The Piano Sonata No. 7, Op. 64, subtitled Messe Blanche, was written by Alexander Scriabin in 1911. As one of the late piano sonatas of Scriabin's career, the music is highly chromatic and almost atonal. George Perle says that, "the primary set upon which the Seventh Sonata is based," is, in linear order as spelled by Scriabin, E, F♯, G, A, B♭, C, D♭, and that the mystic chord may be derived from the quartal spelling of this set.
Scriabin's Piano Sonata No. 2 in G-sharp minor, took five years for him to write. It was finally published in 1898, at the urging of his publisher. The piece is in two movements, with a style combining Chopin-like Romanticism with an impressionistic touch. The piece is widely appreciated and is one of Scriabin's most popular pieces.
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement, others with two movements, some contain five or even more movements. The first movement is generally composed in sonata form.
Frédéric Chopin's Fantaisie-Impromptu in C♯ minor, Op. posth. 66, WN 46 is a solo piano composition. It was composed in 1834 and published posthumously in 1855 despite Chopin's instruction that none of his unpublished manuscripts be published. The Fantaisie-Impromptu is one of Chopin's most frequently performed and popular compositions.
G major is a major scale based on G, with the pitches G, A, B, C, D, E, and F♯. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor.
Sergei Rachmaninoff's Prelude in C-sharp minor, Op. 3, No. 2, is one of the composer's most famous compositions. Part of a set of five piano pieces titled Morceaux de fantaisie, it is a 62-bar prelude in ternary (ABA) form. It is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes.
F-sharp major is a major scale based on F♯, consisting of the pitches F♯, G♯, A♯, B, C♯, D♯, and E♯. Its key signature has six sharps.
D-flat major is a major scale based on D♭, consisting of the pitches D♭, E♭, F, G♭, A♭, B♭ and C. Its key signature has five flats.
B minor is a minor scale based on B, consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major.
F-sharp minor is a minor scale based on F♯, consisting of the pitches F♯, G♯, A, B, C♯, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major.
C-sharp minor is a minor scale based on C♯, with the pitches C♯, D♯, E, F♯, G♯, A, and B. Its key signature consists of four sharps.
G-sharp minor is a minor scale based on G♯, consisting of the pitches G♯, A♯, B, C♯, D♯, E, and F♯. Its key signature has five sharps.
F minor is a minor scale based on F, consisting of the pitches F, G, A♭, B♭, C, D♭, and E♭. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp minor, has six sharps and the double sharp F, which makes it impractical to use.
B-flat minor is a minor scale based on B♭, consisting of the pitches B♭, C, D♭, E♭, F, G♭, and A♭. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used.
The Piano Sonata No. 3 in F-sharp minor, Op. 23, by Alexander Scriabin was composed between 1897 and 1898. The sonata consists of four movements, typically spanning 18 minutes in performance.
The Piano Sonata No. 6, Op. 62, by Alexander Scriabin was composed in 1911. Although it was named the sixth sonata, the piece was preceded by the Sonata No. 7. As it is one of the late piano sonatas of Scriabin's career, the music consists of a single movement and is almost atonal, although it is sometimes listed as being in the key of G. Scriabin reportedly never played the sonata in public, because he feared its darkness.
The Piano Sonata No. 1 in F minor, Op. 6, by Alexander Scriabin, was the third of twelve piano sonatas that he composed. It was completed in 1892. The music is emotionally charged as much of the music was written after Scriabin had damaged his right hand through excessive piano playing.
Alexander Scriabin's Fantasie in B minor, Op. 28, was written in 1900. This is a single sonata form movement which bridges the gap between Scriabin's third and his fourth sonata. Scriabin wrote this piece during an otherwise compositionally unproductive period during his tenure at the Moscow Conservatory. The first edition was published by Belaieff.
Alexander Scriabin's 24 Preludes, Op. 11 is a set of preludes composed in the course of eight years between 1888–96, being also one of Scriabin's first published works with M.P. Belaieff in 1897, in Leipzig, Germany, together with his 12 Études, Op. 8 (1894–95).
Fantaisie for piano and orchestra (L.73/CD.72), is a composition for piano and orchestra by French composer Claude Debussy. It was composed between October 1889 and April 1890, but only received its first public performance in 1919, a year after Debussy's death. The work is dedicated to the pianist René Chansarel, who had been scheduled to play the solo part for the cancelled premiere in 1890.
