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Smash Your Baggage | |
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Directed by | Roy Mack |
Written by | A. Dorian Otvos |
Starring | Smalls Paradise Entertainers (only credited participants) Carrie Marrier Lew Payton Mabel Scott Elmer Snowden Orchestra |
Cinematography | Edwin B. DuPar |
Music by | Elmer Snowden Elmer Snowden Orchestra |
Distributed by | Warner Brothers |
Release date |
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Running time | 9 minutes |
Country | United States |
Language | English |
Smash Your Baggage is a 1932 Vitaphone pre-Code short musical comedy film released by Warner Bros., as part of their Vitaphone Varieties series on October 29, 1932. Directed by Roy Mack, [1] the film features African American performers Carrie Marrier, Mabel Scott, the Smalls Paradise Entertainers and Lew Payton who co-wrote and performed in The Chocolate Dandies , a Broadway revue. Variety , in November 1932, described it as "one of those hectic song-and dance melanges". [1]
With a script written by A. Dorian Otvos, the film features Elmer Snowden and his Orchestra who perform the "Bugle Call Rag" and other tunes. The featured musicians (all uncredited) include Roy Eldridge (trumpet), Dicky Wells (trombone), Otto Hardwick (alto saxophone) and Sidney Catlett (drums). [2]
A group of African American redcaps at a railroad station perform musical numbers to raise donations to support a sick colleague. [3]
The Hollywood Revue of 1929, or simply The Hollywood Revue, is an American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
The Jazz Singer is a 1927 American musical drama film directed by Alan Crosland. It is the first feature-length motion picture with not only a synchronized recorded music score but also lip-synchronous singing and speech in several isolated sequences. Its release heralded the commercial ascendance of sound films and ended the silent film era, although there were still a few silent films after its release. It was produced by Warner Bros. with its Vitaphone sound-on-disc system. The film features six songs performed by Al Jolson. It is based on the 1925 play of the same title by Samson Raphaelson, which itself was adapted from one of his short stories titled "The Day of Atonement".
Ripley's Believe It or Not! is an American franchise, founded by Robert Ripley, which deals in bizarre events and items so strange and unusual that readers might question the claims. Originally a newspaper panel, the Believe It or Not feature proved popular and was later adapted into a wide variety of formats, including radio, television, comic books, a chain of museums and a book series.
Vitaphone was a sound film system used for feature films and nearly 1,000 short subjects made by Warner Bros. and its sister studio First National from 1926 to 1931. Vitaphone was the last major analog sound-on-disc system and the only one which was widely used and commercially successful. The soundtrack was not printed on the film itself, but issued separately on phonograph records. The discs, recorded at 33+1⁄3 rpm and typically 16 inches (41 cm) in diameter, would be played on a turntable physically coupled to the projector motor while the film was being projected. It had a frequency response of 4300 Hz. Many early talkies, such as The Jazz Singer (1927), used the Vitaphone system. The name "Vitaphone" derived from the Latin and Greek words, respectively, for "living" and "sound".
Elmer Chester Snowden was a banjo player of the jazz age. He also played guitar and, in the early stages of his career, all the reed instruments. He contributed greatly to jazz in its early days as both a player and a bandleader, and launched the careers of many top musicians.
Don Juan is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Gold Diggers of Broadway is a 1929 American Pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
Janet Adair was an American vaudeville, ragtime, musical revue and musical comedy performer in the early twentieth century, who also appeared in 5 movies.
Therese Gardella was an Italian American performer on the stage and screen whose stage persona was "Aunt Jemima." She performed on both stage and screen, usually in blackface. Tess was born in Glen Lyon, Pennsylvania, to John and Louisa Gardella. She came to New York City in 1918, singing in dances and nightclubs and also political rallies.
This is a listing of all the animated shorts released by Warner Bros. under the Looney Tunes and Merrie Melodies banners between 1940 and 1949.
Fox Movietone Follies of 1929, also known as Movietone Follies of 1929 and The William Fox Movietone Follies of 1929, is a black-and-white and color American musical film released by Fox Film Corporation.
Hal Le Roy was an American dancer, actor, and singer appearing on stage, in film, and on television.
Pie, Pie Blackbird is a 1932 Vitaphone pre-Code short comedy film released by Warner Bros. on June 4, 1932, starring African American musicians Nina Mae McKinney, the Nicholas Brothers, Eubie Blake, and Noble Sissle.
Vitaphone Varieties is a series title used for all of Warner Bros.', earliest short film "talkies" of the 1920s, initially made using the Vitaphone sound on disc process before a switch to the sound-on-film format early in the 1930s. These were the first major film studio-backed sound films, initially showcased with the 1926 synchronized scored features Don Juan and The Better 'Ole. Although independent producers like Lee de Forest's Phonofilm were successfully making sound film shorts as early as 1922, they were very limited in their distribution and their audio was generally not as loud and clear in theaters as Vitaphone's. The success of the early Vitaphone shorts, initially filmed only in New York, helped launch the sound revolution in Hollywood.
The Naggers was a series of 18 film short films produced by Warner Brothers at the Vitaphone studio in Brooklyn, New York. These featured Jack Norworth and Dorothy Adelphi as an arguing husband and wife in a variety of domestic settings. This basic premise predated the popular radio series The Bickersons and many future TV marital comedies.
The Swell Head is a 1928 American romantic musical short starring Eddie Foy Jr. and Bessie Love, directed by Foy's brother Bryan. Variety mused that "this may be the first backstage sound short."
Adorjan Dorian Otvos was a writer and composer in Hollywood. He was born in Hungary. He worked on several Broadway productions as well as Vitaphone short films, often as a co-writer.
That's the Spirit is an American short musical film released in 1933. It features an African American cast starring Noble Sissle and was directed by Roy Mack. The Vitaphone film was distributed by Warner Brothers. The film survives.
Lew Payton was an African American film actor, stage performer and writer known for several films and stage productions including Chocolate Dandies with Josephine Baker, Smash Your Baggage (1932), Jezebel (1938), On Such a Night (1937), and Lady for a Night (1942) featuring John Wayne and Joan Blondell. In "Lady for a Night", he performed Napoleon, the Alderson Family's man servant for characters Stephen Alderson and Katherine Alderson.
The Black Network is an American short musical film released in 1936 that was directed by Roy Mack and released through Vitaphone. It is extant.