Simone de Magistris (known from 1555 to 1613) was an Italian painter and sculptor.
Born at Caldarola, Marche, he was the son of Giovanni Andrea de Magistris and Camilla di Ambrogio and brother to Palmino and Giovanni Francesco, both painters. After leaving the family workshop, he moved to Loreto, where he studied under the aged Lorenzo Lotto for a while.
He is considered "one of the first exponents of the Mannerist style" in paintings.[1]
De Magistris worked for a long time under Cardinal Giovanni Evangelista Pallotta, who largely contributed to the renovation of Caldarola in the Marche. A Pietà is displayed in the Pinacoteca Civica Scipione Gentili of San Ginesio in the Marche.[2]
Sources and references
↑ Zampetti, Simone De Magistris e i pittori di Caldarola, p. 9
Giovanni Pisano was an Italian sculptor, painter and architect, who worked in the cities of Pisa, Siena and Pistoia. He is best known for his sculpture which shows the influence of both the French Gothic and the Ancient Roman art. Henry Moore, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
Lorenzo Lotto was an Italian painter, draughtsman, and illustrator, traditionally placed in the Venetian school, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the High Renaissance and the first half of the Mannerist period, but his work maintained a generally similar High Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
Fabriano is a town and comune of Ancona province in the Italian region of the Marche, at 325 metres (1,066 ft) above sea level. It lies in the Esino valley 44 kilometres (27 mi) upstream and southwest of Jesi; and 15 kilometres (9 mi) east-northeast of Fossato di Vico and 36 kilometres (22 mi) east of Gubbio. Its location on the main highway and rail line from Umbria to the Adriatic make it a mid-sized regional center in the Apennines. Fabriano is the headquarters of the giant appliance maker Indesit.
Carlo Cignani was an Italian painter. His innovative style referred to as his 'new manner' introduced a reflective, intimate mood of painting and presaged the later pictures of Guido Reni and Guercino, as well as those of Simone Cantarini. This gentle manner marked a break with the more energetic style of earlier Bolognese classicism of the Bolognese School of painting.
San Ginesio is a comune (municipality) in the Province of Macerata in the Italian region Marche, located about 60 kilometres (37 mi) southwest of Ancona and about 25 kilometres (16 mi) southwest of Macerata. As of December 31, 2004, it had a population of 3,872 and an area of 77.7 square kilometres (30.0 sq mi).
BernardoZenale was an Italian painter and architect.
The Palazzo Buonaccorsi is an 18th-century aristocratic palace, now the civic museum of the town, located on Via Don Minzoni 24 in the historic center of Macerata, region of Marche, Italy.
The Basilica of Saint Nicholas of Tolentino is a Roman Catholic church and minor basilica that is part of the Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, central Italy. The church is a former cathedral of the Roman Catholic Diocese of Tolentino, suppressed in 1586.
Olivuccio Ceccarello di Ciccarello was an Italian painter. Little is known of his life. He was a native of Camerino and was active from 1388 until his death. In 2002 works formerly attributed to an obscure painter named Carlo da Camerino were re-attributed to Olivuccio di Ciccarello as it had become clear Carlo da Camerino had never existed.
Francesco Mancini was an Italian painter whose works are known between 1719 and 1756. He was the pupil of Carlo Cignani.
Giovanni Agostino da Lodi was an Italian painter who was active from c. 1495 to c. 1525.
Giovanni Baronzio, also known as Giovanni da Rimini,, was an Italian painter who was active in Romagna and the Marche region during the second quarter of the 14th century. His year of birth is unknown. Giovanni Baronzio was the eminent representative of the second generation of painters of the school of Rimini who were influenced in by the activity of Giotto in Rimini.
San Francesco is a Gothic-style, Roman Catholic church and monastery located in Matelica, province of Macerata, region of Marche, Italy.
Stefano Folchetti was an Italian painter active in the Quattrocento period, mainly in the region of Marche.
Nicola di Ulisse, also known as Nicola da Siena or Nicola di Ulisse da Siena was an Italian painter of the Umbro-Sienese school.
San Pietro in Valle is a baroque-style church located on Via Nolfi/Via San Francesco in the town of Fano, province of Pesaro and Urbino in the Marche region of Italy.
The Master of Staffolo was an anonymous late-Gothic style painter active in the region of Marche and Umbria.
The Pinacoteca Civica di Palazzo Volpi is the town art gallery on Via Diaz 84 in the town of Como, Lombardy, Italy. It is housed in the 17th-century Palazzo Volpi.
Pieve Santa Maria Assunta is a deconsecrated Roman Catholic church in the town of Pieve Torina, in the province of Macerata Marche, central Italy. The deconsecrated church is now used to display the painting collection of the town, including that from the former church of San Giovanni. but also from the churches of Pomarolo and San Teodora. It includes a Madonna and Child with Angels and Saints by Giovanni Andrea De Magistris and a fresco cycle from the 12th century originally in this church.
Madonna and Child is a tempera and gold on panel painting by Carlo Crivelli, executed c. 1480, and signed OPVS CAROLI CRIVELLI VENETI. It is now in the Pinacoteca civica Francesco Podesti in Ancona. Its dating has varied on stylistic grounds between the 1470s and 1480s, close in date to the artist's Lenti Madonna and Madonna and Child with an Apple.
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