Related Research Articles
Edward Benjamin Britten, Baron Britten was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera Peter Grimes (1945), the War Requiem (1962) and the orchestral showpiece The Young Person's Guide to the Orchestra (1945).
In Greek mythology, Phaedra was a Cretan princess. Her name derives from the Greek word φαιδρός, which means "bright". According to legend, she was the daughter of Minos and Pasiphaë, and the wife of Theseus. Phaedra fell in love with her stepson Hippolytus. After he rejected her advances, she accused him of trying to rape her, causing Theseus to pray to Poseidon to kill Hippolytus, and then she killed herself.
Sir Peter Neville Luard Pears was an English tenor. His career was closely associated with the composer Benjamin Britten, his personal and professional partner for nearly forty years.
The Aldeburgh Festival of Music and the Arts is an English arts festival devoted mainly to classical music. It takes place each June in the town of Aldeburgh, Suffolk and is centred on Snape Maltings Concert Hall.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Phèdre is a French dramatic tragedy in five acts written in alexandrine verse by Jean Racine, first performed in 1677 at the theatre of the Hôtel de Bourgogne in Paris.
Phaedra may refer to:
Noye's Fludde is a one-act opera by the British composer Benjamin Britten, intended primarily for amateur performers, particularly children. First performed on 18 June 1958 at that year's Aldeburgh Festival, it is based on the 15th-century Chester "mystery" or "miracle" play which recounts the Old Testament story of Noah's Ark. Britten specified that the opera should be staged in churches or large halls, not in a theatre.
The English Opera Group was a small company of British musicians formed in 1947 by the composer Benjamin Britten for the purpose of presenting his and other, primarily British, composers' operatic works. The group later expanded to present larger-scale works, and was renamed the English Music Theatre Company. The organisation produced its last opera and ceased to run in 1980.
Hippolyte et Aricie was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé Simon-Joseph Pellegrin, is based on Racine's tragedy Phèdre. The opera takes the traditional form of a tragédie en musique with an allegorical prologue followed by five acts. Early audiences found little else conventional about the work.
Phaedra is a Roman tragedy written by philosopher and dramatist Lucius Annaeus Seneca before 54 A.D. Its 1,280 lines of verse tell the story of Phaedra, wife of King Theseus of Athens and her consuming lust for her stepson Hippolytus. Based on Greek mythology and the tragedy Hippolytus by Euripides, Seneca's Phaedra is one of several artistic explorations of this tragic story. Seneca portrays Phaedra as self-aware and direct in the pursuit of her stepson, while in other treatments of the myth, she is more of a passive victim of fate. This Phaedra takes on the scheming nature and the cynicism often assigned to the nurse character.
The cultural year was dominated by the Festival of Britain and the opening of The Royal Festival Hall, the first dedicated concert hall of its size to be built in London since 1893: located on the south bank of the Thames, this was to host concerts by major orchestras from Britain and abroad. The Festival itself was a celebration of music, art and theatre. It notably provided an opportunity for the staging of many events seen during the first Folk music Festival held in Edinburgh, organised with the help of such talents as the American Alan Lomax, the Irish traditional musician Seamus Ennis and the political theatre director Ewan MacColl, who would go on to form the Ballad and Blues Club.
The Canticles constitute a series of five musical works by composer Benjamin Britten. The pieces were written at various points in his career, with three of them written as memorials. Instrumentation differs on each piece, and several are based on non-sacred texts. A review in Opera Today notes, "Britten didn't draw upon the Scriptures for the texts of his canticles, which resemble cantatas more than church hymns in scale and structure, but an intense religious spirit pervades them all." Musicologist Peter Evans notes the works contain a "mood of spiritual elevation intense enough to demand realization in an ambitious musical structure".
The London Boy Singers were an English boys' choir which formed in 1961. It initially drew its members from the Finchley Children's Music Group. The choir was started at the suggestion of Benjamin Britten, who was its first president.
Sophie Adele Wyss was a Swiss soprano who made her career as a concert singer and broadcaster in the UK. She was noted for her performances of French works, many of them new to Britain, for giving the world premieres of Benjamin Britten's orchestral song cycles Our Hunting Fathers (1936) and Les Illuminations (1940), and for encouraging other composers to set English and French texts. Among those who wrote for her were Lennox Berkeley, Arnold Cooke, Roberto Gerhard, Elizabeth Maconchy, Peter Racine Fricker, Alan Rawsthorne and Mátyás Seiber.
This is a summary of 1942 in music in the United Kingdom.
Plymouth Town is a ballet composed by Benjamin Britten in 1931. A typical performance lasts about 25 minutes.
Canticle IV: The Journey of the Magi, Op. 86, is a composition for three male solo voices and piano by Benjamin Britten, part of his series of five Canticles. It sets the text of T. S. Eliot's poem "Journey of the Magi", retelling the story of the biblical Magi. The work was premiered in June 1971 at the Aldeburgh Festival by James Bowman, Peter Pears and John Shirley-Quirk, with Britten as the pianist. It was published the following year, dedicated to the three singers.
Hymn to St Peter is a cantata for treble soloist, SATB choir and organ composed by Benjamin Britten in 1955. The piece was the last Britten composed before he first travelled to Asia. He set the text from the gradual of the Feast of Saints Peter and Paul to music which was based on the plainsong of the Alleluia from the hymn. The piece starts with a sombre organ theme in B Flat and when the choir joins in it is initially in unison before breaking into harmonies. After a nimble interlude that recalls children's play, the piece returns to the original theme, ending with a coda played by the organ alone. The piece was first performed at the quincentenary celebrations of St Peter Mancroft, Norwich on 20 November 1955. It was subsequently performed by The Sixteen under Harry Christophers and has frequently been sung with children's voices.
References
- ↑ Carpenter, Humphrey (1992). Benjamin Britten: A Biography. London: Faber and Faber. ISBN 978-0-571-14324-5. p. 596.
- ↑ Moore, Lloyd. "About this recording". Naxos. Archived from the original on 25 June 2016. Retrieved 2 August 2013.
- ↑ James, E.D.; Jondorf, G. (1994). Racine : Phèdre . Cambridge University Press. p. 104. ISBN 978-0-521-39721-6.
- ↑ "MODA Triple Opera". The Göteborg Opera. Archived from the original on 15 July 2014. Retrieved 2 August 2013.
