The Society Of Camera Operators was founded in 1979 under the name Society of Operating Cameramen. Its primary mission is to advance the art, craft and creative contribution of the camera operator in the motion picture and television industries. The SOC represents camera operators, camera assistants, directors of photography as well as other related crafts. Its roster boasts of a global membership representing a large cultural diversity within the technical moviemaking crafts.
The SOC also publishes the four-times annually Operating Cameraman Magazine, founded in 1991 and renamed the Camera Operator Magazine in 2007. Written from the perspective of the camera operator, each issue deals with issues relevant to the world-wide motion picture and TV industry. It includes articles on the development of the motion picture camera (from the silent era through modern equipment), aspect ratios, set etiquette, the digital revolution, and other informational subjects. Camera Operator magazine contains articles written by members who describe current motion pictures and television shows they have been working on—a true representation of the experiences of camera operators on the sets and on location.
The organization hosts an annual banquet, [1] The SOC Lifetime Achievement Awards, to honor those members who have contributed and advanced the craft of the camera operator. A portion of the proceeds from this event are donated to the Eye Care Clinic Vision Center of the Children's Hospital Los Angeles.
Renamed the Society of Camera Operators, more befitting its diverse membership of both men and women. The society's motto "We See It First!" is a descriptive slogan referring to the fact that the camera operator, by personally viewing the scene through the viewfinder of a motion picture camera, physically sees the scene prior to anyone else until the screened dailies. "As camera operators we see the EXACT angles that audiences will see onscreen, and not from monitors placed around the set showing the 'representation' of what the camera operator sees and experiences." (Michael Frediani, SOC past president)
The Society of Camera Operators for Camera Operator of the Year – Film is an annual award given by the society to camera operators for their outstanding achievements in field of filmmaking in a given year. The award was first given out in 2008 and, aside from 2011, has presented every year since, for film achievements from the previous year.
Year | Winners/nominees | Film |
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2007 [2] [3] | ||
Jacques Jouffret | Into the Wild | |
Colin Anderson | There Will Be Blood | |
David Luckenbach | 3:10 to Yuma | |
Jim McConkey | The Kite Runner | |
Scott Sakamoto | Michael Clayton | |
2008 [4] [3] | ||
Robert Gorelick | The Dark Knight | |
Will Arnot | Milk | |
Stephen Campanelli | Changeling | |
Kim Marks | The Curious Case of Benjamin Button | |
Martin Schaer | Eagle Eye | |
Year | Winners/nominees | Film |
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2024 [15] | ||
Juanjo Sánchez and Manuel Branáa | Society of the Snow | |
Mick Froehlich | Leave the World Behind | |
Geoffrey Haley | Chevalier | |
Ari Issler and Nick Müller | Boston Strangler | |
Andrew ‘AJ’ Johnson | Carmen | |
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Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
Robert Daniel Marta was founding member and the first president of the Society of Operating Cameramen — now Society of Camera Operators.
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Live Action is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live action sound mixing, and achievement in animated sound mixing. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994.
Free Solo is a 2018 American documentary film directed by Elizabeth Chai Vasarhelyi and Jimmy Chin that profiles rock climber Alex Honnold on his quest to perform the first-ever free solo climb of a route on El Capitan, in Yosemite National Park, in June 2017.
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Motion Picture – Animated is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when feature motion pictures were separated into two categories; achievement in live action sound mixing, and achievement in animated sound mixing. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Motion Pictures, and was given annually starting in 1994.
The Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for Television Series – Half Hour is an annual award given by the Cinema Audio Society to live action motion picture sound mixer for their outstanding achievements in sound mixing. The award came to its current title in 2013, when one hour and half hour series were separated into two categories. Before this, the category was labeled Outstanding Achievement in Sound Mixing for Television Series, and was given annually starting in 1994, for series' episodes aired the previous year.
The Golden Reel Award for Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley is an annual award given by the Motion Picture Sound Editors. It honors sound editors whose work has warranted merit in the field of television; in this case, their work in the field of sound effects and foley work in long form broadcast media. It was first awarded in 2002, for episodes premiering the previous year, under the title Best Sound Editing in Television - Effects & Foley, Long Form. The term "long form" was added to the category in 2002, as long form television had been award under the category titled Best Sound Editing - Television Movie of the Week - Effects & Foley, or some moniker of it, since 1998. The award has been given with its current title since 2022. Also in 2022, limited and anthology series were separated from other hour-long programs and given their own category, Outstanding Achievement in Sound Editing – Limited Series or Anthology, though the category was not presented the following year.
The British Academy Television Craft Award for Best Photography & Lighting: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
The British Academy Television Craft Award for Best Photography: Factual is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."