Something New under the Son | ||||
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Studio album by | ||||
Released | 1981 | |||
Recorded | 1977 | |||
Genre | Christian rock | |||
Length | 38 minutes | |||
Label | Solid Rock Records | |||
Producer | Larry Norman | |||
Larry Norman chronology | ||||
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Something New Under The Son is an album recorded by Larry Norman in 1977 and released in 1981.
In 1977 Norman recorded Something New under the Son, a blues-rock concept album that some regard as his tour de force, [1] and as "one of the roughest, bluesiest, and best rock and roll albums of his career or the whole industry", [2] that took its title from "an ironic inversion of a phrase in Ecclesiastes", [3] namely: "there is nothing new under the sun" (Ecclesiastes 1:9b). Norman indicated that the songs chronicled "Pilgrim's" journey into faith. [4] On this album Norman deliberately "took lots of musical & lyrical parts from old blues songs and from Bob Dylan songs". [5] The album cover replicates Bob Dylan's Bringing It All Back Home's cover on the inner sleeve of the original LP. [5] [6] Jesus Music historian David Di Sabatino described the album as "Musically reminiscent of The Rolling Stones' Exile on Main Street "(1972). "Nightmare #97" imitates the "false start" of Bob Dylan's 115th Dream and uses the opening line and a similar tune of Lloyd Price's version of Stagger Lee. "Watch What You're Doing" uses the opening line of Stump Johnson's "The Duck Yas-Yas-Yas". With the song "Let That Tape Keep Rolling" [7] Norman pays homage to Mick Jagger [8] and Van Morrison. [9] Norman explained the philosophy behind this album:
The album is called Something New Under the Son. Well my music is not new. "There's nothing new under the sun", Solomon said and my album is not new. I'm not trying to say that my album is new under the sun but I'm trying to say that we are something new under the Son. When we're born again we're a new creature and old things pass away, so on my album I wanted to put some remnants from the past. There are little bits and pieces in the music that some people might recognise have been on other albums before. Just a word there, a little sentence or some musical riff or lick and a lot of people have figured out what they are and when you listen to it you say "wait a minute, I think I've heard that before!" Yes, you have, because there's nothing new under the sun - except us. We are new in Christ. [10]
Norman had intended to release this as a double album with his 1971 song "The Tune" on the second album (and a blank fourth side or a side with a lengthy version of "Watch What You're Doing"). [5] However, Word rejected Norman's wishes as they believed two separate albums would be more profitable, [11] censored some of the songs, and delayed the album's release until 1981. [12] A full length (almost 12 minute) version of "The Tune" was recorded in Hollywood in 1977, but not released until 1983 on the album The Story of the Tune, which is called "the continuation of Something New Under The Son on the back cover". [13]
The CD reissue restores a censored verse to "Watch What You're Doing" and omits a brief intro from "Leaving The Past Behind."
These bonus tracks appear on the 2003 CD re-issue
Larry David Norman was an American musician, singer, songwriter, record label owner, and record producer. He is considered to be one of the pioneers of Christian rock music and released more than 100 albums.
Al Kooper is a retired American songwriter, record producer, and musician, known for joining and naming Blood, Sweat & Tears, although he did not stay with the group long enough to share its popularity. Throughout much of the 1960s and 1970s he was a prolific studio musician, including playing organ on the Bob Dylan song "Like a Rolling Stone", French horn and piano on the Rolling Stones song "You Can't Always Get What You Want", and lead guitar on Rita Coolidge's "The Lady's Not for Sale". Kooper produced a number of one-off collaboration albums, such as the Super Session album that saw him work separately with guitarists Mike Bloomfield and Stephen Stills. In the 1970s Kooper was a successful manager and producer, recording Lynyrd Skynyrd's first three albums. He has had a successful solo career, writing music for film soundtracks, and has lectured in musical composition. Kooper was selected for induction for the Rock and Roll Hall of Fame in 2023.
Solid Rock Records is a record label started by Larry Norman. It was established in 1975 to distribute his work after he had been released by Capitol Records. Solid Rock had a distribution deal until 1980 with Word Records.
"Subterranean Homesick Blues" is a song by Bob Dylan, recorded on January 14, 1965, and released as a single by Columbia Records, catalogue number 43242, on March 8. It is the first track on the album Bringing It All Back Home, released some two weeks later. It was Dylan's first Top 40 hit in the United States, peaking at number 39 on the Billboard Hot 100. It also entered the Top 10 of the UK Singles Chart. The song has subsequently been reissued on numerous compilations, the first being the 1967 singles compilation Bob Dylan's Greatest Hits. One of Dylan's first electric recordings, "Subterranean Homesick Blues" is also notable for its innovative music video, which first appeared in D. A. Pennebaker's documentary Dont Look Back. An acoustic version of the song, recorded the day before the single, was released on The Bootleg Series Volumes 1–3 1961–1991.
Everybody Knows This Is Nowhere is the second studio album by Canadian-American musician Neil Young, released in May 1969 on Reprise Records, catalogue number RS 6349. His first with longtime backing band Crazy Horse, it emerged as a sleeper hit amid Young's contemporaneous success with Crosby, Stills, Nash & Young, ultimately peaking at number 34 on the US Billboard 200 in August 1970 during a 98-week chart stay. It has been certified platinum by the RIAA.
Self Portrait is the tenth studio album by the American singer-songwriter Bob Dylan, released on June 8, 1970, by Columbia Records.
Planet Waves is the fourteenth studio album by American singer-songwriter Bob Dylan, released on January 17, 1974, by Asylum Records in the United States and Island Records in the United Kingdom.
Ramblin' Jack Elliott is an American folk singer-songwriter.
Shot of Love is the twenty-first studio album by American singer-songwriter Bob Dylan, released on August 12, 1981, by Columbia Records. It is considered to be Dylan's last of a trilogy of Christian albums. Arrangements are rooted more in rock, and less in gospel than Dylan's two previous albums.
Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed. It is the first live album to reach number 1 in the UK. It was reported to have been issued in response to the well-known bootleg Live'r Than You'll Ever Be. This was also the band's final release under the Decca record label. Subsequent releases were made under the band's own label Rolling Stones Records.
Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters in history, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"All Tomorrow's Parties" is a song by the Velvet Underground and Nico, written by Lou Reed and released as the band's debut single in 1966. The song is from their 1967 debut studio album, The Velvet Underground & Nico.
In Another Land is a studio album recorded by Larry Norman and released in 1976. It is the third album in Norman's "trilogy", which began with Only Visiting This Planet and continued with So Long Ago the Garden. The album contains some of Norman's most well-known work.
So Long Ago the Garden is an album recorded by Larry Norman, released in 1973. It is the second album in what came to be known as his "trilogy," which began with the album Only Visiting This Planet and concluded with In Another Land. So Long Ago the Garden was controversial because Norman's previously blatant Christian beliefs were more veiled on this album. In the song "Shot Down", on the album In Another Land, Norman responded to accusations by fellow Christians that he had abandoned his faith in search of fame and fortune.
The Basement Tapes is the sixteenth album by the American singer-songwriter Bob Dylan and his second with the Band. It was released on June 26, 1975, by Columbia Records. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of Blonde on Blonde and the subsequent recording and release of John Wesley Harding, during sessions that began at Dylan's house in Woodstock, New York, then moved to the basement of Big Pink. While most of these had appeared on bootleg albums, The Basement Tapes marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
James Norman Scott was an American R&B and jazz singer and songwriter. In his early career, Norman had a charting single of his own, "I Don't Love You No More ", as well as performing session work with Jimi Hendrix, but he is better known as a lyricist and songwriter. He wrote the expanded lyrics of the song "Time Is on My Side", which became a hit for The Rolling Stones and was later re-recorded and produced by Stephen Vanderbilt featuring "St. Tropez" as the A side of a 45 released from the album Home throughout Europe. Norman composed a number of songs performed by well-known musicians including Johnny Nash and Bob Marley. In 1969 he became involved with doo-wop band The Coasters, first as a producer and then as a touring member. He was also recording independently, releasing a solo album in 1998, the same year poor health forced him to retire from performance. Like many other musicians of his time, he was not financially prepared for retirement or heavy medical bills, and with few royalties for his writing soon found himself in economic crisis. With the assistance of charitable organization Jazz Foundation of America, Norman regained his feet and resumed performing, releasing his first wide-distribution album in 2004, Little Pieces. He performed in the Manhattan area until shortly before his death.
"A Satisfied Mind" is a song written by Joe "Red" Hayes and Jack Rhodes. Hayes explained the origin of the song in an interview: "The song came from my mother. Everything in the song are things I heard her say over the years. I put a lot of thought into the song before I came up with the title. One day my father-in-law asked me who I thought the richest man in the world was, and I mentioned some names. He said, 'You're wrong; it is the man with a satisfied mind.'"
Stranded in Babylon is an album recorded by Larry Norman in Norway in 1991. It was re-released in 1993 as Stranded in Babylon: The American Re-Mix. The album comprises 13 new songs written by Larry and represents some of his best work since the early days of his career. Larry and his brother Charly play all of the instruments, but the sound is full and well-produced.
"The Duck Yas-Yas-Yas" or "The Duck's Yas Yas Yas" is a hokum jazz-blues song, originally recorded by James "Stump" Johnson, but the most well known version was recorded by Oliver Cobb and his Rhythm Kings. The song is perhaps best known for the lyrics:
Tourniquet is an album recorded by Larry Norman and released in 2001.