Son Egal | ||||
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Studio album by | ||||
Released | 1997 | |||
Label | Xenophile [1] | |||
Producer | Simon Emmerson, Martin Russell | |||
Tarika chronology | ||||
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Son Egal is the second album by the Malagasy band Tarika, released in 1997. [2] [3] It was the band's first widely distributed album. [4] Tarika promoted it with a two-month North American tour. [5] Son Egal was a hit in Madagascar, as well as on American and European world music charts. [6] [7]
Sonegaly is the Malagasy word for Senegal. [8] The title is also French for equal sound. [9]
Son Egal was produced by Simon Emmerson and Martin Russell. [10] It is a loose concept album about the Malagasy Uprising—where French colonists used Senegalese (and other African) forces to violently put down an uprising—that began 50 years prior to the album's release. [1] [3] [11] Tarika worked with Senegalese musicians, some from Baaba Maal's band. [12] [13] Prior to recording the album, Hanitra, the band's frontwoman, spent time listening to Malagasy survivors of the violence; many survivors of torture were eager for rectification and understanding. [14] [15] Hanitra wanted to improve relations with Senegal by acknowledging that the French colonial-trained forces were made up of soldiers from many African nations. [16] The band used valihas, koras, and tamas on the album; several songs employed the harmonies of sisters Hanitra and Noro. [17] [18] [19]
Many songs criticize the Malagasy politics of the 1990s, as well as global perceptions of Madagascar. [13] [20] "Avelo" alludes to the problem of grave robbing in Madagascar. [17] "Diso Be" references the 1947 uprising and the 1897 exile of Queen Ranavalona III. [21] "Aza Misy Miteniteny" was written by revolutionary students of the 1970s. [22]
Review scores | |
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Source | Rating |
AllMusic | [23] |
Dayton Daily News | [24] |
The Encyclopedia of Popular Music | [25] |
MusicHound World: The Essential Album Guide | [10] |
Robert Christgau liked the album but debated whether its sound was "chirpy or ebullient." [26] The Washington Post deemed it "a high-energy Afro-pop outing." [27] The Guardian considered Son Egal "a typically exuberant dance set but also a brave and original political diatribe which contrasts the island's colonial past with modern-day racism and corruption." [14]
SF Weekly called the album "a vibrant, sweeping condemnation of the political corruption eating away at the island of Madagascar." [28] JazzTimes labeled it "political music with a seductive pulse and surface, a fascinating project," writing that "the group masterfully blends indigenous Malagassy music with modern notions, and in this case, arranges a collaboration with Senegalese musicians." [12] The Dayton Daily News praised the "soaring harmonies [and] speed-plucking guitar work." [24]
AllMusic wrote that, "like other Tarika efforts, Son Egal has a strong sociopolitical bent ... it's clear that Tarika is a melodic powerhouse." [23]
No. | Title | Length |
---|---|---|
1. | "Tsy Kivy" | |
2. | "Avelo" | |
3. | "Voandalana" | |
4. | "Zotra" | |
5. | "Sonegaly" | |
6. | "Rafrancois" | |
7. | "Vavaka" | |
8. | "Ady" | |
9. | "Sento" | |
10. | "Raha Tiany" | |
11. | "Forever" | |
12. | "Diso Be" | |
13. | "Aza Misy Miteniteny" |
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