Skylight Music Theatre

Last updated

Skylight Music Theatre, known until January 2012 as Skylight Opera Theatre, [1] is a professional light opera and musical theatre company located in Milwaukee, Wisconsin. Founded in 1959, Skylight performs in the 358-seat Cabot Theatre at the Broadway Theatre Center in Milwaukee. Offering a broad spectrum of works, including Gilbert and Sullivan and other light opera, small-scale operas and musicals, the company is known for its all-English repertoire.

Contents

Description

Skylight's artistic director is Michael Unger. The founder of Skylight was Clair Richardson, and Francesca Zambello is a former artistic directors. [2] The company is based at the Broadway Theatre Center, a building that it has owned since 1993, in Milwaukee's Historic Third Ward District. It rents space in the building to other arts organizations and offers set-building and other services to these organizations.

The company gives over 100 performances each season. One of Skylight's specialties has been the production of Gilbert and Sullivan operas. The company has also established a reputation for an adventuresome repertoire, encompassing baroque opera, operetta, contemporary chamber operas, musicals and original musical revues. The company also offers smaller productions in the smaller Studio Theatre in its building, as well as a free cabaret after Friday and Saturday night performances in the Cabot Theatre.

Skylight operates an arts-in-education program, called Enlighten, that provides free classroom workshops, residencies and performances for the Milwaukee Public Schools. In 2012, over 13,000 students viewed or were otherwise engaged by Enlighten programs. The mission of the company is "to bring the full spectrum of musical theatre works to a wide and diverse audience in celebration of the musical and theatrical arts and their reflection of the human condition."

Skylight Music Theatre is a non-profit organization with a $3.2 million annual budget and an endowment. In addition to ticket sales, it raises funds through the rental of sets, costumes, theatres and public spaces in its theatre center, which it owns and operates. It also receives contributions from the United Performing Arts Fund, the National Endowment for the Arts, Wisconsin Arts Board, CAMPAC, Theatre Communications Group, The Pew Charitable Trusts, and various foundations, corporations, and individuals.

History

Development of the company

Skylight was founded in 1959. Sprague Vonier, the program manager at WTMJ television, public relations agent Clair Richardson decided to add to the cultural variety of Milwaukee by founding a coffeehouse, like those in San Francisco, with live beat poetry and folk music. They rented an empty building next to Richardson's office. Soon, at a nearby fundraising event for another of their cultural projects, Bel Canto Chorus, two church musicians, Jim Keeley and Ray Smith, gave an impromptu performance of Gilbert and Sullivan songs. Vonier and Richardson asked them to put on a show in their empty space above the coffeehouse. The theatre opened with a holiday puppet show. Next, Keeley and Smith starred in a 13-week run of a revue, "An Evening with Gilbert and Sullivan" that was a surprise hit. More revues and a variety of shows followed. In June 1960, the little theatre produced a piano-only production of Cosi fan Tutte . A nearby outdoor space was acquired, and the company produced more small-scale Italian operas and operettas, alternating with Gilbert and Sullivan pieces. [3]

Richardson continued to run the company, attracting donors, borrowing singers from other opera companies and expanding the repertoire to French, German and other operas, an all-black production of Weil's Lost in the Stars and Jerome Kern musicals, which fitted the company's intimate space and modest finances. Colin Cabot joined the company in 1974 as an assistant. Richardson died in 1980, leaving Cabot as managing director. Stephen Wadsworth and Francesca Zambello directed operas for the company in the early 1980s, increasing the company's artistic standards. [3] In recent decades, the company has presented foreign works in English. The company staged its first world premiere, Richard Wargo's Ballymore, in 1999. The premiere attracted national attention. The success of that project led to the company receiving a large grant to finance a two-year residency at the Skylight for Wargo. Another premiere was The Little Prince , an opera by Rachel Portman, in 2004.

Later productions

The 2006–07 season included Humperdinck's Hansel and Gretel , South Pacific , the contemporary American comic opera Tartuffe , Smokey Joe's Cafe , and Gilbert and Sullivan's Patience . 2007–08 included Carlson's The Midnight Angel, Irving Berlin's White Christmas , La traviata , Temperley's Souvenir and The Spitfire Grill (With music written by a Skylight music director, James Valcq). 2008–09 featured La bohème , The Producers , Blues in the Night , I Do! I Do! and The Pirates of Penzance .

After a crisis over the summer of 2009, as described below, the company staged its 50th anniversary season. The 2009–10 season included The Barber of Seville , Plaid Tidings, The Marriage of Figaro , A Day in Hollywood/A Night in the Ukraine and the first licensed production of Rent . [4] Its 2010–11 season included Dames at Sea , H.M.S. Pinafore , Jacques Brel Is Alive and Well and Living in Paris , Così fan tutte , a 2007 work by Joshua Schmidt and Adding Machine – The Musical . [5] A November 2010 review of the company's H.M.S. Pinafore praised the performances, technical aspects and conducting and commented that the production "handsomely adds luster to the G&S tradition at Skylight. ... Bill Theisen's direction and choreography are full of invention and very funny". [6] Seven productions were scheduled in the 2011–12 season. [7]

2009 crisis and recovery

In June 2009, at the conclusion of the 2008–09 season, popular long-time artistic director Bill Theisen and several other staff members were dismissed due to a projected budget deficit and the economic downturn. [8] [9] The position of artistic director was eliminated, and Theisen's administrative responsibilities were assigned to the company's recently hired managing director, Eric Dillner. New productions were to be staged by directors hired for each show. [10] Theisen's colleagues, including music director Jamie Johns (who was fired on June 18, 2009, for speaking out on the dismissals), company donors, and other supporters protested the firings, contacting board members, distributing petitions and staging demonstrations outside the theatre and the board room. [10] [11] [9] The Milwaukee theatre community reacted strongly, through social media and in blogs. Mainstream media, such as the Milwaukee Journal Sentinel and Milwaukee Radio 620 WTMJ, encouraged the company to reconsider their action. Many suggested that managing director Dillner be ousted. [12] [13]

On July 17, 2009, the Board sent letters withdrawing the contracts of two local actors over what the company considered disloyal comments on Facebook. [14] This move, in turn, further angered Theisen, who revoked an earlier offer to direct four works on a freelance basis during the season. [15] Former artistic director Richard Carsey, who had been asked to return to music direct two productions, next resigned, writing to the Board, "The Skylight is being destroyed by Eric and Suzanne's leadership. I can't support this, even by working on productions. .... I passionately ask you to reverse this course of events." [15] James Valcq, another Skylight music director, also resigned from his scheduled engagements. [16] Over the next few days, two dozen of the other artists scheduled to perform in or work on the company's upcoming season resigned in protest at the firings. On July 23, the Board voted to retain Dillner despite the many calls for his dismissal, and Board President Hefty resigned from the Board. [17] The Board offered to rehire Theisen to work with Dillner, but Theisen declined. [18]

On August 5, 2009, Eric Dillner resigned his position. The Board immediately retained former Managing Director Colin Cabot as interim artistic director and former Managing Director Joan Lounsbery as interim managing director. Cabot soon announced that many of the artists who withdrew would return for the Skylight's 50th season, and Theisen agreed to direct the four productions that he had earlier offered to helm. [19] On September 23, 2009, former Skylight CFO Amy S. Jensen was named managing director, and on October 14, 2009, Theisen was re-hired as artistic director. [20] Following the first of these announcements, benefit fundraisers for Skylight were held in Milwaukee and New York City, the latter coordinated by artists engaged over the years by Skylight and dubbed "The Sky Is Not Falling". [21]

In the company's February 2010 newsletter, John Stollenwerk, the new board president, announced that the company had raised over $200,000 plus other large gifts for maintenance and replacement of the ageing building systems at the company's Broadway Theatre Center; a matching fund of $250,000 was created by a group of donors; and the Board set a goal of eliminating the company's debt in four years or less. [22] The ThirdCoast Digest wrote in July 2010, "A year after a summer of strife and financial crisis, the Skylight Opera Theatre appears to be righting itself", reporting that after continued successful fundraising, the company's budget for 2010–11 was $3.2 million, while the building required about $1 million in renovation work over the next several years. [23]

From 2015 to 2022, Jack Lemmon served as Skylight Music Theatre's executive director. Brian Till is president of the company. [24]

Related Research Articles

<span class="mw-page-title-main">Gilbert and Sullivan</span> Victorian-era theatrical partnership

Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.

<span class="mw-page-title-main">Richard D'Oyly Carte</span> English theatre manager and producer (1844–1901)

Richard D'Oyly Carte was an English talent agent, theatrical impresario, composer, and hotelier during the latter half of the Victorian era. He built two of London's theatres and a hotel empire, while also establishing an opera company that ran continuously for over a hundred years and a management agency representing some of the most important artists of the day.

<i>The Pirates of Penzance</i> 1879 comic opera by Gilbert & Sullivan

The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.

<i>H.M.S. Pinafore</i> 1878 comic opera by Gilbert & Sullivan

H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London on 25 May 1878, and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.

<span class="mw-page-title-main">Napa Valley Opera House</span> United States historic place

The Napa Valley Opera House is a theatre in Napa, California, it opened on February 13, 1880, with a production of Gilbert and Sullivan's HMS Pinafore.

<span class="mw-page-title-main">D'Oyly Carte Opera Company</span> British theatre company

The D'Oyly Carte Opera Company is a professional British light opera company which, from the 1870s until 1982, staged Gilbert and Sullivan's Savoy operas nearly year-round in the UK and sometimes toured in Europe, North America and elsewhere. The company was revived for short seasons and tours from 1988 to 2003, and since 2013 it has co-produced four of the operas with Scottish Opera.

Music Theater Works is a resident professional not-for-profit musical theatre company in Evanston, Illinois. It was founded in 1980 by Philip Kraus, Bridget McDonough, and Ellen Dubinsky.

<span class="mw-page-title-main">Light Opera of Manhattan</span>

Light Opera of Manhattan, known as LOOM, was an off-Broadway repertory theatre company that produced light operas, including the works of Gilbert and Sullivan and European and American operettas, 52 weeks per year, in New York City between 1968 and 1989.

<span class="mw-page-title-main">Opera della Luna</span>

Opera della Luna (OdL), founded in 1994, is a British touring theatre troupe of actor-singers focusing on comic works. Led by artistic director Jeff Clarke, it takes its name from Haydn's operatic setting of Goldoni's farce Il mondo della luna. The company presents innovative, usually zany and irreverent, small-scale productions and adaptations of Gilbert and Sullivan, Offenbach and other comic opera and operetta, in English. OdL is a registered British charity.

<span class="mw-page-title-main">J. C. Williamson</span> Actor and theatre manager (1845–1913)

James Cassius Williamson was an American actor and later Australia's foremost impresario, founding the J. C. Williamson's theatrical and production company.

<span class="mw-page-title-main">New York Gilbert and Sullivan Players</span> Repertory theatre

New York Gilbert and Sullivan Players is a professional repertory theatre company, based in New York City that has specialized in the comic operas of Gilbert and Sullivan for over 40 years. It performs an annual season in New York City and tours extensively in North America.

Broadway by the Bay, is a community-based musical theatre company located in the San Francisco Bay Area and performing in Redwood City. It also provides a "Theatre Arts Academy" offering performing arts experiences to local children. After beginning in with productions of three annual Gilbert and Sullivan productions, the company shifted its focus to modern musicals in 1966. Since then, it has produced musicals continuously in San Mateo County. In 1983, the group changed its name to Peninsula Civic Light Opera, and again in 1999, to Broadway by the Bay.

James Valcq is an American musical theatre composer, lyricist, and librettist, as well as an actor and arts administrator. He contributed to various theatrical works.

<span class="mw-page-title-main">Philip Kraus</span> American opera singer

Philip Kraus is an American operatic baritone and stage director known for his performances with the Lyric Opera of Chicago, starting in 1991, and for his co-founding of Light Opera Works, a professional light opera company in Chicago, in 1980.

For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".

LOOK Musical Theatre (LOOK) was a professional musical theatre company based in Tulsa, Oklahoma. The organization, governed by an elected board of directors, followed a repertory model in presenting a summer festival program of musicals and comic opera. LOOK's annual summer season of performances at the Tulsa Performing Arts Center was known as "The LOOK Festival."

Lamplighters Music Theatre is a semi-professional musical theatre company based in San Francisco, California. Founded in 1952 by Orva Hoskinson and Ann Pool MacNab, the Lamplighters specialize in light opera, particularly the works of Gilbert and Sullivan, as well as such works as The Merry Widow, Die Fledermaus, Of Thee I Sing, My Fair Lady, Candide, and A Little Night Music.

<span class="mw-page-title-main">Lakeshore Light Opera</span> Canadian amateur theatre group

Lakeshore Light Opera (LLO) is an amateur community theatre group that performs Gilbert and Sullivan operas in Pointe-Claire, Quebec, Canada. The company produced its first show in 1955. Early in its history, the group was directed by former D'Oyly Carte Opera Company member Doris Hemingway, and briefly conducted by her husband, former D'Oyly Carte conductor Harry Norris. The group was known as St Paul's Operatic Society until 1980, when it changed its name to Lakeshore Light Opera. For over 35 years, proceeds from its annual production have been contributed to the Lakeshore General Hospital.

dell'Arte Opera Ensemble is an opera company in New York City devoted to nurturing emerging singers through rehearsal and performance opportunities, coaching, seminars, and master classes. It was founded in 2000 by opera coach and conductor Christopher Fecteau with the goal of training young opera artists and presenting them in professional productions. Through its Repertoire Development Program, the company features the work of emerging performers, designers, directors and conductors in both standard and rarely-heard masterworks. Several New York premieres have been presented, such as Salieris' "Falstaff," Titus' "Rosina" and Salieri's "La Cifra." In December 2010, the company presented the first performance in New York City of Engelbert Humperdinck's Königskinder since its premiere one hundred years earlier at the Metropolitan Opera.

<span class="mw-page-title-main">Viswa Subbaraman</span> American conductor

Viswa Subbaraman is an American conductor. Subbaraman was co-founder and artistic director of Opera Vista, and served as artistic director of Skylight Music Theatre. He served as music director and conductor for two productions at the Gilbert and Sullivan Society of Houston.

References

  1. Gioia, Michael. "Milwaukee's Skylight Opera Theatre Will Become Skylight Music Theatre" Archived 2012-01-28 at the Wayback Machine , Playbill, January 24, 2012
  2. skylightmusictheatre.org under "History"
  3. 1 2 Cabot, Colin. "The Thirty Years War?" Archived 2009-10-25 at the Wayback Machine SkylightOpera.com, September 1988, accessed May 11, 2010
  4. Production chronology. SkylightOpera.com, accessed May 11, 2010
  5. "Production Chronology". SkylightOpera.com, accessed February 4, 2012
  6. Walters, Rick. "Skylight Opera's Must-See H.M.S. Pinafore. Express Milwaukee, Shepherd Express, November 22, 2010
  7. "On Stage", SkylightOpera.com, accessed February 4, 2012
  8. 2009 Friend Letter on official SkylightOpera website Archived 2009-07-25 at the Wayback Machine , accessed June 25, 2009
  9. 1 2 Schuyler, David. "Skylight Opera staff cuts bring protest", The Business Journal of Milwaukee, June 22, 2009
  10. 1 2 Jones, Ken. "In Hard Times, Milwaukee's Skylight Fires Artistic Director", Playbill, June 18, 2009
  11. Strini, Tom. "Skylight could have avoided firing debacle", Milwaukee Journal Sentinel, June 22, 2009
  12. Strini, Tom. "Skylight's future might depend on the guy it dumped", Milwaukee Journal Sentinel, June 29, 2009
  13. Clements, Tony. "Integral to Company in May, Gone in June", Tuesdaysblog, July 3, 2009
  14. Clements, Tony. "Skylight Fires Members of Barber Cast", Tuesdaysblog, July 17, 2009
  15. 1 2 Strini, Tom. "Could things possibly get worse at the Skylight? Oh yes", Milwaukee Journal Sentinel, July 20, 2009
  16. Clements, Tony. "Valcq quits: Skylight 'doesn't exist anymore'", Tuesdaysblog, July 20, 2009, accessed February 4, 2012
  17. Strini, Tom. "Skylight timeline", Milwaukee Journal Sentinel, July 27, 2009
  18. "Hefty resigns at Skylight amidst turmoil", The Business Journal of Milwaukee, updated July 25, 2009, accessed February 4, 2012
  19. Wakin, Daniel J. "Resignation at Troubled Skylight Opera Theater", The New York Times, August 6, 2009
  20. Itzkoff, Dave. "Artistic Director Rehired at Milwaukee Theater", The New York Times, October 14, 2009
  21. "'The Sky Is Not Falling Benefit' for Milwaukee's Skylight Opera Theatre Held 10/5", BroadwayWorld, October 5, 2009
  22. Skylight Opera Theatre Newsletter Archived 2010-05-25 at the Wayback Machine , February 2010
  23. Strini, Tom. "Where We Are Now: Skylight Opera Theatre" ThirdCoast Digest, July 27, 2010, accessed December 8, 2010
  24. Smart, Ashley. "Skylight Music Theatre's executive director stepping down", BizTimes, July 27, 2022