Simon Wallfisch (born 22 May[ citation needed ] 1982) is a British-German classical singer and cellist.
Simon Joseph Lasker Wallfisch was born in London in 1982 [1] to a family of professional musicians: his father is British cellist Raphael Wallfisch, his mother the Australian born baroque violinist Elizabeth Wallfisch. His grandparents are cellist Anita Lasker-Wallfisch and pianist Peter Wallfisch. His older brother is composer Benjamin Wallfisch, his younger sister is singer-songwriter Joanna Wallfisch.
Between 2000 and 2006, Simon Wallfisch studied at the London Royal College of Music singing, violoncello and conducting. He continued his studies at Berlin's Hochschule für Musik Hanns Eisler Berlin 2006/07 and until 2009 at University of Music and Theatre Leipzig. During that period he sang as guest soloist at the Leipzig opera house, Theater Magdeburg, Anhaltisches Theater Dessau, Stadttheater Fürth and at the Theater Altenburg-Gera [2]
In 2013 he sang Escamillo in La tragédie de Carmen based on Bizet's Carmen with the Nederlandse Reisopera, [3] in 2015 Albert in Jules Massenet’s Werther with the English Touring Opera, [4] [5] 2016 Marcello in Puccini's La Bohème with Orfeo InScena at the Teatro Verdi (Casciana Terme) in Pisa, [6] and 2016/17 Fieramosca in Hector Berlioz’ Benvenuto Cellini as guest at Staatstheater Nürnberg. [7] In concerts he sang Johann Sebastian Bach's Weihnachtsoratorium at the Brighton Early Music Festival in 2017 [8] and Alexander Goehr's "after 'The Waking'" with the Nash Ensemble at London's Wigmore Hall [9]
Wallfisch performed as cellist in the Holocaust Memorial Day programme on BBC Two in 2015. [10]
Wallfisch is an activist against antisemitism. He gives talks and tells his family's history in schools, and accompanies his grandmother Anita Lasker-Wallfisch, who is a frequent guest in talkshows and interviews. [16] [17] He is a trustee of the International Centre for Suppressed Music (ICSM), [18] and performed works by "classical composers who were stopped from working, forced into exile or killed by the Nazis." [19] [20]
The Women's Orchestra of Auschwitz was formed by order of the SS in 1943, during the Holocaust, in the Auschwitz II-Birkenau extermination camp in German-occupied Poland. Active for 19 months—from April 1943 until October 1944—the orchestra consisted of mostly young female Jewish and Slavic prisoners, of varying nationalities, who would rehearse for up to ten hours a day to play music regarded as helpful in the daily running of the camp. They also held a concert every Sunday for the SS.
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Alma Maria Rosé was an Austrian violinist of Jewish descent. Her uncle was the composer Gustav Mahler. She was deported by the Nazis to the concentration camp at Auschwitz-Birkenau. There, for 10 months, she directed an orchestra of female prisoners who played for their captors to stay alive. As director, Rosé held the status of kapo of the music block.
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Raphael Wallfisch is an English cellist.
Anita Lasker-Wallfisch is a German-British cellist, and a surviving member of the Women's Orchestra of Auschwitz.
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Benjamin Mark Lasker Wallfisch is a British composer, conductor, orchestrator, and record producer, known for his work on film scores. He has contributed to over 50 feature films since the mid-2000s, including notable works like Blade Runner 2049, Shazam!, It, It Chapter Two, The Invisible Man, Hidden Figures, A Cure for Wellness, The Flash, Twisters, and Kraven the Hunter.
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Maya Lasker-Wallfisch is a psychoanalytic psychotherapist, author and educator, specialising in transgenerational trauma.
Joanna Wallfisch is a British-Australian singer-songwriter and jazz singer.