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Peter Seamus O'Toole was an English actor. Known for his leading roles on stage and screen, he received several accolades including the Academy Honorary Award, a BAFTA Award, a Primetime Emmy Award, and four Golden Globe Awards as well as nominations for a Grammy Award and a Laurence Olivier Award.
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote. Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote.
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Maria Felicia Malibran was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary.
George Harvey Presnell was an American actor and singer. He began his career in the mid-1950s as a classical baritone, singing with orchestras and opera companies throughout the United States.
Sir Simon Keenlyside is a British baritone who has performed in operas and concerts since the mid-1980s.
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Elizabeth Harwood was an English lyric soprano. After a music school, she enjoyed an operatic career lasting for over two decades and worked with such conductors as Colin Davis and Herbert von Karajan. She was one of the few English singers of her generation to be invited to sing in productions at the Salzburg Festival and La Scala, Milan, as well as at the Metropolitan Opera.
Thomas Round was an English opera singer and actor, best known for his performances in the leading tenor roles of the Savoy Operas and grand opera.
I, Don Quixote is a non-musical play written for television and directed by Karl Genus. It was broadcast in season 3 of the CBS anthology series DuPont Show of the Month on the evening of November 9, 1959. Written by Dale Wasserman, the play was converted by him ca. 1964 into the libretto for the stage musical Man of La Mancha, with songs by Mitch Leigh and Joe Darion. After a tryout at Goodspeed Opera House in Connecticut, Man of La Mancha opened in New York on November 22, 1965, at the ANTA Washington Square Theatre.
Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion. The musical was suggested by the classic novel Don Quixote by Miguel de Cervantes, but more directly based on Wasserman's 1959 non-musical television play I, Don Quixote, which combines a semi-fictional episode from the life of Cervantes with scenes from his novel.
Donald Sydney Smith OBE was an Australian operatic tenor. His voice had a bright Italianate quality which could match, in size carrying power and tonal allure, the voices of most sopranos and mezzos. He attracted a fiercely loyal public following, and many Australians who had no prior experience of opera became opera lovers through Smith's work. His performances were regularly sold out with the Australian Opera at the Sydney Opera House.
Olive Sarah Gilbert was a British singer and actress, who, in a career spanning seven decades, performed first in opera and then in many of Ivor Novello's musicals in London's West End.
Anne Collins was an English contralto known as versatile operatic singer, praised for her "beautifully warm and wide-ranging timbre, and impeccable diction". In a career that spanned nearly 40 years, she sang a wide range of operatic character roles and other classical pieces, including standard opera repertory, premieres, 20th century pieces, art song and other music.
Morag Beaton was a Scottish-Australian dramatic soprano who established her reputation as Turandot, a role she sang in Australia more than any other soprano to date. She also sang Tatiana, Venus (Tannhäuser), Abigaille (Nabucco), Eboli Santuzza and many other roles. Her operatic career in Australia was relatively brief, lasting only from 1965 until 1983, with a final recital at the Sydney Opera House in 1983.
Mac Morgan was an American bass-baritone who had an active performance career in concerts and operas from the early 1940s until the mid-1970s. The Boston Globe described him as a singer "known for his rich tone and enviable diction". After retiring from the stage, he embarked on a second successful career as a voice teacher.
Richard Conrad was an American singer, voice teacher, and impresario whose voice at times inhabited both the tenor and baritone ranges. He sang in opera, cabaret and musicals. He is perhaps best known for his 1963 recorded collaboration with Joan Sutherland and Marilyn Horne, conducted by Richard Bonynge, known as The Age of Bel Canto.
Margaret Winifred Gale is an English operatic soprano who sang leading roles with Sadler's Wells Opera Company throughout the 1960s and early 1970s.
References
- 1 2 "Simon Gilbert - Singing Teacher - Musical Theatre Performer". 26 April 2016.
- 1 2 3 4 "Simon Gilbert". www.rvas.org.uk. Retrieved 1 June 2016.
- ↑ "Simon Gilbert". Opera Scotland. Retrieved 1 June 2016.
- ↑ "Self-Improvement, Words and Music - Music Played".
- ↑ Wasserman, D (2003). The Impossible Musical. Applause Theatre & Cinema Books. pp. 169–176. ISBN 9781557835154.
- 1 2 Sellers, Robert (10 September 2015). Peter O'Toole: The Definitive Biography. Pan Macmillan. ISBN 9780283072161.
- 1 2 3 Anderson, George (12 December 1972). "Simon Gilbert is 'La Mancha's' Marni Nixon". Pittsburgh Post-Gazette.
