Son-Rise: A Miracle of Love is a televised docudrama film that aired on NBC in 1979 and is adapted from the nonfiction book Son-Rise (currently Son-Rise: The Miracle Continues) by Barry Neil Kaufman. It is the real-life story of how, according to his parents, Raun Kaufman fully recovered from severe autism.[2] The film was directed by Glenn Jordan and the teleplay was written by Stephen Kandel, Samahria Lyte Kaufman, and Barry Neil Kaufman.[3]
The film tells of Bears and Suzie Kaufman and their newly born son, Raun. By the time he was eighteen months old, Raun was diagnosed with a perpetual disability known as classic autism—which, at the time, was classified as a form of childhood schizophrenia—and had mental retardation. Accordingly, "although advised to institutionalize Raun, his parents...instead created an innovative home-based, child-centered program in an effort to reach [him]."[2] Subsequently, Raun became typical of neural development and earned his master's degree from Brown University.[2] The film went on to receive the Humanitas Prize award.
The therapeutic, distraction play therapy progressed into a teaching model called The Son-Rise Program. By 1983, Bears and Samahria Kaufman founded The Option Institute and the Autism Treatment Center of America in Berkshire County, Massachusetts. Raun, his family and other staff members currently serve on the board of directors.[4]
Plot
Raun was born "like all, perfect" to Bears and Suzi Kaufman.[1] Eventually, his parents noticed that Raun could only see certain things and sometimes hear. He also lost a couple of words that he had been taught.[5] He had 12 out of 13 symptoms of autism. Medical professionals were pessimistic about Raun's condition.[1] The only options offered to the Kaufmans at the time were either institutionalization or a behavior modification program that employed aversives, such as spanking and electrical shocks. His parents also witnessed young children being locked into cabinets by clinicians; other children had their hands tied to the back of chairs to suppress hand-flapping, a self-stimulatory behavior common to autism.
The Kaufmans decided to work with Raun, although he had not yet reached the age of two.[5] The Kaufmans' utilized their downstairs restroom which was the only place free of distractions.[citation needed] When Raun flapped his hands and spun plates, so did Suzi and Bears — joining Raun. After Suzi spun plates with Raun for several months, Raun looked directly at Suzi and smiled for the first time since Raun had become autistic.[5] Other forms of contact Raun made included crying, when he was thirsty for juice or water.[5] Raun's mother worked with him for a total of 70 to 80 hours a week and his father sold his advertising agency to have more time to work with his son. However, Raun relapsed into spinning plates without making contact, causing his parents to start all over until he made contact again. The Kaufmans' work was successful.[1] At the end of the film, Raun was six years old and known as "a happy, active, bright, and loving normal boy."[1]
The film was directed by Glenn Jordan, produced by Richard M. Rosenbloom, and executive produced by Bernard Rothman and Jack Wohl with the teleplay written by Stephen Kandel, Samahria Lyte Kaufman, and Barry Neil Kaufman.[3] Throughout the film, singer Debby Boone sang the track "Is There Room in Your World for Me?"[citation needed]
Cast
The cast that played the role of the Kaufman family are listed below.[7][8]
Michael and Casey Adams as Raun Kaufman. Michael and Casey are twin brothers and are the great-grandsons of the well-known film director King Vidor.[9]
1 2 "Unto the Third Generation". The Bryan Times. Brown Publishing Company. 1979-05-03. Twins (Michael and Casey Adams—great grandsons of King Vidor)—were likely cast because strict California labour laws limited the number of hours in which children could film per day. Using twins for a single role allows filming to last twice as long.
↑ Stanley, Alessandra. "Test". The New York Times. Retrieved 2010-05-23.
↑ "Unto the Third Generation". The Bryan Times. Brown Publishing Company. 1979-05-03. — filmed in California. Twins (Michael and Casey Adams—great grandsons of King Vidor) were likely cast because strict California labour laws limited the number of hours in which children could film per day. Using twins for a single role allows filming to last twice as long.
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