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35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide. The standard image exposure length on 35 mm for movies is four perforations per frame along both edges, which results in 16 frames per foot of film.
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane.
A camera is an optical instrument that captures images. Most cameras can capture 2D images, while some more advanced models can capture 3D images. At a basic level, most cameras consist of a sealed box, with a small hole that allows light to pass through and capture an image on a light-sensitive surface. Cameras have various mechanisms to control how light falls onto the light-sensitive surface, including lenses that focus the light and a shutter that determines the amount of time the photosensitive surface is exposed to the light.
In optics, a circle of confusion (CoC) is an optical spot caused by a cone of light rays from a lens not coming to a perfect focus when imaging a point source. It is also known as disk of confusion, circle of indistinctness, blur circle, or blur spot.
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'.
Leica Camera AG is a German company that manufactures cameras, optical lenses, photographic lenses, binoculars, rifle scopes and microscopes. The company was founded by Ernst Leitz in 1869, in Wetzlar, Germany.
The angle of view is the decisive variable for the visual perception of the size or projection of the size of an object.
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.
Subminiature photography is photographic technologies and techniques working with film material smaller in size than 35mm film, such as 16mm, 9.5mm, 17mm, or 17.5mm films. It is distinct from photomicrography, photographing microscopic subjects with a camera which is not particularly small.
Large format refers to any imaging format of 9 cm × 12 cm or larger. Large format is larger than "medium format", the 6 cm × 6 cm or 6 cm × 9 cm size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras, and much larger than the 24 mm × 36 mm frame of 35 mm format.
Macro photography is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size . By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size.
A digital single-lens reflex camera is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a solid-state image sensor and digitally records the images from the sensor.
Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 31.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm and Ø 31.11 mm field diameter.
In digital photography, the crop factor, format factor, or focal length multiplier of an image sensor format is the ratio of the dimensions of a camera's imaging area compared to a reference format; most often, this term is applied to digital cameras, relative to 35 mm film format as a reference. In the case of digital cameras, the imaging device would be a digital sensor. The most commonly used definition of crop factor is the ratio of a 35 mm frame's diagonal (43.3 mm) to the diagonal of the image sensor in question; that is, . Given the same 3:2 aspect ratio as 35mm's 36 mm × 24 mm area, this is equivalent to the ratio of heights or ratio of widths; the ratio of sensor areas is the square of the crop factor.
A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format. Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format. The full-frame DSLR is in contrast to full-frame mirrorless interchangeable-lens cameras, and DSLR and mirrorless cameras with smaller sensors, much smaller than a full 35 mm frame. Many digital cameras, both compact and SLR models, use a smaller-than-35 mm frame as it is easier and cheaper to manufacture imaging sensors at a smaller size. Historically, the earliest digital SLR models, such as the Nikon NASA F4 or Kodak DCS 100, also used a smaller sensor.
In digital photography, the image sensor format is the shape and size of the image sensor.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen. The word anamorphic and its derivatives stem from the Greek anamorphoun, compound of morphé with the prefix aná. In the late 1990s and 2000s, anamorphic lost popularity in comparison to "flat" formats such as Super 35 with the advent of digital intermediates; however, in the years since digital cinema cameras and projectors have become commonplace, anamorphic has experienced a considerable resurgence of popularity, due in large part to the higher base ISO sensitivity of digital sensors, which facilitates shooting at smaller apertures.
Half-frame cameras, also called single-frame or split-frame cameras, are analog cameras compatible with 35mm film types. These cameras capture congruent shots that take up half of each individual frame in the roll of film. They can be still frame or motion picture cameras and are the standard format of 35mm movie cameras. This is commonly expressed, more technically, as 18×24 mm using 18×24 mm of a regular 135 film. It is closer to the normal frame size of a 35 mm motion film. This leaves half frame cameras to derive their film plate size from the aspect ratio, and frame size that was first designated by Thomas Edison at the dawn of the motion picture industry. Traditionally, the additional film width on motion picture film is used for audio, in later film standards, although the original patent for sound on film is derived from the 1880s.
A mirrorless camera is a photo camera featuring a single, removable lens and a digital display. The camera does not have a reflex mirror or optical viewfinder like a digital single-lens reflex (DSLR) camera, but may have an electronic viewfinder. Many mirrorless cameras retain a mechanical shutter. Like a DSLR, a mirrorless camera accepts any of a series of interchangeable lenses compatible with its lens mount.
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as 16:9, sixteen-to-nine. For the x:y aspect ratio, the image is x units wide and y units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography.
References
- ↑ Brad Goestsch (8 May 2018). "What Kind of Camera Did Ansel Adams Use?". ImprovePhotography.com.
- 1 2 3 4 Osborn, J.; Dell, M.; Stone, C.; Iqba, I.; Lacey, M.; Lucieer, A.; McCoull, C. (2017). Photogrammetry for Forest Inventory. Forest & Wood Products Australia Limited. ISBN 978-1-925213-68-3. PNC326-1314.
- 1 2 Nasim Mansurov (November 2014). "Sensor Crop Factors and Equivalence". Photography Life.
- 1 2 Peter Knegt (24 February 2016). "Small format filmmaking thrives at Calgary's $100 Film Fest". CBC.
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