Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
Aquatint is an intaglio printmaking technique, a variant of etching that produces areas of tone rather than lines. For this reason it has mostly been used in conjunction with etching, to give both lines and shaded tone. It has also been used historically to print in colour, both by printing with multiple plates in different colours, and by making monochrome prints that were then hand-coloured with watercolour.
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life.
Käthe Kollwitz was a German artist who worked with painting, printmaking and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman not only to be elected to the Prussian Academy of Arts but also to receive honorary professor status.
Frederick Childe Hassam was an American Impressionist painter, noted for his urban and coastal scenes. Along with Mary Cassatt and John Henry Twachtman, Hassam was instrumental in promulgating Impressionism to American collectors, dealers, and museums. He produced over 3,000 paintings, oils, watercolors, etchings, and lithographs over the course of his career, and was an influential American artist of the early 20th century.
Intaglio is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand above the main surface.
The etching revival was the re-emergence and invigoration of etching as an original form of printmaking during the period approximately from 1850 to 1930. The main centres were France, Britain and the United States, but other countries, such as the Netherlands, also participated. A strong collector's market developed, with the most sought-after artists achieving very high prices. This came to an abrupt end after the 1929 Wall Street crash wrecked what had become a very strong market among collectors, at a time when the typical style of the movement, still based on 19th-century developments, was becoming outdated.
Martin Lewis was an Australian-born American etcher.
The California Society of Printmakers (CSP) is the oldest continuously operating association of printmakers and friends of printmakers in the United States. CSP is a 501(c)(3) non-profit arts organization with an international membership of print artists and supporters of the art of fine printmaking. CSP promotes professional development and opportunity for printmakers, and educates artists and the public about printmaking. New members are admitted by portfolio review. Friends, Institutional and Business members are admitted by fee. CSP is based in the San Francisco Bay Area, California.
John Taylor Arms was an American etcher.
The Society of Canadian Painter-Etchers and Engravers (CPE) was a non-profit organization of Canadian etchers and engravers.
Ernest Haskell was an American artist and illustrator, internationally famous in his lifetime and remembered for his etchings, as well as engravings, pen-and-ink drawings, lithographs and watercolors. He was a pioneer in the field of theatrical posters. He created many portraits and caricatures of luminaries of the day. During World War I he was commissioned by the United States Army to develop camouflage painting. Haskell's etchings and intaglio prints are considered by critics and scholars to be his most important contribution.
The Charleston Renaissance is a period between World Wars I and II in which the city of Charleston, South Carolina, experienced a boom in the arts as artists, writers, architects, and historical preservationists came together to improve and represent their city. The Charleston Renaissance was related to the larger interwar artistic movement known as the Southern Renaissance and is credited with helping to spur the city's tourist industry.
Blanche McVeigh was an American printmaker, founder of the Fort Worth School of Fine Arts and Fort Worth Artists Guild, and art educator in Fort Worth, Texas. Known for her mastery of the aquatint medium, McVeigh’s leadership in art education influenced a generation of local artists, particularly members of the group known as the Fort Worth Circle. Her work is represented in several national collections as well as local and private collections.
Kathrin Cawein (1895–1996) was an American printmaker known for her etchings. Her style was realist and her subjects were mainly landscapes and interiors. Early in her career, her work received praise from one critic for its "adroit handling of color and good drawing — a technique that seems to express personal engaging conceptions." Critics also considered her prints to be "striking" and having a "high level of workmanship."
Roselle Osk (1884–1954) was an American printmaker known for her drypoints and etchings. Her style was realist and her subjects were figure studies, landscapes, and seascapes. She exhibited frequently during the 1930s and 1940s and was awarded prizes by the Society of American Etchers, Philadelphia Print Club, and National Association of Women Artists. Her work was often selected for "Best Prints of the Year" shows held by the etchers group.
Edith Loring Getchell was an American landscape painter and etcher, highly regarded for the "exquisite" tonalism of her etchings, drypoints and watercolors." Working during the "American Etching Revival," a period that lent legitimacy to an art form that had once been scorned as commercial, Getchell made use of the opportunities the vogue for etching gave her, despite a crowded field and the gender discrimination of her era. Considered one of America's leading etchers in her lifetime, Getchell's work is notable for its skill, its aesthetic values and its approach to depicting American landscape.
The Prairie Print Makers was a society of print artists and collectors headquartered in Wichita Kansas and active from 1930 to 1966. Formed by a group of Kansas artists, its objective was "to further the interest of both artists and laymen in printmaking and collecting". Membership was by invitation only and consisted of active artists who paid only $1 per year, and associates who paid $5 per year. A third category of free honorary membership was conferred by the governing board to those who contributed to the cause of print making and collecting.
Earl Horter was an American painter, illustrator, printmaker, teacher and art collector. He was instrumental in introducing modern art to Philadelphia as both an artist and collector of Cubist and abstract art. During the 1920s, he had one of the largest collections of modern art in the United States, and he was among the most prominent etchers of his generation.
Mary Teichman is an American artist and printmaker known for her color aquatint etchings.
