Printmaking is the process of creating artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine ; however, there is some cross-over between traditional and digital printmaking, including risograph.
Jacques Hnizdovsky was a Ukrainian-born American painter, printmaker, graphic designer, illustrator and sculptor.
Stanley William Hayter was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the influential Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, K.R.H. Sonderborg, Flora Blanc, Carl Heywood, and Catherine Yarrow.
Julian Otto Trevelyan was an English artist and poet.
Atelier 17 was an art school and studio that was influential in the teaching and promotion of printmaking in the 20th century. Originally located in Paris, the studio relocated to New York during the years surrounding World War II. It moved back to Paris in 1950.
Krishna Reddy was an Indian master printmaker, sculptor, and teacher. He was considered a master intaglio printer and known for viscosity printing.
Józef Hecht, also known as Joseph Hecht, was a printmaker and painter. Born and educated in Poland, he made Paris his base from 1920. Trained in classical engraving techniques, Hecht was a founder of "Atelier 17", and had a profound influence on 20th-century printmakers.
Seong Moy was an American painter and printmaker. Moy was born in a small town outside of Canton, China; he emigrated to the United States at the age of 10 in 1931, and joined other members of his family who had settled in St. Paul, Minnesota. During this time, Moy attended school during the day, and trained in his uncle's restaurant as an assistant chef when not in school. In 1934, Moy was introduced to art classes at the WPA Federal Art Project School through a friend. For the next few years, Moy studied art first at the Federal Art Project, and later at the St. Paul School of Art under Cameron Booth, and the WPA Graphic Workshop at the Walker Art Center in Minneapolis, MN. Advisors recognized his talent and permitted him to take more classes while maintaining a job.
Peter Grippe was an American sculptor, printmaker, and painter. As a sculptor, he worked in bronze, terracotta, wire, plaster, and found objects. His "Monument to Hiroshima" series (1963) used found objects cast in bronze sculptures to evoke the chaotic humanity of the Japanese city after its incineration by atomic bomb. Other Grippe Surrealist sculptural works address less warlike themes, including that of city life. However, his expertise extended beyond sculpture to ink drawings, watercolor painting, and printmaking (intaglio). He joined and later directed Atelier 17, the intaglio studio founded in London and moved to New York at the beginning of World War II by its founder, Stanley William Hayter. Today, Grippe's 21 Etchings and Poems, a part of the permanent collection at the Davis Museum and Cultural Center at Wellesley College in Wellesley, Massachusetts, is available as part of the museum's virtual collection.
Michael Woolworth is a master printer of American origin, living and working in Paris. He makes original editions with contemporary artists. His atelier specializes exclusively in printing techniques on hand presses: stone lithography, woodcut, monotype, linocut, etching and multiples.
Letterio "Leo" Calapai was an American artist and educator, who identified with the Realism movement. Calapai completed works of art for the Federal Arts Project, which was organized by the Works Progress Administration in the late 1930s and early 1940s.
The Society of American Graphic Artists (SAGA) is a not for profit national fine arts organization serving professional artists in the field of printmaking. SAGA provides its members with exhibition, reviews and networking opportunities in the New York City area and, in addition to various substantial exhibition prizes, many purchase awards allow SAGA members to be included in major U.S. museum collections.
Marian Korn was a Czechoslovakian printmaker. She was born February 15, 1914, in Chomutov, Austro-Hungarian Empire. In 1931, she moved to Prague, and in 1931, she graduated from the Women's College of Prague. She married in 1938, and emigrated to the United States in 1939. In 1949, she moved to Tokyo with her entrepreneur husband Frank and two daughters.
Clare Romano (1922–2017) was an internationally known American printmaker and painter with works in the Metropolitan Museum of Art, the Museum of Modern Art, the Smithsonian American Art Museum, the Cooper Hewitt, Smithsonian Design Museum and other major collections. As an advocate, innovator, and educator in the field of printmaking, Romano has co-authored in collaboration with her husband, John Ross, The Complete Printmaker (1972), The Complete Collagraph (1980), and several other printmaking manuals that have become standard texts for universities. They founded their High Tide Press for artists books in 1991.
Helen Elizabeth Phillips, also known as Helen Phillips Hayter was an American sculptor, printmaker, and graphic artist active in San Francisco, New York, and Paris. During her life, she contributed to various avant-gardes of the 20th century, with a personal, de-conditioned vision, which evolved from the surrealist practices the 30s to the adoption of a repeated geometric unit to express the three-dimensional movement in sculpture. Her biomorphic, hermetic imaginary, her use of positive and negative spaces in both sculpture and printmaking, and her strong, pure color, opened new paths in artistic expression.
James Lesesne Wells was an African American graphic artist, print-maker, and painter associated with the Harlem Renaissance. He was an influential art professor at Howard University from 1929 to 1968 and is considered a pioneer in modern art education.
The Pratt Graphic Art Center also called the Pratt Graphics Center was a print workshop and gallery in New York. The Center grew out of Margaret Lowengrund's Contemporaries Graphic Art Centre. In 1956 Fritz Eichenberg became the Center's director, serving until 1972. The Center was associated with the Pratt Institute, providing a space specifically for printmaking. It was used by both students and established artists including Jim Dine, Robert Motherwell, Barnett Newman, and Claes Oldenburg. Painter and printmaker Martin Barooshian served as Supervisor for the Center's Graphics Workshop for Professionals from 1960-1970, hired by Eichenberg at the behest of Stanley Hayter. The Workshop was a primary vehicle for the participation of established artists in the Center. The Center also published a journal, the Artist's Proof edited by Eichenberg and Andrew Stasik, and had an exhibition space. The Pratt Graphic Art Center closed in 1986.
Armin Landeck (1905-1984) was an American printmaker and educator.
John A. Knudsen was an American artist and educator known for his advanced techniques in intaglio printmaking and exploration of color through large oil paintings that focused primarily on Chicago cityscapes. He was one of the founding professors of Harper College and developed the Fine Arts Department curriculum and direction.
This is a timeline of 20th-century printmaking in America.
