Kodascope

Last updated

Kodascope is a name created by Eastman Kodak Company for the projector it placed on the market in 1923 as part of the first 16mm motion picture equipment. The original Kodascope was part of an outfit that included the Cine-Kodak camera, tripod, Kodascope projector, projection screen, and film splicer, all of which sold together for $335. [1] By 1924, Victor Animatograph Corporation and Bell and Howell had placed 16mm projectors on the market, so Kodak eliminated the requirement to purchase the equipment as a complete outfit and sold the projector separately. Kodascope was retained as the primary marketing name for 16mm projectors throughout their production life at Kodak.

One specific Kodascope was the 'Bedaux Measurement Cine-Kodak' which was produced for use in conjunction with the Bedaux System. [2]

It was also used to name Kodak's film rental library system. Kodascope Library, which operated from 1924 to 1939, and offered both educational and commercially released films on 16mm film and, from 1932, on 8mm film. [3] [4]

Related Research Articles

<span class="mw-page-title-main">16 mm film</span> Historically popular gauge of film

16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film ; other common film gauges include 8 mm and 35 mm. It is generally used for non-theatrical film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8 film. Eastman Kodak released the first 16 mm "outfit" in 1923, consisting of a camera, projector, tripod, screen and splicer, for US$335. RCA-Victor introduced a 16 mm sound movie projector in 1932, and developed an optical sound-on-film 16 mm camera, released in 1935.

<span class="mw-page-title-main">Super 8 film</span> Small motion picture film format

Super 8 mm film is a motion-picture film format released in 1965 by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.

<span class="mw-page-title-main">Kodak</span> American photographic and film company

The Eastman Kodak Company, referred to simply as Kodak, is an American public company that produces various products related to its historic basis in film photography. The company is headquartered in Rochester, New York, and is incorporated in New Jersey. It is best known for photographic film products, which it brought to a mass market for the first time.

<span class="mw-page-title-main">ORWO</span> German film and magnetic tape company

ORWO is a registered trademark of the company ORWO Net GmbH, based in Wolfen and is also traditionally known for black-and-white film products, made in Germany and sold under the ORWO brand.

<span class="mw-page-title-main">Home cinema</span> Home entertainment system that aims to replicate the experience of a movie theater

A home cinema, also called a home theater or theater room, is a home entertainment audio-visual system that seeks to reproduce a movie theater experience and mood using consumer electronics-grade video and audio equipment and is set up in a room or backyard of a private home. Some studies show that films are rated better and generate more intense emotions when watched in a movie theater, but convenience is a major appeal for home cinemas. In the 1980s, home cinemas typically consisted of a movie pre-recorded on a LaserDisc or VHS tape; a LaserDisc Player or VCR; and a heavy, bulky large-screen cathode-ray tube TV set, although sometimes CRT projectors were used instead. In the 2000s, technological innovations in sound systems, video player equipment, TV screens and video projectors have changed the equipment used in home cinema set-ups and enabled home users to experience a higher-resolution screen image, improved sound quality and components that offer users more options. The development of Internet-based subscription services means that 2020s-era home theatre users do not have to commute to a video rental store as was common in the 1980s and 1990s.

<span class="mw-page-title-main">Reversal film</span> Type of photographic film that produces a positive image on a transparent base

In photography, reversal film or slide film is a type of photographic film that produces a positive image on a transparent base. Instead of negatives and prints, reversal film is processed to produce transparencies or diapositives. Reversal film is produced in various sizes, from 35 mm to roll film to 8×10 inch sheet film.

<span class="mw-page-title-main">Film recorder</span> Device that copies content from a computer system to film stock

A film recorder is a graphical output device for transferring images to photographic film from a digital source. In a typical film recorder, an image is passed from a host computer to a mechanism to expose film through a variety of methods, historically by direct photography of a high-resolution cathode-ray tube (CRT) display. The exposed film can then be developed using conventional developing techniques, and displayed with a slide or motion picture projector. The use of film recorders predates the current use of digital projectors, which eliminate the time and cost involved in the intermediate step of transferring computer images to film stock, instead directly displaying the image signal from a computer. Motion picture film scanners are the opposite of film recorders, copying content from film stock to a computer system. Film recorders can be thought of as modern versions of Kinescopes.

<span class="mw-page-title-main">Bell & Howell</span> Services company and former manufacturer of film machinery

Bell and Howell is a United States brand of cameras, lenses, and motion picture machinery. It was originally founded as a company in 1907, and headquartered in Wheeling, Illinois. The company was acquired by Böwe Systec in 2003. Since 2010, the brand name has been licensed for a variety of consumer electronics products.

<span class="mw-page-title-main">Bolex</span> Swiss luxury camera manufacturer

BolexInternational S. A. is a Swiss manufacturer of motion picture cameras based in Yverdon located in Canton of Vaud, the most notable products of which are in the 16 mm and Super 16 mm formats. Originally Bol, the company was founded in 1925 by Charles Haccius and Jacques Bogopolsky, the company's name having been derived from Bogopolsky's name. In 1923 he presented the Cinégraphe Bol at the Geneva fair, a reversible apparatus for taking, printing, and projecting pictures on 35 mm film. He later designed a camera for Alpa of Ballaigues in the late 1930s.

<span class="mw-page-title-main">Moviola</span> Film editing device

A Moviola is a device that allows a film editor to view a film while editing. It was the first machine for motion picture editing when it was invented by Iwan Serrurier in 1924.

<span class="mw-page-title-main">Movietone sound system</span> Sound system for film

The Movietone sound system is an optical sound-on-film method of recording sound for motion pictures, ensuring synchronization between sound and picture. It achieves this by recording the sound as a variable-density optical track on the same strip of film that records the pictures. The initial version of this system was capable of a frequency response of 8500 Hz. Although modern sound films use variable-area tracks instead, modern motion picture theaters can play a Movietone film without modification to the projector. Movietone was one of four motion picture sound systems under development in the U.S. during the 1920s. The others were DeForest's Phonofilm, Warner Brothers' Vitaphone, and RCA Photophone. However, Phonofilm was principally an early version of Movietone.

<span class="mw-page-title-main">Filmo</span> Filming equipment brand

Filmo is a series of 16 mm and 8 mm movie equipment made by the Bell & Howell Company. The line included cameras, projectors and accessories.

<span class="mw-page-title-main">Victor Animatograph Corporation</span> Maker of projection equipment

The Victor Animatograph Corporation was a maker of projection equipment founded in 1910 in Davenport, Iowa by Swedish-born American inventor Alexander F. Victor.

<span class="mw-page-title-main">28 mm film</span> Rare historical motion picture film gauge

28 mm film was introduced by the Pathé Film Company in 1912 under the name Pathé Kok. Geared toward the home market, 28 mm utilized diacetate film stock rather than the flammable nitrate commonly used in 35 mm. The film gauge was deliberately chosen such that it would be uneconomical to slit 35 mm nitrate film.

<span class="mw-page-title-main">Film chain</span>

A film chain or film island is a television – professional video camera with one or more projectors aligned into the photographic lens of the camera. With two or more projectors a system of front-surface mirrors that can pop-up are used in a multiplexer. These mirrors switch different projectors into the camera lens. The camera could be fed live to air for broadcasting through a vision mixer or recorded to a VTR for post-production or later broadcast. In most TV use this has been replaced by a telecine.

<span class="mw-page-title-main">Standard 8 mm film</span> Type of film format

Standard 8 mm film, also known as Regular 8 mm, Double 8 mm, Double Regular 8 mm film, or simply as Standard 8 or Regular 8, is an 8 mm film format originally developed by the Eastman Kodak company and released onto the market in 1932.

<span class="mw-page-title-main">Auricon</span>

Auricon cameras were 16 mm film Single System sound-on-film motion picture cameras manufactured in the 1940s through the early 1980s. Auricon cameras are notable because they record sound directly onto an optical or magnetic track on the same film that the image is photographed on, thus eliminating the need for a separate audio recorder. The camera preceded ENG video cameras as the main AV tool of television news gathering due to its portability–and relatively quick production turn-around–where processed negative film image could be broadcast by electronically creating a positive image. Additionally, the Auricon found studio use as a 'kinescope' camera of live video off of a TV screen, but only on early pre-NTSC line-locked monochrome systems.

<span class="mw-page-title-main">Ciné-Kodak</span> First 16 mm camera

The Ciné-Kodak was the first 16mm camera, introduced in 1923 by the Eastman Kodak Company. It was intended to be used for home movie making.

<span class="mw-page-title-main">Test film</span> Photographic film for testing equipment quality

Test film are rolls or loops or slides of photographic film used for testing the quality of equipment. Equipment to be tested could include: telecine, motion picture film scanner, Movie projectors, Image scanners, film-out gear, Film recorders and Film scanners.

<span class="mw-page-title-main">Kodak Cine Special 16mm Cameras</span>

The Kodak Cine Special 16mm Cameras (CKS) are a family of precision, versatile, spring-wound 16mm silent movie cameras produced by Eastman Kodak from the 1930s to the 1960s, and intended for advanced consumers and industry professionals. While its rectangular format was typical of earlier Kodak 16 mm cameras, the CKS 'box' was formed by two joined sections: the spring motor half with the user controls, winding cranks, and gear work to the shutter. The other half was a film magazine which docked to the motor. This allowed the cinematographer to pre-load multiple magazines of film for quick interchange of film.

References

  1. "100 Years of 16mm Film". Kodak. Retrieved 2024-11-30.
  2. 'Movies Analyse Industrial Operations' Scientific American (1934)
  3. Kodascope Libraries, Inc (1936). Descriptive Catalogue of Kodascope Library 16mm Motion Pictures: Sixth Edition (1936). Media History Digital Library. New York, Kodascope Libraries, Inc.{{cite book}}: |first= has generic name (help)
  4. "History of Film". Kodak. Retrieved 2024-11-30.