Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
Sir Peter Neville Luard Pears was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.
Peter Grimes, Op. 33, is an opera in three acts by Benjamin Britten, with a libretto by Montagu Slater based on the section "Peter Grimes", in George Crabbe's long narrative poem The Borough. The "borough" of the opera is a fictional small town that bears some resemblance to Crabbe's – and later Britten's – home of Aldeburgh, Suffolk, on England's east coast.
Curlew River – A Parable for Church Performance is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese noh play Sumidagawa by Kanze Jūrō (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956. Beyond the noh source dramatic material, Britten incorporated elements of noh treatment of theatrical time into this composition. Curlew River marked a departure in style for the remainder of the composer's creative life, paving the way for such works as Owen Wingrave, Death in Venice and the Third String Quartet.
Robert Tear, CBE was a Welsh tenor singer, teacher and conductor. He first became known singing in the operas of Benjamin Britten in the mid-1960s. From the 1970s until his retirement in 1999 his main operatic base was the Royal Opera House, Covent Garden; he appeared with other opera companies in the UK, mainland Europe, the US and Australia. Generally avoiding the Italian repertoire, which did not suit his voice, Tear became known in leading and character roles in German, British and Russian operas.
Billy Budd, Op. 50, is an opera by Benjamin Britten to a libretto by the novelist E. M. Forster and Eric Crozier, based on the short novel Billy Budd by Herman Melville. Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Britten later revised the work into a two-act opera, with a prologue and an epilogue. The revised version received its first performance at the ROH, Covent Garden, London, on 9 January 1964.
A Christophany is an appearance or non-physical manifestation of Christ. Traditionally the term refers to visions of Christ after his ascension, such as the bright light of the conversion of Paul the Apostle.
The alto trombone is the alto member of the trombone family of brass instruments, smaller than the tenor trombone. It is almost always pitched in E♭ a fourth higher than the tenor, although examples pitched in F are occasionally found. The alto trombone was commonly used from the 16th to the 18th centuries in church music to strengthen the alto voice, particularly in the Mass. Alto trombone parts are usually notated in alto clef.
Noye's Fludde is a one-act opera by the British composer Benjamin Britten, intended primarily for amateur performers, particularly children. First performed on 18 June 1958 at that year's Aldeburgh Festival, it is based on the 15th-century Chester "mystery" or "miracle" play which recounts the Old Testament story of Noah's Ark. Britten specified that the opera should be staged in churches or large halls, not in a theatre.
The Prodigal Son is a music drama by Benjamin Britten with a libretto by William Plomer. Based on the Biblical story of the Prodigal Son, this was Britten's third "parable for church performance", after Curlew River and The Burning Fiery Furnace. Britten dedicated the score to Dmitri Shostakovich.
Shadrach, Meshach, and Abednego are figures from chapter 3 of the biblical Book of Daniel. In the narrative, the three Jewish men are thrown into a fiery furnace by Nebuchadnezzar II, King of Babylon for refusing to bow to the king's image. The three are preserved from harm and the king sees four men walking in the flames, "the fourth ... like a son of God". They are first mentioned in Daniel 1, where alongside Daniel they are brought to Babylon to study Chaldean language and literature with a view to serving at the King's court, and their Hebrew names are replaced with Chaldean or Babylonian names.
Daniel is an anonymous Old English poem based loosely on the Biblical Book of Daniel, found in the Junius Manuscript. The author and the date of Daniel are unknown. Critics have argued that Cædmon is the author of the poem, but this theory has been since disproven. Daniel, as it is preserved, is 764 lines long. There have been numerous arguments that there was originally more to this poem than survives today. The majority of scholars, however, dismiss these arguments with the evidence that the text finishes at the bottom of a page, and that there is a simple point, which translators assume indicates the end of a complete sentence. Daniel contains a plethora of lines which Old English scholars refer to as “hypermetric” or long.
Daniel is the main character of the Book of Daniel. According to the Hebrew Bible, Daniel was a noble Jewish youth of Jerusalem taken into captivity by Nebuchadnezzar II of Babylon, serving the king and his successors with loyalty and ability until the time of the Persian conqueror Cyrus, all the while remaining true to the God of Israel. While some conservative scholars hold that Daniel existed and his book was written in the 6th century BCE, most scholars agree that Daniel is not a historical figure and that much of the book is a cryptic allusion to the reign of the 2nd century BCE Hellenistic king Antiochus IV Epiphanes.
Adriaen Thomasz. Key was a Flemish painter of portraits and religious paintings, a draughtsman and a printmaker. He worked for a while in the Antwerp workshop of the prominent history and portrait painter Willem Key and later took over the workshop. His work was highly regarded in his time for its technical mastery and innovative concepts and thus influenced a later generation of painters including Rubens.
Bryan Ernest Hare Drake was a New Zealand-born baritone who became particularly associated with the operas of Benjamin Britten.
Andrea Velis was an American operatic tenor who had a lengthy association with the Metropolitan Opera that spanned 33 seasons. Considered a highly skilled character actor, he excelled in supporting roles, often to great comedic effect. His voice is preserved on several recordings made for Live from the Metropolitan Opera and the Metropolitan Opera radio broadcasts.
Fiery furnace may refer to:
Brian Michael Moore is an American operatic tenor, based at the Oper Frankfurt. He has performed leading roles in the United States and Europe, including Remendado in Bizet's Carmen in Los Angeles, Mozart's Don Ottavio in Don Giovanni at the Festival dei Due Mondi in Spoleto, and Britten's Prodigal Son in Frankfurt.
Michael McCown is an American operatic tenor, based at the Oper Frankfurt. While many of the ninety roles in his repertoire are comprimario, he has portrayed lead roles such as Britten's Captain Vere, Abott and Tempter, and Nebukadnezar.
