The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the town of Aldeburgh, Suffolk and is centred on Snape Maltings Concert Hall.
The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the town of Aldeburgh, Suffolk and is centred on Snape Maltings Concert Hall.
The Festival was founded in 1948 by the composer Benjamin Britten, the singer Peter Pears and the librettist/producer Eric Crozier. [1] [2] Their work with the English Opera Group (which they had founded with designer John Piper in 1947) frequently took them away from home, and it was while they were on tour in Switzerland with Albert Herring and The Rape of Lucretia in August of that year, that Peter Pears said "Why not make our own Festival? A modest Festival with a few concerts given by friends? Why not have an Aldeburgh Festival?" [3] The English Opera Group would provide a core programme of opera productions, but the vision was soon widened to include readings of poetry, literature, drama, lectures and exhibitions of art. The first festival was held from 5–13 June 1948 and used the Aldeburgh Jubilee Hall, a few doors away from Britten's house in Crabbe Street, as its main venue, with performances in other venues such as Aldeburgh's fifteenth century Church of Saint Peter and Saint Paul. It featured a performance of Albert Herring by the English Opera Group; Britten's newly written Saint Nicolas; and performances by Clifford Curzon and the Zorian String Quartet.
Over the years the festival grew and took in additional venues in nearby Orford, Blythburgh and Framlingham. However, the lack of a large venue was holding back the further development of the festival until one of the largest mid-nineteenth century maltings in East Anglia, at Snape, a village just outside Aldeburgh, became available. Britten, who had lived in Snape in the 1930s, had the vision that the largest of the malthouses could be converted into a Concert Hall. Most of the building's original character, such as the distinctive square malthouse roof-vents, was retained. The new concert hall was opened by the Queen on 2 June 1967, at the start of the twentieth Aldeburgh Festival.
Two years later, on the first night of the 1969 Festival, the concert hall was destroyed by fire. [4] Only the shell of the outer walls remained. For that year the Festival was moved to other local venues and only one performance was lost. By the following year the hall had been rebuilt and once again it was opened in the presence of the Queen, this time at the start of the 1970 Festival. The new Concert Hall at Snape Maltings became the main focus for the Aldeburgh Festival, although performances continued to be held at all the former venues.
For the first six years of the Aldeburgh Festival, the joint Artistic Directors remained Britten, Pears and Crozier; in 1955, Britten and Pears were in sole charge, then the following year they were joined by Imogen Holst, who remained a member of the Artistic Directorate until her death in 1984. After Britten's own death in 1976, the artistic direction of the festival was shared; musicians who joined the artistic team included Philip Ledger, Colin Graham, Steuart Bedford, Mstislav Rostropovich, Murray Perahia, Simon Rattle, John Shirley-Quirk and Oliver Knussen.
From the beginning, the Festivals were characterised by an eclectic range of music, from the classics – Bach, Haydn, Mozart – to contemporary work, with young composers in particular being commissioned. By 1982, Britten–Pears archivist Rosamund Strode calculated that the Festival had to that date presented new works by over 75 composers, with world premieres of fifteen operas. [5] Concert goers were over the ensuing years to see new works not only by Britten himself, but by composers such as Lennox Berkeley, Richard Rodney Bennett, Elliott Carter, Hans Werner Henze, Alfred Schnittke, Toru Takemitsu, Michael Tippett, Mark-Anthony Turnage and Malcolm Williamson, many of whom came to the Festival as composer-in-residence.
Imogen Holst introduced early choral music, and soon works by European composers rarely heard at that time in England were in the repertoire, such as Berg, Mahler, Schoenberg, Poulenc, Boulez, and Webern. Later, Copland, Dutilleux, Lutoslawski and Kodály were to come to the Festival. In contrast, John Dankworth and Cleo Laine, Joyce Grenfell, Peggy Ashcroft and actors from the Royal Shakespeare Company made regular appearances; Princess Grace of Monaco came to take part in a poetry recital. Sviatoslav Richter played for Queen Elizabeth The Queen Mother.
The size and capacity of the Concert Hall enabled the Festival to present full-scale orchestras for the first time, and for many years Simon Rattle brought his City of Birmingham Symphony Orchestra to Snape. There was a strong connection with Russian music: Rostropovich and Richter became frequent visitors, and in 1970 Shostakovich's 14th Symphony, dedicated to Britten, had its first performance outside the USSR at the Concert Hall.
Peter Pears, in addition to his role as joint Artistic Director, was a regular performer, often accompanied by Britten, and often appearing in up to ten concerts during the Festival. [6] Janet Baker, Julian Bream, Osian Ellis, Dietrich Fischer-Dieskau, John Shirley-Quirk and Robert Tear were among the regular performers in the early days, followed later by Alfred Brendel, Ian Bostridge, Thomas Allen, Philip Langridge and Ann Murray.
The Concert Hall proved very capable of being turned into an opera stage. The Royal Opera presented A Midsummer Night's Dream in the first season, and on 16 June 1973, the first performance of Britten's final opera, Death in Venice , was given at the Concert Hall, with Pears in the role of Aschenbach. In 1976, in what was to be Britten's last Festival, Janet Baker sang the premiere of his dramatic cantata Phaedra in a festival that included performances by André Previn, Elisabeth Söderström, Sviatoslav Richter and the entire Rostropovich family.
In 1979, Rostropovich conducted the Britten–Pears School in a performance of Eugene Onegin (with Pears as guest in the role of M. Triquet, and Eric Crozier as the valet Guillot). In subsequent years, the school regularly performed an opera during the festival.
The 2020 festival was cancelled due to the Covid-19 pandemic and a virtual one was held in its place.
The organisation responsible for running the Aldeburgh Festival changed its name to Aldeburgh Music in 2006. [7]
Thomas Adès was succeeded as Artistic Director of the Festival by Pierre-Laurent Aimard in 2009. In 2009, a suite of new spaces at Snape Maltings, including the Hoffmann Building's Britten Studio and the Jerwood Kiln Studio, was opened with the premiere performance of Harrison Birtwistle's opera The Corridor .
The 2012 Festival had Oliver Knussen as Artist in Residence, and the typically eclectic programme [8] included new productions of Knussen's Where the Wild Things Are and Higglety Pigglety Pop!, a concert series exploring the work of Helmut Lachenmann, recitals by Menahem Pressler, Ian Bostridge, Peter Serkin, Miklós Perényi, Dezső Ránki and the Arditti and Keller Quartets, the City of Birmingham Symphony Orchestra with the UK premiere of a work by Elliott Carter, as well as dramatised performances with film at the Leiston Long Shop Museum, the complete screening with live accompaniment of Britten's 1930s film scores, a promenade performance of John Cage's Song Books in the Hoffmann Building under the banner of #Faster than Sound, and open-air community events on Aldeburgh Beach.
The centenary of Britten's birth was held between November 2012 and November 2013, [9] and the 2013 Festival, the 66th, featured a new production by Tim Albery of Britten's opera, Peter Grimes , the complete church parables in Orford Church, and new works by Harrison Birtwistle, Wolfgang Rihm, Judith Weir, Magnus Lindberg and Richard Rodney Bennett.
The Aldeburgh Festival retains a unique character, largely due to its location in rural Suffolk. It also continues to emphasise the presentation of new music, new interpretations and the rediscovery of forgotten music. It has seen the premieres of several works by Britten ( A Midsummer Night's Dream in 1960; Death in Venice in 1973) and also Harrison Birtwistle's Punch and Judy in 1968, The Io Passion in 2004, The Corridor in 2009 and The Cure in 2015.
The Aldeburgh Festival has always included the visual arts as well as music, and a number of exhibitions are curated each year to accompany the music programme. [10] From 2011, the main exhibition of contemporary art has been promoted under the title SNAP, at various locations around the Snape Maltings site, organised by Abigail Lane. In 2012, featured artists included Glenn Brown, Brian Eno, Ryan Gander, Maggi Hambling and Gavin Turk.
Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
Sir Peter Neville Luard Pears was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.
Aldeburgh is a coastal town in the county of Suffolk, England, north of the River Alde. Its estimated population was 2,276 in 2019. It was home to the composer Benjamin Britten and remains the centre of the international Aldeburgh Festival of arts at nearby Snape Maltings, which was founded by Britten in 1948. It also hosts an annual poetry festival and several food festivals and other events.
Stuart Oliver Knussen was a British composer and conductor.
Imogen Clare Holst was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. The only child of the composer Gustav Holst, she is particularly known for her educational work at Dartington Hall in the 1940s, and for her 20 years as joint artistic director of the Aldeburgh Festival. In addition to composing music, she wrote composer biographies, much educational material, and several books on the life and works of her father.
Colin Matthews, OBE is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Britten, Dowland, Mahler, Purcell and Schubert. Other arrangements include orchestrations of all Debussy's 24 Préludes, both books of Debussy's Images, and two movements—Oiseaux tristes and La vallée des cloches—from Ravel's Miroirs. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony.
Ian Charles Bostridge CBE is an English tenor, well known for his performances as an opera and lieder singer.
Snape Maltings Concert Hall is an arts complex on the banks of the River Alde at Snape, Suffolk, England. It is best known as one of the main sites of the annual Aldeburgh Festival. It is now one of two headquarters for Britten Pears Arts, with the other being The Red House.
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980.
The cello suites by Benjamin Britten are a series of three compositions for solo cello, dedicated to Mstislav Rostropovich. The suites were the first original solo instrumental music that Britten wrote for and dedicated to Rostropovich, but Britten had earlier composed a cadenza for Joseph Haydn's Cello Concerto in C major, for Rostropovich, in 1964. Rostropovich gave the first performances of each work, and recorded Suite No. 1 and 2 commercially.
Eric Crozier OBE was a British theatrical director, opera librettist and producer, long associated with Benjamin Britten.
Nancy Evans OBE was an English mezzo-soprano who had a notable career as a concert and opera singer. She is particularly associated with Benjamin Britten who wrote his song cycle, A Charm of Lullabies, and the role of Nancy in his opera Albert Herring for her.
Andrew Hugh Michael Maguire was an Irish violinist, leader, concertmaster and principal player of the London Symphony Orchestra and the BBC Symphony Orchestra (1962–1967), leader of the Melos Ensemble and the Allegri Quartet, a professor at the Royal Academy of Music, and violin tutor to the National Youth Orchestra of Great Britain.
Great Glemham is a village and civil parish in the East Suffolk district, England, a mile and a half to the west of the A12 and roughly equidistant between Framlingham and Saxmundham.
The Britten-Pears Orchestra, formerly The Snape Maltings Training Orchestra, is the youth orchestra of the Britten-Pears Young Artists Programme at Snape Maltings, run by the Aldeburgh Festival.
The Britten–Pears School for Advanced Musical Studies was founded in 1977 in Aldeburgh, Suffolk, following the success both of the master classes held for singers by Peter Pears from 1972, and of the subsequent courses for string players.
Britten Pears Arts is a large music education organisation based in Suffolk, England. It aims to continue the legacy of composer Benjamin Britten and his partner, singer Peter Pears, and to promote the enjoyment and experience of music for all. It is a registered charity.
Elizabeth Atherton is a British lyric soprano. Born and brought up in London, she is the daughter of conductor David Atherton. She studied at Trinity College, Cambridge and at the Royal Scottish Academy of Music and Drama with Patricia MacMahon. She is a winner of the Maggie Teyte Prize and the Handel Singing Competition.
Joseph Phibbs is an English composer of orchestral, choral and chamber music. He has also composed for theatre, both in the UK and Japan. Since 1998 he has written regularly to commissions for Festivals, for private sponsors, and for the BBC, which has broadcast premieres of his orchestral and chamber works from the Proms and elsewhere. His works have been given premieres in Europe, the United States and the Far East, and he has received prestigious awards, including most recently a British Composer Award, and a Library of Congress Serge Koussevitzky Music Foundation Award. Many of his works have been premiered by leading international musicians, including Dame Evelyn Glennie, Esa-Pekka Salonen, Leonard Slatkin, Sakari Oramo, Vasily Petrenko, Gianandrea Noseda, and the Belcea Quartet.
Jonathan Alistair James Reekie is a British arts administrator who has been the Director of Somerset House Trust since 2014. During this time, the renovation of the historic site has been completed, including the launch of Somerset House Studios, helping to establish Somerset House as "London's Working Arts Centre", home to a creative community in central London. Reekie has overseen the expansion of the cultural programme, including PJ Harvey's Recording in Progress with Artangel, Björk Digital, Big Bang Data, Perfume, and Get Up, Stand Up Now. In 2019, Reekie co-curated with Sarah Cook the exhibition 24/7, a wake-up call to a non-stop world, based on the book by Jonathan Crary.
52°09′49″N1°29′50″E / 52.16351°N 1.49723°E
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