Smelfungus is a character in the novel A Sentimental Journey Through France and Italy , written by Laurence Sterne in 1768. The character was created as a satire of Tobias Smollett, himself author of a volume of Travels Through France and Italy , which was published in 1766. Sterne had met Smollett during his own travels in Europe, and strongly objected to Smollett's "spleen, acerbity and quarrelsomeness". He modelled the character of Smelfungus on him for the "snarling abuse he heaps on the institutions and customs of the countries he visited". [1]
The term "smellfungus" (pl. "smellfungi") thereafter passed into broader use to describe a grumbling traveller, and might even be applied to a faultfinder in general. [2]
Smollett's 1764 journey to Continental Europe took place in the wake of a family bereavement, and while he was in poor health—matters which may explain the sharp tone of many of his comments on people, things and places he saw. [3] Thus for example he described the Venus de Medici as having "no beauty in the features" and having an attitude which "is awkward and out of character" [4] —prompting Sterne's remark that "he had fallen foul upon the goddess, and used her worse than a common strumpet". [5]
Revisionists have argued however that the "Smollett" in the Travels book is a character Smollett intentionally created, rather than him speaking in his own voice as Sterne (facetiously) implies. [6]
In the 19th century Smelfungus was adopted by Thomas Carlyle as a pen-name when he had any seriously severe criticisms to offer on things, particularly those that have gone or are going to the bad. Patrick Proctor Alexander also used the name in his book Mill and Carlyle, which contrasted Carlyle's views with those of John Stuart Mill. Proctor's Occasional Discourse on Sauertieg by Smelfungus attacks Carlyle's more brutal ideas.
Laurence Sterne was an Anglo-Irish novelist and Anglican cleric who wrote the novels The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey Through France and Italy, published sermons and memoirs, and indulged in local politics. He grew up in a military family, travelling mainly in Ireland but briefly in England. An uncle paid for Sterne to attend Hipperholme Grammar School in the West Riding of Yorkshire, as Sterne's father was ordered to Jamaica, where he died of malaria some years later. He attended Jesus College, Cambridge on a sizarship, gaining bachelor's and master's degrees. While Vicar of Sutton-on-the-Forest, Yorkshire, he married Elizabeth Lumley in 1741. His ecclesiastical satire A Political Romance infuriated the church and was burnt.
Thomas Carlyle was a Scottish essayist, historian, and philosopher from the Scottish Lowlands. A leading writer of the Victorian era, he exerted a profound influence on 19th-century art, literature, and philosophy.
The English novel is an important part of English literature. This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland. However, given the nature of the subject, this guideline has been applied with common sense, and reference is made to novels in other languages or novelists who are not primarily British, where appropriate.
Tobias George Smollett was a Scottish writer and surgeon. He was best known for writing picaresque novels such as The Adventures of Roderick Random (1748), The Adventures of Peregrine Pickle (1751) and The Expedition of Humphry Clinker (1771), which influenced later generations of British novelists, including Charles Dickens. His novels were liberally altered by contemporary printers; an authoritative edition of each was edited by Dr O. M. Brack Jr and others.
This article contains information about the literary events and publications of 1768.
The Expedition of Humphry Clinker was the last of the picaresque novels of Tobias Smollett, published in London on 17 June 1771, and is considered by many to be his best and funniest work. It is an epistolary novel, presented in the form of letters written by six characters: Matthew Bramble, a Welsh Squire; his sister Tabitha; their niece Lydia and nephew Jeremy Melford; Tabitha's maid Winifred Jenkins; and Lydia's suitor Wilson.
The Life and Opinions of Tristram Shandy, Gentleman, also known as Tristram Shandy, is a novel by Laurence Sterne. It was published in nine volumes, the first two appearing in 1759, and seven others following over the next seven years. It purports to be a biography of the eponymous character. Its style is marked by digression, double entendre, and graphic devices. The first edition was printed by Ann Ward on Coney Street, York.
Sentimentality originally indicated the reliance on feelings as a guide to truth, but in current usage the term commonly connotes a reliance on shallow, uncomplicated emotions at the expense of reason.
A Sentimental Journey Through France and Italy is a novel by Laurence Sterne, written and first published in 1768, as Sterne was facing death. In 1765, Sterne travelled through France and Italy as far south as Naples, and after returning, he determined to describe his travels from a sentimental point of view. The novel can be seen as an epilogue to the possibly unfinished work The Life and Opinions of Tristram Shandy, Gentleman, and also as an answer to Tobias Smollett's decidedly unsentimental Travels Through France and Italy. Sterne had met Smollett during his travels in Europe, and strongly objected to his spleen, acerbity and quarrelsomeness. He modelled the character of Smelfungus on him.
Augustan literature is a style of British literature produced during the reigns of Queen Anne, King George I, and George II in the first half of the 18th century and ending in the 1740s, with the deaths of Alexander Pope and Jonathan Swift, in 1744 and 1745, respectively. It was a literary epoch that featured the rapid development of the novel, an explosion in satire, the mutation of drama from political satire into melodrama and an evolution toward poetry of personal exploration. In philosophy, it was an age increasingly dominated by empiricism, while in the writings of political economy, it marked the evolution of mercantilism as a formal philosophy, the development of capitalism and the triumph of trade.
Journal to Eliza is a work by British author Laurence Sterne. It was published posthumously in 1904. It is written as a diary, but was supposedly intended as a love letter to Eliza Draper. Sterne predicted that it would be published long after the deaths of both himself and Draper.
Travels Through France and Italy is a work of travel literature by Tobias Smollett, published in 1766. Smollett used the opportunity to deride the social norms of the Kingdom of France and the Italian states, and to voice his Anti-Catholicism. The book inspired a reply in the novel A Sentimental Journey Through France and Italy (1768) by Laurence Sterne, which contained a satirical depiction of Smollett as Smelfungus.
Augustan prose is somewhat ill-defined, as the definition of "Augustan" relies primarily upon changes in taste in poetry. However, the general time represented by Augustan literature saw a rise in prose writing as high literature. The essay, satire, and dialogue thrived in the age, and the English novel was truly begun as a serious art form. At the outset of the Augustan age, essays were still primarily imitative, novels were few and still dominated by the Romance, and prose was a rarely used format for satire, but, by the end of the period, the English essay was a fully formed periodical feature, novels surpassed drama as entertainment and as an outlet for serious authors, and prose was serving every conceivable function in public discourse. It is the age that most provides the transition from a court-centered and poetic literature to a more democratic, decentralized literary world of prose.
The sentimental novel or the novel of sensibility is an 18th- and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to the rationalism of the Augustan Age.
Literature of the 18th century refers to world literature produced during the years 1700–1799.
The Art of Fiction is a book of literary criticism by the British academic and novelist David Lodge. The chapters of the book first appeared in 1991–1992 as weekly columns in The Independent on Sunday and were eventually gathered into book form and published in 1992. The essays as they appear in the book have in many cases been expanded from their original format.
As a literary mode, sentimentalism, the practice of being sentimental, and thus tending towards making emotions and feelings the basis of a person's actions and reactions, as opposed to reason, has been a recurring aspect of world literature. Sentimentalism includes a variety of aspects in literature, such as sentimental poetry, the sentimental novel, and the German sentimentalist music movement, Empfindsamkeit. European literary sentimentalism arose during the Age of Enlightenment, partly as a response to sentimentalism in philosophy. In eighteenth-century England, the sentimental novel was a major literary genre. The genre developed in England between 1730 and 1780 at the time of high enlightenment from where it spread to other European literatures. Its philosophical basis primarily came from Anthony Ashley Cooper, 3rd Earl of Shaftesbury, a pupil of John Locke.
John Hall-Stevenson, in his youth known as John Hall, was an English country gentleman and writer.
The novel in Scotland includes all long prose fiction published in Scotland and by Scottish authors since the development of the literary format in the eighteenth century. The novel was soon a major element of Scottish literary and critical life. Tobias Smollett's picaresque novels, such as The Adventures of Roderick Random and The Adventures of Peregrine Pickle mean that he is often seen as Scotland's first novelist. Other Scots who contributed to the development of the novel in the eighteenth century include Henry Mackenzie and John Moore.
Scottish literature in the eighteenth century is literature written in Scotland or by Scottish writers in the eighteenth century. It includes literature written in English, Scottish Gaelic and Scots, in forms including poetry, drama and novels. After the Union in 1707 Scottish literature developed a distinct national identity. Allan Ramsay led a "vernacular revival", the trend for pastoral poetry and developed the Habbie stanza. He was part of a community of poets working in Scots and English who included William Hamilton of Gilbertfield, Robert Crawford, Alexander Ross, William Hamilton of Bangour, Alison Rutherford Cockburn, and James Thomson. The eighteenth century was also a period of innovation in Gaelic vernacular poetry. Major figures included Rob Donn Mackay, Donnchadh Bàn Mac an t-Saoir, Uillean Ross and Alasdair mac Mhaighstir Alasdair, who helped inspire a new form of nature poetry. James Macpherson was the first Scottish poet to gain an international reputation, claiming to have found poetry written by Ossian. Robert Burns is widely regarded as the national poet.
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