Simone Arlene Browne (born 1973) is an author and educator. She is on the faculty at the University of Texas at Austin, [1] and the author of Dark Matters: On the Surveillance of Blackness.
Simone Arlene Browne (born 1973) is an author and educator. She is on the faculty at the University of Texas at Austin, [1] and the author of Dark Matters: On the Surveillance of Blackness.
Browne was born in 1973, [2] and grew up in Toronto, Ontario, where she received a BA (with honors), MA, and PhD at the Ontario Institute for Studies in Education in the Department of Sociology and Equity Studies at the University of Toronto. [3] Her 2001 Masters thesis was titled Surveilling the Jamaican body, leisure imperialism, immigration and the Canadian imagination. [2] Her doctoral dissertation in 2007 was titled Trusted travellers: the identity-industrial complex, race and Canada's permanent resident card. [4]
Browne is a professor of Black Studies in the Department of African and African Diaspora Studies at the University of Texas at Austin. [1] Her most recent book, Dark Matters: On the Surveillance of Blackness, published by Duke University Press in 2015, presents a case to consider race and blackness as a central to the field of surveillance studies, and investigates the roots of present-day surveillance in practices originating in slavery and the Jim Crow era. [5] [6] Javier Arbona of the University of California, Davis, said "her wholly original scholarship best captures new kinds of thinking and theorizing in surveillance studies". [7]
She is a member of Deep Lab, a "congress of cyber-feminist researchers." [8]
She is also on the executive board of HASTAC, a virtual organization led by a dynamic Steering Committee consisting of innovators from a variety of disciplines. [9]
Her work, "Not Only Will I Stare," involves the curation of an exhibit about surveillance through black women artists at the University of Texas at Austin. [10] The exhibit "used the space to showcase selected artists and artwork which reflect the intersections and evolving history of surveillance and the Black community." [11]
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