126 film is a cartridge-based film format used in still photography. It was introduced by Kodak in 1963, and is associated mainly with low-end point-and-shoot cameras, particularly Kodak's own Instamatic series of cameras.
Although 126 was once very popular, as of 2008 [update] it is no longer manufactured, and few photofinishers will process it.
In 1963, Kodak introduced a new film, encased in a plastic cartridge, for which they re-introduced the "126" designation. (The number was originally used for the unrelated 126 roll film format from 1906 to 1949). The term "126" was intended to show that 26 mm square images were recorded, using Kodak's common 1xx film numbering system. However the image size is actually 28×28 mm, [1] [2] which usually was reduced to approximately 26.5×26.5 mm by masking during printing or mounting. At the nominal 28 mm square size, the image diagonal is 39.6 mm, which is close to the 43.3 mm diagonal of a 135 film frame (24×36 mm); the crop factor or equivalent focal length multiplier is 1.09 based on the diagonal measurements.
The 126 film cartridge and format were defined in ISO 3029, which has since been withdrawn. [3]
Like the 120 format, there is a continuous backing paper, and the frame number is visible through a small window at the rear of the cartridge. Cameras for this type of film are equipped with a large rectangular window in the back door, through which is visible not only the frame number, but also a portion of the label showing the film type and speed. The cartridge has a captive take-up spool, but no supply spool: the film and backing paper are simply coiled tightly and placed in the supply end of the cartridge. The positioning of the image is fixed by the cartridge. The film is 35 mm wide, but unlike 135 film, it is unperforated, except for one registration hole per image, similar to the earlier 828 film. The camera is equipped with a sensing pin which falls into this hole when the film is fully advanced to the next frame, at which point the winding knob or lever is locked, so as to prevent winding past the pre-exposed frame lines.
The top edge of the cartridge above the film gate has a square notch in a specific position that signaled the film speed. Some of the higher-end cameras used this notch to determine the correct exposure, or to set the light meter, if so equipped. Although the actual films manufactured in 126 cartridge format had speeds varying between ISO 64/19° and ISO 400/27°, the standard defined 20 different speeds, spanning from ISO 20/14° to ISO 1600/33°. [4]
The film was originally available in 12 and 20 image lengths; at the time regular production stopped it was only available in 24 exposure cartridges. The exposed film is stored on the take-up spool and does not need to be rewound, making the cameras very simple to load and unload.
The format was introduced in 1963 by Kodak under the brand name Kodapak, together with the Instamatic camera line. [1] Although the Instamatic name is sometimes treated as synonymous with the 126 format, Kodak also used it on similar film cartridge-based camera lines, including its later Pocket Instamatic cameras using 110-format cartridges (1972), [5] and on its Instamatic M series movie cameras using Super 8 film (1965). [6] [7]
Around ten million cameras were made by Kodak and other companies. With a few exceptions, the format was mainly used for fairly simple amateur cameras; some of the few high-end models were manufactured by companies included Kodak, Minolta, Rollei, Yashica and Zeiss Ikon. [8] The 126 cartridge also was used as the basis for a pinhole camera that could be built using household supplies. [9] Kodak officially discontinued the format on 31 December 1999. [10] Unused, outdated 126 films continue to show up at thrift stores, estate sales, and online auctions. Unless they have been stored frozen, they are probably deteriorated and are suitable only for experimenting.
Ferrania in Italy was the last factory producing 126 film. They marketed an ISO 200 colour print film under their Solaris brand. The last scheduled production run took place in April 2007, but an unscheduled production run in late 2007 surprised industry observers and raised hopes that it had not actually been discontinued. [11] Ferrania's subsequent bankruptcy meant that there was no longer any large-scale factory source for 126 film.
Some photographers reuse the plastic cartridge from outdated 126 films and reload them with fresh 35mm film. The process is not difficult, but it is not entirely practical since the process must be carried out in the dark, as the 35mm film must be removed from the cartridge. In addition, the two films have significantly different perforation schemes. 126 cameras have a film-advance mechanism that relies on one edge perforation per image, and 35mm camera film has eight perforations per image, on both edges of the film. The photographer must use the film-advance mechanism several times between images, and one edge of each image will have visible perforations. [12] [13] An adapter is available for photographers without access to 126 cartridges, but the adapter does not fit all cameras. [14]
Because it is 35 mm wide and is developed in industry-standard C-41 process chemistry, processing of most 126 films is readily available, as long as the photofinisher knows that it is standard, 35 mm-wide, C-41 film. Printing the photos can present problems, because modern film processing equipment often cannot handle the square format of 126 film. Some specialist photographic printers can correctly handle it. Standard flatbed scanners that have a light source for scanning film can be used to scan 126 negatives, perhaps using a mask made with black paper. [15] Note that older film may require uncommon film processing such as C-22.
8 mm film is a motion picture film format in which the film strip is eight millimetres (0.31 in) wide. It exists in two main versions – the original standard 8 mm film, also known as regular 8 mm, and Super 8. Although both standard 8 mm and Super 8 are 8 mm wide, Super 8 has a larger image area because of its smaller and more widely spaced perforations.
Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
9.5 mm film is an amateur film format introduced by Pathé in 1922 as part of the Pathé Baby amateur film system. It was conceived initially as an inexpensive format to provide copies of commercially made films to home users, although a simple camera was released shortly afterwards.
A box camera is a simple type of camera, the most common form being a cardboard or plastic box with a lens in one end and film at the other. They were sold in large numbers during the late 19th and early 20th centuries. The lenses are often single element designs meniscus fixed focus lens, or in better quality box cameras a doublet lens with minimal possible adjustments to the aperture or shutter speeds. Because of the inability to adjust focus, the small lens aperture and the low sensitivity of the sensitive materials available, these cameras work best in brightly lit day-lit scenes when the subject is within the hyperfocal distance for the lens and of subjects that move little during the exposure. Eventually, box cameras with photographic flash, shutter and aperture adjustment were introduced, allowing indoor photos.
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film used for still photography. It is a film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine – also referred to as a cassette or cartridge – for use in 135 film cameras. The engineering standard for this film is controlled by ISO 1007 titled '135-size film and magazine'.
120 is a film format for still photography introduced by Kodak for their Brownie No. 2 in 1901. It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film survives to this day as the only medium format film that is readily available to both professionals and amateur enthusiasts.
127 is a roll film format for still photography introduced by Kodak in 1912.
110 is a cartridge-based film format used in still photography. It was introduced by Kodak in 1972. 110 is essentially a miniaturized version of Kodak's earlier 126 film format. Each frame is 13 mm × 17 mm, with one registration hole. Cartridges with 12, 20, or 24 frames are available on-line. Production variations sometimes have allowed for an additional image.
Advanced Photo System (APS) is a discontinued film format for still photography first produced in 1996. It was marketed by Eastman Kodak under the brand name Advantix, by FujiFilm under the name Nexia, by Agfa under the name Futura and by Konica as Centuria.
Disc film is a discontinued still-photography film format that was aimed at the consumer market. It was introduced by Kodak in 1982.
DX encoding is an ANSI and I3A standard, originally introduced by Kodak in March 1983, for marking 135 and APS photographic film and film cartridges. It consists of several parts, a latent image DX film edge barcode on the film below the sprocket holes, a code on the cartridge used by automatic cameras, and a barcode on the cartridge read by photo-finishing machines.
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the 24 mm × 36 mm used in 35 mm photography, but smaller than 4 in × 5 in.
The Instamatic is a series of inexpensive, easy-to-load 126 and 110 cameras made by Kodak beginning in 1963. The Instamatic was immensely successful, introducing a generation to low-cost photography and spawning numerous imitators.
The Diana camera is a plastic-bodied toy camera that uses 120 roll film and 35 mm film. The camera has a simple plastic meniscus lens. Originally marketed as an inexpensive novelty gift item, the Diana has been used to specifically take soft focus, impressionistic photographs somewhat reminiscent of the Pictorialist Period of artistic photography, branded in contemporary times as Lomography.
828 is a film format for still photography. Kodak introduced it in 1935, only a year after 135 film. 828 film was introduced with the Kodak Bantam, a consumer-level camera.
Film perforations, also known as perfs and sprocket holes, are the holes placed in the film stock during manufacturing and used for transporting and steadying the film. Films may have different types of perforations depending on film gauge, film format, and intended usage. Perforations are also used as a standard measuring reference within certain camera systems to refer to the size of the frame.
Half-frame cameras, also called single-frame or split-frame cameras, are analog cameras compatible with 35mm film types. These cameras capture congruent shots that take up half of each individual frame in the roll of film. They can be still frame or motion picture cameras and are the standard format of 35mm movie cameras. This is commonly expressed, more technically, as 18×24 mm using 18×24 mm of a regular 135 film. It is closer to the normal frame size of a 35 mm motion film. This leaves half frame cameras to derive their film plate size from the aspect ratio, and frame size that was first designated by Thomas Edison at the dawn of the motion picture industry. Traditionally, the additional film width on motion picture film is used for audio, in later film standards, although the original patent for sound on film is derived from the 1880s.
Standard 8 mm film, also known as Regular 8 mm film, Double 8 mm film, or simply as Standard-8, Regular-8 or Double-8 is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932.
The Kodak Retina Reflex is a discontinued series of four single-lens reflex cameras made by Kodak in Germany between 1957 and 1974, as part of the Kodak Retina line of 35mm film cameras.
