Slaughter & the Dogs

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Slaughter and the Dogs
Slaughter and the Dogs(tm) 2023.jpg
Slaughter and the Dogs in 2023
Background information
Origin Wythenshawe, Manchester, England
Genres Punk rock, oi!, glam punk, hard rock
Years active1975–1979, 1979–1981, 1996–present
LabelsRabid, Decca, TJM, DJM, Thrush, Damaged Goods, Link, Receiver, Captain Oi!, Taang!, Dodgy Items, Castle, TKO, Amsterdamned, Cleopatra Records, Contra Records Europe, Spaghetty Town Records USA
MembersWayne Barrett-McGrath
Martin Pellicier
Jean Pierre Thollet
D.D Deleaz
Past membersBrian "Mad Muffet" Grantham
Howard "Zip" Bates
Phil Rowland
Nigel Mead
Noel Kay
Jean Pierre Thollet
Dan Graziano
Mark Reback
Mick Rossi
Mike "Spider" Day
Eddie "Ed Banger" Garrity [1]

Slaughter and the Dogs are an English punk rock band formed in 1975 in Wythenshawe, Manchester. Their original line-up consisted of singer Wayne Barrett, rhythm guitar Mick Rossi, drummer Brian "Mad Muffet" Grantham, lead guitarist Mike Day and bassist Howard Bates.

Contents

History

Slaughter and the Dogs were founded in 1975 by Wayne Barrett, Mick Rossi, Brian Grantham, Howard Bates and Mike Day. The band name was created by Barrett and is a mix of Slaughter on 10th Avenue and Diamond Dogs. They were one of the first punk rock bands in North West England, and they supported the Sex Pistols at their gig at Manchester Lesser Free Trade Hall on 20 July 1976. [2] This concert, more than any other single event, spawned Manchester's punk scene, [3] which was concentrated around the Electric Circus Club. [4] Mike Day left the group after this gig.

The band befriended Rob Gretton, who went on to manage Joy Division, and with his financial help, became the first band to release a single on Manchester's independent record label Rabid Records. [5] This debut single, "Cranked Up Really High", was released in June 1977 and was listed in Mojo 's list of the top 100 punk rock singles of all time. [6] It was also included on Streets , which has been described as an "essential" compilation album of early UK punk bands from a variety of independent record labels. [7]

Slaughter and the Dogs split in 1978 and then reformed late 1979 (including Mick Rossi and new drummer Phil Rowland, formerly of Eater). [8] when Barrett left to pursue other avenues, they recruited Eddie Garrity on vocal duties,were signed to DJM records, and went on to release several singles and an album ‘Bite Back’ under the abbreviated name of Slaughter [9] .

In 2015 the band announced a one-off 40th anniversary show "Back to the Start", featuring the original line-up of Barrett, Rossi, Bates and Grantham. Held at the Ruby Lounge in Manchester on 9 October 2015. In August 2016, the same original line up of Barrett, Rossi, Bates and Grantham performed together again at the Rebellion Music Festival in Blackpool, United Kingdom. In 2016, the band recorded the album Vicious in Los Angeles with a new rhythm section of Mark Reback (drums) and Dan Graziano (bass) and subsequently toured Japan in May 2016 and Europe in February and March 2017. It was released by Cleopatra Records on 16 September 2016 to rave reviews, including a 9-out-of-10 rating by Vive Le Rock magazine. [10] [11] Cleopatra issued a live album, Tokyo Dogs, in 2017. [12]

On 9 February 2017, Slaughter and the Dogs embarked on a seven-week European tour, playing 33 shows in 10 countries. [13]

On 5 August 2018, Slaughter and the Dogs headlined the Rebellion Festival in Blackpool, England. [14] and then embarked on a two-week UK tour. [15]

In July 2019, Barrett announced on the band's Facebook page that he had fired the band, and that he intended to form a new line up, which he did. In 2022, Barrett formed his own line up, including ex-bassist Jean-Pierre Thollet, Martin Pellicier on guitar, and Denis Deleaz on drums. The band has been on tour promoting their last album 'Il Tradimento Silencio' which received highly praised reviews, in Europe and the United States, including two tours of Sweden, the first time in the band’s 50 year history to play this country. Barrett has plans for touring in 2025 in the European Union and America’s.

Rossi, Bates and Grantham perform together as ‘Slaughter & the Dogs’ and will be appearing in 2025 at Club Rebellion April 6th in Manchester and at Rebellion in Blackpool in early August 2025.

Reviews

Discography

Studio albums

Singles

Live albums

Bite Back Live, Secret Records 26th October 2024

Compilation albums

Compilation appearances

See also

References

  1. "Edweena Banger Former Member of Slaughter & The Dogs Has Died". Louder Than War.
  2. Joynson 2001, p. 344.
  3. Morley, Paul (21 May 2006). "A northern soul". The Guardian. Retrieved 25 February 2021.
  4. "the needle & the damage done". TrakMARX.com. Retrieved 18 September 2016.
  5. "Rob Gretton bio". IanCurtis.org. Archived from the original on 20 April 2008. Retrieved 30 November 2007.
  6. "100 Punk Scorchers", Mojo , no. 95, London, October 2001
  7. "Punk Rock... & Roll". TrakMARX.com. Retrieved 18 September 2016.
  8. Phil Rowland discography at Discogs
  9. Bite Back at Discogs (list of releases)
  10. Whyte, Joe (7 September 2016). "Slaughter and the Dogs – Vicious". Vive Le Rock . Retrieved 12 February 2017.
  11. Huey, Steve. Slaughter & The Dogs at AllMusic. Retrieved 25 February 2021.
  12. "Slaughter & The Dogs – Tokyo Dogs (CD) – Cleopatra Records Store". Cleopatra Records . 25 August 2017. Retrieved 1 June 2020.
  13. "UK & European Tour Dates 2017 – Slaughter & The Dogs". Satd.band. Archived from the original on 21 October 2019. Retrieved 1 June 2020.
  14. "Line Up". Rebellion Festival . Archived from the original on 29 July 2018. Retrieved 1 June 2020.
  15. "August 2018 UK Tour Dates – Slaughter & The Dogs". Satd.band. Archived from the original on 21 October 2019. Retrieved 1 June 2020.
  16. Heibutzki, Ralph. Do It Dog Style at AllMusic. Retrieved 25 February 2021.
  17. Strong 2003, p. 147.
  18. Marko, Paul. "Slaughter and the Dogs – Early Manchester punk, A Punk Rock History with Pictures". Punk77.co.uk. Retrieved 18 September 2016.
  19. Larkin 2002, p. 404.
  20. Thompson 2000, p. 98.

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