Song of the Open Road | |
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Directed by | S. Sylvan Simon |
Written by | Albert Mannheimer |
Story by | Irving Phillips Edward Verdier |
Produced by | Charles R. Rogers |
Starring | Edgar Bergen Charlie McCarthy Bonita Granville W.C. Fields Sammy Kaye Jane Powell Peggy O'Neill Jackie Moran Bill Christy Reginald Denny Regis Toomey Rose Hobart Pat Starling Condos Brothers Hollywood Canteen Kids Catron & Popp |
Cinematography | John W. Boyle |
Edited by | Truman K. Wood |
Music by | Charles Previn |
Distributed by | United Artists |
Release date |
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Running time | 93 minutes |
Country | United States |
Language | English |
Song of the Open Road is a 1944 musical comedy film directed by S. Sylvan Simon, from a screenplay by Irving Phillips and Edward Verdier. It was the debut film of teenage singer Jane Powell. Powell's real name was Suzanne Burce, but prior to the release of this film MGM assigned her the stage name "Jane Powell" (the name of the character she portrays in this film). [1]
Child film star Jane Powell, tired of her life being run by her stage mother, runs away from home and tries to lead a "normal" life at a Crops Corps camp. [2] When a crop needs picking, Powell enlists the help of some celebrity friends.
Director S. Sylvan Simon had difficulty filming scenes with W. C. Fields because of Fields' alcoholism.
Although Fields often made fun of singers and singing in general, he had a fondness for the promising young singer Jane Powell and even referred to her (as "little Janie Powell") on one of his CBS radio broadcasts (preserved on transcription discs). Powell sang several songs in the film and made such an impression that MGM signed her to a contract to make a number of musical comedies for them, through the mid-1950s. Powell's real name was Suzanne Burce, but prior to the release of this film, MGM assigned her the stage name "Jane Powell", the name of the character she portrays in this film. [1]
Location shooting was done in Palm Springs, California and at the Pan-Pacific Auditorium in Los Angeles. [3]
This was W. C. Fields's next-to-last film; his last ( Sensations of 1945 ) would be released only 9 days after this film was issued. In the film, Fields—who began his career as an accomplished juggler—plays himself and juggles some oranges for a few moments. He remarks "This used to be my racket". Then, missing a catch, he drops the oranges and walks away muttering "used to be my racket, but it isn't anymore!"
The film also has a brief continuation of the long-running feud between Fields and woodenhead dummy Charlie McCarthy with a new twist: "Charlie McCarthy Jr." is a miniature version of the dummy that sits on the larger dummy's knee with Charlie as his ventriloquist. The sight of this has Fields throwing away his bottle and vowing to give up drinking.
Year | Result | Award | Category | Recipient |
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1945 | Nominated | Academy Award | Best Music, Original Song ("Too Much in Love") | Walter Kent (Music) & Kim Gannon (Lyrics) |
1945 | Nominated | Academy Award | Best Music, Scoring of a Musical Picture | Charles Previn |
1945 | Nominated | Academy Award | Best Art Direction, Black and White | N/A (nomination withdrawn) |
Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine Women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.
Edgar John Bergen was an American ventriloquist, comedian, actor, vaudevillian and radio performer. He was best known for his characters Charlie McCarthy and Mortimer Snerd. Bergen pioneered modern-day ventriloquism and has been described by puppetry organization UNIMA as the “quintessential ventriloquist of the 20th century”. He was the father of actress Candice Bergen.
Jane Powell was an American actress, singer, and dancer who appeared in Metro-Goldwyn-Mayer musicals in the 1940s and 50s. With her soprano voice and girl-next-door image, Powell appeared in films, television and on the stage, performing in the musicals A Date with Judy (1948), Royal Wedding (1951), Seven Brides for Seven Brothers (1954), and Hit the Deck (1955).
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Sensations of 1945 is a 1944 American musical-comedy film directed by Andrew Stone and starring Eleanor Powell. Released by United Artists, the film was an attempt to recapture the ensemble style of films such as Broadway Melody of 1936 by showcasing a number of top musical and comedy acts of the day, in a film linked together by a loose storyline. Sensations of 1945 stars dancer Powell and Dennis O'Keefe as two rival publicists who fall in love, but the film's main purpose is to showcase a variety of different acts, ranging from tightrope walking to comedy to Powell's athletic tap dancing. The rollicking supporting cast features W.C. Fields in his final role the year before his death, C. Aubrey Smith, Eugene Pallette, dancer David Lichine, Lyle Talbot, Sophie Tucker, jazz pianist Dorothy Donegan, Cab Calloway, Woody Herman, jazz pianist/composer Gene Rodgers, and Les Paul.
You Can't Cheat an Honest Man is a 1939 American comedy film directed by George Marshall and Edward F. Cline and starring W. C. Fields. Fields also wrote the story on which the film is based under the name Charles Bogle.
Stage Door Canteen is a 1943 American World War II film with musical numbers and other entertainment interspersed with dramatic scenes by a largely unknown cast. The film was produced by Sol Lesser's Principal Artists Productions and directed by Frank Borzage. The film features many celebrity cameo appearances but primarily relates a simple drama set in the famed New York City restaurant and nightclub for American and Allied servicemen. Six bands are featured. The score and the original song, "We Mustn't Say Goodbye", were nominated for Academy Awards.
Nancy Goes to Rio is a 1950 American Technicolor musical-comedy film directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Jane Hall, Frederick Kohner, and Ralph Block. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth, and Stoll.
The Chase and Sanborn Hour is the umbrella title for a series of American comedy and variety radio shows sponsored by Standard Brands' Chase and Sanborn Coffee, usually airing Sundays on NBC from 8 p.m. to 9 p.m. during the years 1929 to 1948.
John Hubbard was an American television and film actor.
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When Johnny Comes Marching Home is a 1942 musical film directed by Charles Lamont and starring Allan Jones and Jane Frazee. The film is loosely based on the song with the same title.
What's Cookin'? is a 1942 American musical film directed by Edward F. Cline and starring The Andrews Sisters, Jane Frazee, Robert Paige and Gloria Jean. The film is based on the story Wake Up and Dream written by Edgar Allan Woolf.
Two Weeks with Love is a 1950 romantic musical film made by Metro-Goldwyn-Mayer. It was directed by Roy Rowland and based on a story by John Larkin, who co-wrote the screenplay with Dorothy Kingsley.
Delightfully Dangerous is a 1945 American musical comedy film directed by Arthur Lubin showcasing teenage singer Jane Powell—in her second film on loan out to United Artists from MGM—and orchestra leader Morton Gould. The working titles of this film were Cinderella Goes to War, Reaching for the Stars and High Among the Stars. It was Frank Tashlin's first writing credit on a live action feature film.
The Thrill of Brazil is a 1946 American musical comedy film directed by S. Sylvan Simon and starring Evelyn Keyes, Keenan Wynn, and Ann Miller. It was produced and distributed by Columbia Pictures. Simon was loaned out from MGM to direct the film.
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