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Simon Gilbert | |
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| Born | 23 May 1965 |
| Genres | |
| Instrument(s) | Drums, percussion |
| Years active | 1989–present |
| Labels | Drowned in Sound |
Simon Gilbert (born 23 May 1965) is an English drummer and member of the English band Suede, one of the 'Big Four' Britpop bands of the 1990s, along with Oasis, Blur and Pulp. [1] Gilbert is the third-longest serving member of Suede, and along with founders Brett Anderson and Mat Osman appears on every Suede album.
Gilbert was initially drummer for English punk band Dead to the World. By June 1990 he was working at the University of London Union (ULU) alongside Ricky Gervais, who was also managing the then unknown and unsigned Suede. After Gervais played him a demo, Gilbert asked to audition as the band were relying on a drum machine at the time. After seeing the group perform at an NME show in January 1992, Saul Galpern approached the group with a view to signing to his independent record label Nude Records. In 1994, following the departure of Suede's guitarist Bernard Butler, Gilbert heard singer Brett Anderson playing through audition tapes and mistakenly believed one to be an early Suede demo. [2] It turned out to be the work of 17-year-old Richard Oakes who was subsequently hired as Butler's replacement. In January 1996, the band was joined by new member Neil Codling, a cousin of Gilbert who played keyboards and second guitar until early 2001.
Suede's last concert before their hiatus took place at the London Astoria on 13 December 2003 and was a two-and-a-half-hour marathon show, split into two parts plus encore, after which Gilbert became the drummer for a Bangkok band named Futon, with Into a Circle's Paul Hampshire.
Following persistent rumours, Saul Galpern officially announced on 15 January 2010 Suede would be playing together again at the Royal Albert Hall in London as part of the Teenage Cancer Trust shows on 24 March of that year. [3] Planned as a 'one off', the reception to the band's reformation prompted several tours in Europe and Asia as well as three more albums.
Gilbert had collected a considerable amount of Suede footage spanning the band's career, much of which featured in a major definitive feature-documentary Suede: The Insatiable Ones. The film was directed by the acclaimed Mike Christie, whose film-making career began while working with Suede during the band's 1993 collaboration with Derek Jarman.
Aside from vocalist Brett Anderson and bassist Mat Osman, Gilbert is the longest tenured member of Suede and has appeared on all the band's studio albums.
Simon Gilbert is gay; [4] in a 1994 interview with Attitude where Brett Anderson described himself as "a bisexual man who's never had a homosexual experience", [5] [6] Gilbert replied with "I've called myself a bisexual person who's never had a heterosexual experience". [6]
Suede are an English rock band formed in London in 1989 by singer Brett Anderson, guitarist Justine Frischmann, and bass player Mat Osman. Drawing inspiration from glam rock and post-punk, Suede were dubbed "The Best New Band in Britain" by Melody Maker in 1992, and attracted much attention from the British music press. The following year their debut album Suede went to the top of the UK Albums Chart, becoming the fastest-selling debut album in almost ten years. It won the Mercury Music Prize and helped foster 'Britpop' as a musical movement, though the band distanced themselves from the term.
The Tears were an English rock supergroup formed in 2004 by ex-Suede bandmates Brett Anderson and Bernard Butler, along with the former Delicatessen and Lodger members Will Foster (keyboardist), bassist Nathan Fisher, and Bernard Butler session drummer Makoto Sakamoto. The duo Anderson and Butler were a much anticipated reunion and music critics praised their first concerts and only album, Here Come the Tears. However, the project was short-lived as they disbanded in 2006, which allowed Anderson to focus on his solo career and the latter Suede's reformation in 2010, Butler became a full-time producer, and Foster worked as additional musician for the Fratellis since 2008.
Brett Lewis Anderson is an English singer best known as the lead singer and primary lyricist of the band Suede. After Suede disbanded in 2003, he fronted the Tears with former Suede guitarist Bernard Butler in 2004–2006, and released four solo albums on which he also played guitar and keyboards. Suede re-formed in 2010; they continue to record and tour.
Nude Records is an independent record label, established in August 1991 in London. The label was set up and operated by Saul Galpern, who had previously worked with artists such as Simply Red, The Fall, Julian Cope, The Triffids, The Slits and Au Pairs.
Suede is the debut album by English alternative rock band Suede, released in March 1993 on Nude Records. It was recorded in London at Master Rock studios in late 1992 and early 1993 and was produced by Ed Buller. At the time the fastest-selling debut album in British history in almost a decade, Suede debuted at the top of the UK Albums Chart, won the 1993 Mercury Music Prize, and is often cited as one of the first Britpop records. Displaying a sound of Britishness and glam rock, its music and lyrical content has been compared to the Smiths and early David Bowie.
Coming Up is the third album by English alternative rock band Suede, released on 2 September 1996 through Nude Records. It was the band's first album since the departure of guitarist Bernard Butler, who was replaced by Richard Oakes. Also added to the band was keyboardist Neil Codling. The album was nominated for the 1997 Mercury Prize. A commercial and critical success, Coming Up was the second by the band to reach no. 1 on the UK Albums Chart, producing five top ten singles and receiving a favourable reception at home and in the US. Coming Up was the album that introduced Suede to a worldwide audience, in places such as Europe, Canada and Asia.
Dog Man Star is the second album by English alternative rock band Suede, released in October 1994 on Nude Records. The album was recorded in London at Master Rock studios in early 1994, and was produced by Ed Buller. It was the last Suede album to feature guitarist Bernard Butler; growing tensions between him and singer Brett Anderson ended with Butler leaving the band before recording was complete. As a result, some tracks on the album had to be finished with the assistance of session musicians.
A New Morning is the fifth studio album by English alternative rock band Suede, released in September 2002. By the time the album was released, public interest in the band had waned, as shown by the poor charting of both the album and singles. Despite this, however, the album received moderate praise from critics. It is the only Suede album not to be released in the US. It was the last studio album released by the band before their seven-year hiatus and reunion in 2010. Before recording took place, keyboardist and guitarist Neil Codling left the band due to his health concern, and later was replaced by former Strangelove guitarist, Alex Lee. As Codling returned to the band for their 2010 reunion, this is their only studio album to have featured Lee.
Head Music is the fourth album by English alternative rock band Suede, released by Nude Records in May 1999. Produced and mixed by Steve Osborne, Head Music features a more electronic sound, which was a new approach for the band. The recording of Head Music was plagued with difficulties such as singer Brett Anderson's addiction to crack, and keyboardist Neil Codling's struggle with chronic fatigue syndrome. The album still went to number 1 on the UK Albums Chart, however, making it the band's third and final chart-topping album. Overall, the album received generally favourable reviews from critics.
Here Come the Tears is the only studio album by English rock band the Tears. It was released on 6 June 2005 on Independiente. Frontman Brett Anderson and guitarist Bernard Butler had found success together earlier in Suede, with Butler leaving that band after just two albums. Suede's career was on pause when the two reunited for this project. In January 2004, the pair had begun recording music together in secrecy; they decided to form the Tears with bassist Nathan Fisher, drummer Makoto Sakamoto and keyboardist Will Foster. The band had accumulated 18 demos by June 2004, after which, they started recording the album. Sessions were held across various studios with Butler as the producer and finished by October 2004. Here Come the Tears is a pop album that evokes the work of David Bowie, and was compared to Suede's second studio album Dog Man Star (1994).
Sci-Fi Lullabies is a two-disc compilation album by English alternative rock band Suede released by Nude Records on 6 October 1997, consisting of B-sides from the singles that were released from the group's first three albums. It reached no. 9 on the UK Albums Chart, and received universal acclaim on release. In subsequent years, the record has been hailed as one of the finest B-side compilations in popular music.
"Animal Nitrate" is the third single by English rock band Suede, released through Nude Records on 22 February 1993 and later included on the band's debut album, Suede (1993). It charted at No. 7 on the UK Singles Chart, making it the highest-charting single from the album. The song is the band's highest-charting single in Ireland and New Zealand, peaking at No. 11 in both countries. It also debuted and peaked at No. 21 in Sweden but stayed on the chart for only two weeks.
Richard John Oakes is an English musician and songwriter, best known as the guitarist, occasional pianist, backing vocalist and co-songwriter of the English band Suede.
Mathew David Osman is an English musician and author, best known as the bassist in the rock band Suede. Osman and singer Brett Anderson are the only remaining founding members left in Suede, and perform along with drummer Simon Gilbert, who has appeared on many Suede albums. Osman is also a writer; he has written two novels and contributed to various publications. He is the brother of presenter and author Richard Osman.
"She's in Fashion" is the second single from Suede's fourth studio album, Head Music (1999). It was released on 21 June 1999 and peaked at number 13 on the UK Singles Chart, number 10 in Finland, and number 59 in Sweden.
"Everything Will Flow" is the third single from English rock band Suede's fourth studio album, Head Music (1999), released on 6 September 1999 through Nude Records. It was the first single of the band not to reach the top 20 since 1995's "New Generation". It was the second and final song by the group to chart in the US, peaking at number 28 on the Hot Dance Music/Club Play chart in 1999. Elsewhere, the song reached number 20 in Finland and number 55 in Sweden.
Neil John Codling is an English musician and songwriter, best known as the keyboardist, rhythm guitarist, backing vocalist and co-songwriter for the alternative rock band Suede.
The discography of the English alternative rock band Suede consists of nine studio albums, four compilation albums, five video albums and over twenty singles. Suede were formed in 1989 by singer Brett Anderson, bassist Mat Osman and guitarist Justine Frischmann. Guitarist Bernard Butler later joined after the group responded to an ad in the Melody Maker. The group played as a four-piece with a drum machine until drummer Simon Gilbert joined. Frischmann left before the group released any material.
Love and Poison is the official biography of the English alternative rock band Suede. The book, written by long-time band associate David Barnett, reveals the real stories behind singer Brett Anderson's battle with drugs, his relationship with Elastica's Justine Frischmann and the subsequent feud with Blur after she started stepping out with Damon Albarn.
Night Thoughts is the seventh studio album by English alternative rock band Suede. Produced by long-time collaborator Ed Buller, the album was released through Warner Music UK on 22 January 2016 to widespread critical acclaim. It was accompanied by a feature film, directed by Roger Sargent. During their 2016 tour the band performed from behind a screen on which Sargent's film was projected during the first half of their set. The album is considered by many critics to be the band's finest work since 1994's Dog Man Star.
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