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Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's "reform" operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a "noble simplicity" in both the music and the drama.
L'Orfeo, sometimes called La favola d'Orfeo[la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's Dafne is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's Euridice, L'Orfeo is the earliest that is still regularly performed.
Emilio de' Cavalieri, or Emilio dei Cavalieri, the spellings "del" and "Cavaliere" are contemporary typographical errors, was an Italian composer, producer, organist, diplomat, choreographer and dancer at the end of the Renaissance era. His work, along with that of other composers active in Rome, Florence and Venice, was critical in defining the beginning of the musical Baroque era. A member of the Roman School of composers, he was an influential early composer of monody, and wrote what is usually considered to be the first oratorio.
Giulio Romolo Caccini was an Italian composer, teacher, singer, instrumentalist and writer of the late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the most influential creators of the new Baroque style. He was also the father of the composer Francesca Caccini and the singer Settimia Caccini.
Jacopo Corsi was an Italian composer of the late Renaissance and early Baroque and one of Florence's leading patrons of the arts, after only the Medicis. His best-known work is Dafne (1597/98), whose score he wrote in collaboration with Jacopo Peri. Six fragments of the score have survived, two by Corsi and four by Peri. The libretto, by Ottavio Rinuccini, has survived intact. Despite priority quibbles at the time, Dafne is generally accepted as the first opera.
Ottavio Rinuccini was an Italian poet, courtier, and opera librettist at the end of the Renaissance and beginning of the Baroque eras. In collaborating with Jacopo Peri to produce the first opera, Dafne, in 1597, he became the first opera librettist.
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In Greek mythology, Eurydice is the wife of the musician Orpheus.
Orpheus und Eurydike is an opera by Ernst Krenek. The German text is based on a play by Oskar Kokoschka. Kokoschka began writing his play during his convalescence and it premiered in 1921, one year before Rilke's Sonnets to Orpheus appeared. In 1923 he let it be known that he was looking for a composer to write incidental music. Kokoschka's expressionist, psychological treatment of the Orpheus myth, marked by his passion for Alma Mahler, appealed to Krenek so he approached Kokoschka.
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La morte d'Orfeo is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, familiaris of Pope Paul V, it may have been first performed in Rome in 1619. The work is styled a tragicomedia pastorale. The libretto, which may be by the composer himself, is in part inspired by La favola d'Orfeo (1484) by Angelo Poliziano. Unlike Monteverdi's L'Orfeo and the earliest Florentine operas on the subject, Landi's opera contains comic elements and deals with a different episode from the life of the mythical singer.
Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. It was one of the earliest operas to be staged in France.
Orpheus is an opera in three acts by the German composer Georg Philipp Telemann. It was first performed in a concert version at the Oper am Gänsemarkt in Hamburg on 9 March 1726. The anonymous libretto is based on the 1690 opera Orphée by Michel Duboullay, originally set by the French composer Louis Lully. Most of the work is in German but it also contains passages in French and Italian drawn from famous operas by Handel and Jean-Baptiste Lully. The music to these words is Telemann's own, however. The manuscript score of Telemann's Orpheus was not rediscovered until the late 20th century.
Il rapimento di Cefalo was one of the first Italian operas. Most of the music was written by Giulio Caccini but Stefano Venturi del Nibbio, Luca Bati and Piero Strozzi also contributed. The libretto, by Gabriello Chiabrera, is in a prologue, five scenes and an epilogue and is based on the Classical myth of Cephalus and Aurora.
Orfeo dolente is an opera by Domenico Belli to a libretto by Gabriello Chiabrera, an example of "representative style" of the early Baroque era. The work is divided into five interludes which were performed for the first time as intermedi in a performance of Torquato Tasso's play Aminta at the Palazzo della Gherardesca in Florence in 1616.
References
- ↑ Casaglia, Gherardo (2005). "Euridice, 5 December 1602" . L'Almanacco di Gherardo Casaglia (in Italian).
- ↑ "Giulio Caccini – L'Euridice", Scherzi Musicali (notes)
