Sonata-Fantaisie in G-sharp minor (Scriabin)

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Alexander Scriabin's Sonate-Fantaisie in G-sharp minor (or Sonata-Fantaisie) was composed in 1886, when he was fourteen. It was dedicated to Natalya Sekerina, the sweetheart of his adolescence.

A portentous introduction leads to a gentle, idyllic first movement highly reminiscent of Chopin in its flow of melody. The opening Andante gives way to a more agitated sonata movement. The cadence theme, especially on its return where it is accompanied by simple chords rather than flowing accompaniment figures, has a touch of a mazurka about it. The development section, with its broken tenths in the left hand and the polyphony in the treble, is very original in its sonorities. The end introduces a reminiscence of an ensuing idea in the introduction. Its chromaticism is highly characteristic of Scriabin's later works.

It was written during the time when Scriabin was studying under Nikolai Zverev.

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Piano sonata

A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement, others with two movements, some contain five or even more movements. The first movement is generally composed in sonata form.

<i>Fantaisie-Impromptu</i>

Frédéric Chopin's Fantaisie-Impromptu in C minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The Fantaisie-Impromptu is one of Chopin's most frequently performed and popular compositions.

Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces entitled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.

F-sharp major Major scale based on F-sharp

F-sharp major is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps.

A-flat major

A-flat major is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has four flats.

D-flat major Major scale based on Dâ™­

D-flat major is a major scale based on D, consisting of the pitches D, E, F, G, A, B and C. It is enharmonically equivalent to C-sharp major. Its key signature has five flats.

B minor

B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature consists of two sharps. Its relative major is D major and its parallel major is B major.

F-sharp minor

F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major.

C-sharp minor Tonality

C-sharp minor is a minor scale based on C, with the pitches C, D, E, F, G, A, and B. Its key signature consists of four sharps.

G-sharp minor

G-sharp minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has five sharps.

F minor

F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has eight sharps, including the double sharp F, which makes it rarely used.

E-flat minor

E-flat minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature consists of six flats. Its relative key is G-flat major and its parallel key is E-flat major. The direct enharmonic equivalent of E-flat minor is D-sharp minor, a key signature of six sharps.

The Piano Sonata No. 3 in F-sharp minor, Op. 23, by Alexander Scriabin was composed between 1897 and 1898. The sonata consists of four movements, typically spanning 18 minutes in performance.

The Piano Sonata No. 1 in F minor, Op. 6, by Alexander Scriabin, was the third of twelve piano sonatas that he composed. It was completed in 1892. The music is emotionally charged as much of the music was written after Scriabin had damaged his right hand through excessive piano playing.

Alexander Scriabin's Fantasie in B minor, Op. 28, was written in 1900. This is a single sonata form movement which bridges the gap between Scriabin's third and his fourth sonata. Scriabin wrote this piece during an otherwise compositionally unproductive period during his tenure at the Moscow Conservatory. The first edition was published by Belaieff.

In music, Op. 28 stands for Opus number 28. Some compositions assigned this number: