Something New | ||||
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Studio album by Sam Jones 12 Piece Band | ||||
Released | 1979 | |||
Recorded | June 4, 1979 | |||
Studio | Sound Ideas Studios, NYC | |||
Genre | Jazz | |||
Length | 34:47 | |||
Label | Interplay IP-7726 | |||
Producer | John Brechler, Toshiya Taenaka | |||
Sam Jones chronology | ||||
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Something New, is an album by jazz bassist Sam Jones' 12 Piece Band recorded in 1979 and released on the Interplay label. [1] [2]
Samuel Jones was an American jazz double bassist, cellist, and composer.
Interplay Records is a jazz record company and label founded by Toshiya Taenaka in association with Fred Norseworthy in Los Angeles in 1977 which released several notable albums by Warne Marsh, Al Haig, Sal Mosca, Horace Tapscott, and Ted Curson. The label was named after an album released on Taenaka's short-lived label, Seabreeze Records; Al Haig's Interplay.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
The Allmusic review called it "An excellent jazz orchestra that has been long forgotten since Sam Jones' death in 1981" and states "Many all-stars were in the band". [3]
The double bass, or simply the bass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra.
A music director, musical director, or director of music is the person responsible for the musical aspects of a performance, production, or organization, for example the artistic director and usually chief conductor of an orchestra or concert band, the director of music of a film, the director of music at a radio station, the person in charge of musical activities or the head of the music department in a school, the coordinator of the musical ensembles in a university, college, or institution, the head bandmaster of a military band, the head organist and choirmaster of a church, or an organist and master of the choristers.
Ronald J. "Spanky" Davis was an American jazz trumpeter.
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The Thad Jones/Mel Lewis Jazz Orchestra was a jazz big band formed by trumpeter Thad Jones and drummer Mel Lewis in New York in 1965. The band performed for twelve years in its original incarnation, including a 1972 tour of the Soviet Union during the height of the Cold War. The band won a Grammy Award for the album Live in Munich and in 2009 for the album Monday Night Live at the Village Vanguard. The collaboration ended in 1978 with Jones suddenly moving to Copenhagen, Denmark, after which the band became the Mel Lewis Jazz Orchestra. Since the death of Lewis in 1990 it has been known as the Vanguard Jazz Orchestra. They have maintained a Monday-night residency at the Village Vanguard jazz club in New York for five decades.
Robert Alan Mintzer is an American jazz saxophonist, composer, arranger, and big band leader.
Claude Berkeley Williamson was an American jazz pianist.
Marvin Louis Stamm is an American jazz trumpeter.
Peter Michael Yellin was an American jazz saxophonist and educator.
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Big Band Machine is a jazz album recorded by Buddy Rich and released on the Groove Merchant Record label in 1975.
Gypsy Folk Tales is an album by drummer Art Blakey and the Jazz Messengers recorded in 1977 and released on the Roulette label.
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Art Farmer Quintet at Boomers is a live album by Art Farmer recorded in New York in 1976 and originally released on the Japanese East Wind label. A second volume of recordings was released in 2003 on the Test of Time label. This quintet also presages the later, great, 1980s quintet Art Farmer kept, in that it presents us the regal front line of Art Farmer together with Clifford Jordan, a pairing first recorded in the late fifties in Horace Silver's band, but then crystallized in several magnificent, and more feted, recordings in the 1980s – really a high-point in all of Farmer's remarkably consistent discography. But here we get to hear them together in the 1970s, too – and it is most edifying. They would go on to even more pristine heights together, refining their ensemble concept. Not that there's anything lacking in this lesser-known, but fabulous, document of one of jazz's truly great partnerships.
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How Deep, How High, is an album by saxophonist Warne Marsh and pianist Sal Mosca recorded in concert in 1976 and studio in 1979 and released on the Interplay label.
The Bassist!, is an album by jazz bassist Sam Jones recorded in 1979 and released on the Interplay label.