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Peter Seamus O'Toole was a British stage and film actor. He attended the Royal Academy of Dramatic Art and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company. In 1959 he made his West End debut in The Long and the Short and the Tall, and played the title role in Hamlet in the National Theatre's first production in 1963. Excelling on the London stage, O'Toole was known for his "hellraiser" lifestyle off it.
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek βαρύτονος (barýtonos), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbariton, Verdi baritone, dramatic baritone, baryton-noble baritone, and the bass-baritone.
Man of La Mancha is a 1965 musical with a book by Dale Wasserman, music by Mitch Leigh, and lyrics by Joe Darion. It is adapted from Wasserman's non-musical 1959 teleplay I, Don Quixote, which was in turn inspired by Miguel de Cervantes and his 17th-century novel Don Quixote. It tells the story of the "mad" knight Don Quixote as a play within a play, performed by Cervantes and his fellow prisoners as he awaits a hearing with the Spanish Inquisition. The work is not and does not pretend to be a faithful rendition of either Cervantes' life or Don Quixote. Wasserman complained repeatedly about people taking the work as a musical version of Don Quixote.
Margaret Nixon McEathron, known professionally as Marni Nixon, was an American soprano and ghost singer for featured actresses in movie musicals. She is now recognized as the singing voice of leading actresses on the soundtracks of several musicals, including Deborah Kerr in The King and I, Natalie Wood in West Side Story, and Audrey Hepburn in My Fair Lady, although her roles were concealed from audiences when the films were released. Several of the songs she dubbed appeared on AFI's 100 Years...100 Songs list.
Maria Felicia Malibran was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary.
George Harvey Presnell was an American actor and singer. He began his career in the mid-1950s as a classical baritone, singing with orchestras and opera companies throughout the United States.
Simon Estes is an operatic bass-baritone of African-American descent who had a major international opera career beginning in the 1960s. He has sung at most of the world's major opera houses as well as in front of presidents, popes and internationally renowned figures and celebrities including Bill Clinton, Richard Nixon, Boris Yeltsin, Yasser Arafat, Nelson Mandela and Desmond Tutu. Notably, he was part of the first generation of black opera singers to achieve widespread success and is viewed as part of a group of performers who were instrumental in helping to break down the barriers of racial prejudice in the opera world.
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Elizabeth Harwood was an English lyric soprano. After a music school, she enjoyed an operatic career lasting for over two decades and worked with such conductors as Colin Davis and Herbert von Karajan. She was one of the few English singers of her generation to be invited to sing in productions at the Salzburg Festival and La Scala, Milan, as well as at the Metropolitan Opera.
I, Don Quixote is a non-musical play written for television and directed by Karl Genus. It was broadcast in season 3 of the CBS anthology series DuPont Show of the Month on the evening of November 9, 1959. Written by Dale Wasserman, the play was converted by him ca. 1964 into the libretto for the stage musical Man of La Mancha, with songs by Mitch Leigh and Joe Darion. After a tryout at Goodspeed Opera House in Connecticut, Man of La Mancha opened in New York on November 22, 1965, at the ANTA Washington Square Theatre.
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Joan Carden AO OBE is an Australian operatic soprano. She has been described as "a worthy successor to Dame Nellie Melba and Dame Joan Sutherland" and was sometimes known as "the other Joan" or "The People's Diva". She was a Principal Soprano with Opera Australia for 32 years, and was particularly associated with the title roles of Giacomo Puccini's Tosca and Madama Butterfly. However, she sang over 50 other roles, from the 18th century, including virtually all the Mozart heroines, through to works by contemporary composers.
Anne Collins was an English contralto known as versatile operatic singer, praised for her "beautifully warm and wide-ranging timbre, and impeccable diction". In a career that spanned nearly 40 years, she sang a wide range of operatic character roles and other classical pieces, including standard opera repertory, premieres, 20th century pieces, art song and other music.
Morag Beaton was a Scottish-Australian dramatic soprano who established her reputation as Turandot, a role she sang in Australia more than any other soprano to date. She also sang Tatiana, Venus (Tannhäuser), Abigaille (Nabucco), Eboli Santuzza and many other roles. Her operatic career in Australia was relatively brief, lasting only from 1965 until 1983, with a final recital at the Sydney Opera House in 1983.
Mac Morgan was an American bass-baritone who had an active performance career in concerts and operas from the early 1940s until the mid-1970s. The Boston Globe described him as a singer "known for his rich tone and enviable diction". After retiring from the stage, he embarked on a second successful career as a voice teacher.
Richard Conrad was an American singer, voice teacher, and impresario whose voice at times inhabited both the tenor and baritone ranges. He sang in opera, cabaret and musicals. He is perhaps best known for his 1963 recorded collaboration with Joan Sutherland and Marilyn Horne, conducted by Richard Bonynge, known as The Age of Bel Canto.
Walter Hyde was a British tenor, actor and teacher of voice whose career spanned genres from musical theatre to grand opera. In 1901 he sang Borrachio in the premiere of Stanford's Much Ado About Nothing and soon appeared in London's West End in light opera and Edwardian musical comedy. He appeared regularly at the Royal Opera House in Covent Garden between 1908 and 1924, becoming known for roles in Wagner operas, among others, both in Britain and America. He was also in demand as a concert artist. In his later years he was Professor of Voice at the Guildhall School of Music where his students included Geraint Evans and Owen Brannigan.
Margaret Winifred Gale is an English operatic soprano who sang leading roles with Sadler's Wells Opera Company throughout the 1960s and early 1970s.
References
- 1 2 "Simon Gilbert - Singing Teacher - Musical Theatre Performer". 26 April 2016.
- 1 2 3 4 "Simon Gilbert". www.rvas.org.uk. Retrieved 2016-06-01.
- ↑ "Simon Gilbert". Opera Scotland. Retrieved 2016-06-01.
- ↑ "Self-Improvement, Words and Music - Music Played".
- ↑ Wasserman, D (2003). The Impossible Musical. Applause Theatre & Cinema Books. pp. 169–176. ISBN 9781557835154.
- 1 2 Sellers, Robert (2015-09-10). Peter O'Toole: The Definitive Biography. Pan Macmillan. ISBN 9780283072161.
- 1 2 3 Anderson, George (12 December 1972). "Simon Gilbert is 'La Mancha's' Marni Nixon". Pittsburgh Post-Gazette.
