. The title refers to the corridor through which Orpheus and Eurydice passed as he was leading her from the underworld.
Various aspects of the myth of Orpheus have been a recurring theme in Birtwistle's work, first explored in his three-act opera The Mask of Orpheus (1986) and later incorporated into his two-act opera The Second Mrs Kong (1994). [1] Between 2003 and 2004, he also composed The Orpheus Elegies, a 26 part song cycle for countertenor, oboe and harp based on Rilke's Sonnets to Orpheus . The Corridor focuses entirely on the moment in which Orpheus looks back at Eurydice, thus forcing her to return to the underworld forever. The opera's librettist, David Harsent, considers this one of the most brutal events in mythology:
It might not have the direct physical brutality of the death of Acteon or the flaying of Marsyas, but the combination of folly and irreversibility make for something deeper than poignancy and more visceral than regret. [2]
Corridor was Harsent's third libretto for Birtwistle. The first two, Gawain (1991) and The Minotaur (2008), premiered at the Royal Opera House in London.
The world premiere of The Corridor on 12 June 2009 inaugurated the new Benjamin Britten Studio at Aldeburgh and was paired with the premiere of Semper Dowland, semper dolens, Birtwistle's setting of John Dowland's Lachrimæ, or Seaven Teares . Both works were commissioned by the Aldeburgh Festival and the Southbank Centre. The premiere production was directed by Peter Gill with Ryan Wigglesworth conducting the London Sinfonietta. Elizabeth Atherton sang the role of Woman (Eurydice); Mark Padmore was Man (Orpheus). [3]
The following month, the production and original cast toured to the Queen Elizabeth Hall for the work's London premiere and to the Bregenz Festival for its Austrian premiere. [4] The Corridor was also performed in 2010 in a concert version at Merkin Hall in New York City with Brad Lubman conducting the contemporary music ensemble, Signal. On that occasion, the opera was paired with the premiere of Nico Muhly's setting of the Stabat Mater . [5]
In a long corridor, Orpheus leads Eurydice out of the underworld. Hades had made a condition on Eurydice returning to life that Orpheus not look at her while leading her out. The opera opens just as Orpheus is about to reach the end of the corridor. He turns around to make sure Eurydice is still there, thus condemning her to remain in the underworld forever. In a series of arias, the couple sing to each other as Eurydice retreats down the corridor back to the underworld, leaving Orpheus to return to the world alone. The members of the orchestra are on stage with the singers and serve as the Shades (spirits of the dead). At times, they are directly addressed by the singers. [6]
The 48 minute work is scored for two singers (soprano and tenor) and an orchestral ensemble of flute, clarinet, harp, violin, viola, and cello. [2]
Orpheus in the Underworld and Orpheus in Hell are English names for Orphée aux enfers, a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874.
The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the Aldeburgh area of Suffolk, centred on Snape Maltings Concert Hall.
Sir Harrison Birtwistle was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include The Triumph of Time (1972) and the operas The Mask of Orpheus (1986), Gawain (1991), and The Minotaur (2008). The last of these was ranked by music critics at The Guardian in 2019 as the third-best piece of the 21st century. Even his compositions that were not written for the stage often showed a theatrical approach. A performance of his saxophone concerto Panic during the BBC's Last Night of the Proms caused "national notoriety". He received many international awards and honorary degrees.
The Mask of Orpheus is an opera with music by Harrison Birtwistle, electronic music realised by Barry Anderson and a libretto by Peter Zinovieff. It was premiered in London at the English National Opera on 21 May 1986 to great critical acclaim. A recorded version conducted by Andrew Davis and Martyn Brabbins has also received good reviews. A new production of the opera was staged at the English National Opera in 2019, conducted by Martyn Brabbins and James Henshaw. The work is around three hours long.
Eurydice is a 2003 play by Sarah Ruhl which retells the myth of Orpheus from the perspective of Eurydice, his wife. The story focuses on Eurydice's choice to return to earth with Orpheus or to stay in the underworld with her father. Ruhl made several changes to the original myth's story-line. The most noticeable of these changes was that in the myth Orpheus succumbs to his desires and looks back at Eurydice, while in Ruhl's version Eurydice calls out to Orpheus perhaps in part because of her fear of reentering the world of the living and perhaps as a result of her desire to remain in the land of the dead with her father. Ruhl's script has been explicitly written so as to be a playground for the designer of the sets.
David Harsent is an English poet who for some time earned his living as a TV scriptwriter and crime novelist.
David Bruce is a British composer and a YouTuber.
Punch and Judy is a chamber opera with music by Harrison Birtwistle and a libretto by Stephen Pruslin, based on the puppet figures of the same names. Birtwistle wrote the score from 1966 to 1967. The opera was first performed at the Aldeburgh Festival, which had commissioned the work, on 8 June 1968, with David Atherton conducting the English Opera Group. The premiere cast included John Cameron as Mr Punch.
La descente d'Orphée aux enfers H.488 is an incomplete chamber opera in two acts by the French composer Marc-Antoine Charpentier. It was probably composed in early 1686 and performed either in the apartments of the Dauphin that spring or at Fontainebleau in the autumn. Charpentier himself sang the title role, joined by musicians of Mademoiselle de Guise and members of the Dauphin’s little ensemble; it was Charpentier’s last appearance with this ensemble.
The ancient legend of Orpheus and Eurydice concerns the fateful love of Orpheus of Thrace for the beautiful Eurydice. Orpheus was the son of Apollo and the muse Calliope. It may be a late addition to the Orpheus myths, as the latter cult-title suggests those attached to Persephone. It may have been derived from a legend in which Orpheus travels to Tartarus and charms the goddess Hecate. The subject is among the most frequently retold of all Greek myths, being featured in numerous works of literature, operas, ballets, paintings, plays and more recently, films and video games.
The Minotaur is an opera in two acts, with 13 scenes by English composer Harrison Birtwistle to a libretto by poet David Harsent, commissioned by the Royal Opera House in London. The work, a retelling of the Greek myth of the Minotaur, premiered at the Royal Opera House on 15 April 2008 under the stage direction of Stephen Langridge. The score is modernistic, and the scenes fall into three types: bullfights; scenes between Ariadne and Theseus; and dream sequences for the Minotaur, in which the creature has the gift of speech. The opera lasts about 140 minutes. A detailed analysis of the opera was published by Rhian Samuel.
Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. It was one of the earliest operas to be staged in France.
The Io Passion is a chamber opera with music by Harrison Birtwistle and a libretto in English by Stephen Plaice. It was commissioned jointly by the Aldeburgh Festival, Almeida Opera and the Bregenz Festival in Austria.
Eurydice was a character in Greek mythology and the Auloniad wife of Orpheus, who Orpheus tried to bring back from the dead with his enchanting music.
Elizabeth Atherton is a British lyric soprano. Born and brought up in London, she is the daughter of conductor David Atherton. She studied at Trinity College, Cambridge and at the Royal Scottish Academy of Music and Drama with Patricia MacMahon. She is a winner of the Maggie Teyte Prize and the Handel Singing Competition.
Andrew Watts is a British classical countertenor.
Joseph Phibbs is an English composer of orchestral, choral and chamber music. He has also composed for theatre, both in the UK and Japan. Since 1998 he has written regularly to commissions for Festivals, for private sponsors, and for the BBC, which has broadcast premieres of his orchestral and chamber works from the Proms and elsewhere. His works have been given premieres in Europe, the United States and the Far East, and he has received prestigious awards, including most recently a British Composer Award, and a Library of Congress Serge Koussevitzky Music Foundation Award. Many of his works have been premiered by leading international musicians, including Dame Evelyn Glennie, Esa-Pekka Salonen, Leonard Slatkin, Sakari Oramo, Vasily Petrenko, Gianandrea Noseda, and the Belcea Quartet.
Eurydice is an opera composed by Matthew Aucoin with a libretto by Sarah Ruhl based on her 2003 play of the same name, a retelling of the legend of Orpheus and Eurydice. It had its premiere at the Los Angeles Opera on February 1, 2020, with Aucoin conducting. It had its Metropolitan Opera premiere on November 23, 2021.
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